मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे:
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, May 20, 2019

नोहा आणि नोहाच्या देवाचा भेदाभेद ...Twitter Is Unclean!


Julian Barnes, 'A History of the World in 10 1/2 Chapters', 1989:
“...Even before the waters rose there had been grounds for unease. I know your species tends to look down on our world, considering it brutal, cannibalistic and deceitful (though you might acknowledge the argument that this makes us closer to you rather than more distant). But among us there had always been, from the beginning, a sense of equality. Oh, to be sure, we ate one another, and so on; the weaker species knew all too well what to expect if they crossed the path of something that was both bigger and hungry. But we merely recognized this as being the way of things. The fact that one animal was capable of killing another did not make the first animal superior to the second; merely more dangerous. Perhaps this is a concept difficult for you to grasp, but there was a mutual respect amongst us. Eating another animal was not grounds for despising it; and being eaten did not instill in the victim – or the victim’s family – any exaggerated admiration for the dining species.

Noah – or Noah’s God – changed all that. If you had a Fall, so did we. But we were pushed. It was when the selections were being made for the Compound of the Chosen that we first noticed it. All this stuff about two of everything was true (and you could see it made a certain basic sense); but it wasn’t the end of the matter. In the Compound we began to notice that some species had been whittled down not to a couple but to seven (again, this obsession with sevens). At first we thought the extra five might be travelling reserves in case the original pair fell sick. But then it slowly began to emerge. Noah – or Noah’s God – had decreed that there were two classes of beast: the clean and the unclean. Clean animals got into the Ark by sevens; the unclean by twos...”


Artist: NAF, The Spectator, UK

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