मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, March 29, 2010

तो पहा! तो पहा!! अमिताभ बच्चन! अमिताभ बच्चन!!

If you followed only Marathi e-media to keep tabs on "akhil bharatiya marathi sahitya sammelan" (अखिल भारतीय मराठी साहित्य संमेलन) held in Pune on March 26-28 2010, you would not be wrong to conclude that it was all about if Ashok Chavan and Amitabh Bachchan shared a dais or not or if very-busy-in-IPL Sachin Tendulkar attended the meet or not.

I can assure you it was surely more than that.

As I was coming out of Sammelan on Sunday morning, a young couple carrying a toddler, looking at my books, asked me anxiously where the book exhibition was. They didn't want to miss out on that! When I assured them that it was not going away for a while, they smiled ear-to-ear.

I once again remember William Leith's words:
"...India’s media is heading for ad-backed celebrity hell faster, and more comprehensively, than ours (British)..."


तो पहा! तो पहा!! अमिताभ बच्चन! अमिताभ बच्चन!!
(Look there! Look there!! Amitabh Bachchan! Amitabh Bachchan!!)

Artist: Vasant Sarwate(वसंत सरवटे), 1974

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2 comments:

Minanath Dhaske said...

हे घ्या अजून एक व्यन्गचित्र....
http://caricaturehome.blogspot.com/2010/03/big-b-bigger-politics-biggest-problems.html

March 29, 2010 at 11:16 AM
Aniruddha G. Kulkarni said...

Thanks Minanath.

March 29, 2010 at 1:27 PM

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