Forget science fiction, the reason lakhs of middle-class Indians have migrated to North America, ANZ and Europe etc. is this: A new life awaits you in the off-world colonies....the chance to begin again....Indeed Sci-Fi imitates life.
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Friday, November 01, 2019
Philip K. Dick, Many NRI's: Sci-Fi Imitates Life
Forget science fiction, the reason lakhs of middle-class Indians have migrated to North America, ANZ and Europe etc. is this: A new life awaits you in the off-world colonies....the chance to begin again....Indeed Sci-Fi imitates life.
Wednesday, October 30, 2019
The End of Diwali, Getting Orphaned, The Weight of the World
Artist: Drew Dernavich, The New Yorker, December 2016
या वेळची आमची दिवाळी मोठी कठीण ठरली, ऑक्टोबर ४ ला माझे सासरे - श्रीधर बाळकृष्ण देशपांडे, ८८- वारले आणि ऑक्टोबर २२ला माझे वडील - गोपाळ दत्त कुलकर्णी, ८३ - वारले. (माझी आई २००६ मध्येच वारली.)
त्यामुळे वरील कार्टून ने ३० तारखेपर्यंत थोडा वेगळा अर्थ घेतला... आपण घसरून पडलोय आणि आपल्यावर पृथ्वी पडलीय असा काहीसा....
Tuesday, October 29, 2019
Asterix@60
#Asterrix60
"When René Goscinny, the creator of Astérix, died in 1977, it was, in the words of one French obituary, ‘as if the Eiffel Tower had fallen down’. The cartoon adventures of the plucky little Gaul holding out against Roman conquest (with the help of a magic potion that could confer a few minutes’ irresistible strength at a single gulp) were as much a defining part of French cultural identity as the most distinctive monument on the Paris skyline. A national survey in 1969 suggested that two-thirds of the population had read at least one of the Astérix books; and by the time of Goscinny’s death total sales in France are said to have amounted to more than 55 million copies, putting Astérix substantially ahead of his main (Belgian) rival, Tintin. The first French space satellite, launched in 1965, was named in his honour (the US later matched this with spaceships called Charlie Brown and Snoopy). There was also, predictably, a more mundane range of Astérix spin-offs, from mustard to washing powder, that flooded the French market in the 1960s and 1970s. The story goes that Goscinny’s partner, Albert Uderzo, once saw three advertisements side by side on a Métro station, for three completely different products each endorsed with equal enthusiasm by Astérix and his cartoon comrades. From then on, they put much tighter limits on the products they would allow their hero to advertise...
..Most critics, on the other hand, have thought that there was a good deal that needed explaining. Some, like the Italian interviewer, have dwelt on the appeal of the David-and-Goliath conflict between the Gauls and the Roman superpower. Or, at least, David and Goliath with a twist: Astérix doesn’t beat brute force by superior cunning and intelligence – he does it thanks to his unexpected access to even bruter force than the enemy can deliver. In adventure after adventure, most of the Gauls’ over-ingenious schemes misfire as badly as the best-laid Roman ones. The reassuring fantasy is that, thanks to the magic potion, Astérix and his friends can mess things up and still win out..."
Saturday, October 26, 2019
Monet or Manet?
p,s.
On the wall: Grainstacks in the Sunlight, Morning Effect, 1890-91 by Claude Monet
Thursday, October 24, 2019
Monday, October 21, 2019
शिशिरागम... Sempe's Autumn Sonata
"शिशिरर्तुच्या पुनरागमें,
एकेक पण गळावया
कां लागतां मज येतसे
न कळे उगाच रडावया.
..."
('शिशिरागम', पृष्ठ २०, 'मर्ढेकरांची कविता', १९५९/ १९७७)
कलाकार : Jean-Jacques Sempe, द न्यू यॉर्कर, ऑक्टोबर २०,१९८०
सेंपे ह्या वसंत सरवटे यांच्या आवडत्या कलाकाराच्या मुखपृष्ठाकडे पहा.
कदाचित दुपारी घराच्या अंगणात टी पार्टी चालू असावी, त्या स्त्रिया थंडीची वस्त्रे विणत असाव्यात (उजवीकडचे टेबल पहा). ते सगळे बाजूला ठेऊन आता मेहफिल रंगली आहे. घरातील एक छोटी मुलगी पण त्यात शामील झाली आहे. फॉलची, मर्ढेकरांना रडवणारी, पाने पडत आहेत. मी म्हणेन Autumn Sonata सुरु आहे....
Friday, October 18, 2019
विंदांचे राहून गेलेले बर्गसॉंदर्शन - नारी दर्शन ....Bergson, Women and Vinda
दुर्गा भागवत:
"... ' जे प्रमाणाच्या मापात, नसे बाबा सापडत;
त्यात आणि आकाशपुष्पात , भेद काय?,'
हा तुम्ही अज्ञानवाद्यांना विचारलेला प्रश्न तुमच्याच अंगावर उलटवता येईल. अज्ञानाला एक न्याय आणि ब्रह्माला दुसरा , असे कसे? पण शेवटी असल्या डावपेचांनी अर्थ तो किती! म्हणून मी तक्रार करत नाही , ही अस्पष्टता व संदिग्धता निखळ तत्वज्ञानाला अपायकारक असली तरी तत्वकाव्याला उपकारकच ठरली आहे..."
(पृष्ठ १६०, 'अमृतानुभवाच्या अनुवादाच्या निमित्ताने', 'भावसंचित', मे २०१५... 'संत ज्ञानेश्वरांचा ।।अमृतानभव।।: ज्ञानदेवरचित अनुभवामृताचे विंदाकृत अर्वाचीनीकरण', १९८१/२००८)
विंदा करंदीकरांच्या "अष्टदर्शने" मधील सातवे दर्शन आहे बर्गसॉंदर्शन (पृष्ठ ६५-७३), आवृत्ती २००३.
त्यात दोन महत्वाच्या उणीवा मला जाणवत आल्या आहेत...खालील गोष्टींचा उल्लेख विंदा करत नाहीत:
१. बर्गसॉं यांची २०व्या शतकाच्या सुरवातीची सेलेब्रिटी लोकप्रियता
२. विशेषतः स्त्रियांमधील त्यांची लोकप्रियता आणि त्यामुळे त्यांच्या विरोधात आलेली लाट
त्याची पुन्हा एकदा जाणीव मे २०१९ मध्ये एमिली हेरिंग यांचा हा लेख वाचून झाली.
Wednesday, October 16, 2019
Sunday, October 13, 2019
Thursday, October 10, 2019
बक्षीचा पक्षी केला...Painless to the Criminal and Terrible to the Beholder?
"... (दौलतराव शिंदे (१७७९-१८२७) यांनी) सेनापती नारायणराव बक्षी याच्या दोन्ही अंगास बाण बांधून बत्ती दिली आणि त्यास आकाशात उंच उडवून ठार केले, का? तर "बक्षीचा पक्षी केला" असा प्रास साधण्याकरिता !..."
(पृष्ठ ३३, मर्हाटी लावणी, १९५६/२००३)
Mountstuart Elphinstone (1779–1859):
“Elphinstone did not hesitate to order the (Brahmin) ringleaders (of a plot to murder all the Europeans in Pune) to be blown from guns, observing that this method of execution ‘contains two valuable elements of capital punishment; it is painless to the criminal and terrible to the beholder’.”
(Philip Mason. “Men Who Ruled India”, 1953)
Artist: Gerhard Richter (1932-) from 'Comic Strip', 1962
Amazon.com says:
"Reproducing a recently found 1962 notebook, this small, beautifully clothbound volume reveals a never-before-seen dimension of Gerhard Richter's art. Comic Strip 1962 contains a series of cartoon-like drawings, done in the style of American greats such as Saul Steinberg (hence the artist's cartoonist-style abbreviation of his name to "Gerd" here). The black-and-white drawings generally feature one or many hatted silhouette figures, floating in the air, against bare backdrops or atop planets, with occasional handwritten text (in German, and mostly illegible) interspersed around them."