मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, July 17, 2014

इंगमार बर्गमनचे 'महाप्रस्थानिक पर्व'...Pandavas' Danse Macabre


is approach was poetic. It wasn’t prose; it was a poetic approach. The Seventh Seal, Wild Strawberries, The Magician were really poetic films in the same sense as that, when years went by, you see in a film like Cries and Whispers — there is really very little dialogue in it. You are hypnotically riveted by the camera moving around this red house. It’s watching poetry in motion. - See more at: http://www.hollywoodreporter.com/news/woody-allen-pays-tribute-ingmar-95679#sthash.PY8vqjx2.dpuf

his approach was poetic. It wasn’t prose; it was a poetic approach. The Seventh Seal, Wild Strawberries, The Magician were really poetic films in the same sense as that, when years went by, you see in a film like Cries and Whispers — there is really very little dialogue in it. You are hypnotically riveted by the camera moving around this red house. It’s watching poetry in motion. - See more at: http://www.hollywoodreporter.com/news/woody-allen-pays-tribute-ingmar-95679#sthash.PY8vqjx2.dpuf
Rajaji (Chakravarti Rajagopalachari) writes:

"...To Hastinapura came the sad tidings of the death of Vasudeva and the destruction of the Yadavas. When the Pandavas received the news, they lost all remaining attachment to life on earth. They crowned Parikshit, son of Abhimanyu, as emperor and the five brothers left the city with Draupadi. They went out on a pilgrimage, visiting holy places and finally reached the Himalayas. A dog joined them somewhere and kept them company all along. And the seven of them climbed the mountain on their last pilgrimage. As they toiled up the mountain path one by one fell exhausted and died. The youngest succumbed first. Draupadi, Sahadeva and Nakula were released from the burden of the flesh one after another. Then followed Arjuna and then great Bhima too. Yudhishthira saw his dear ones fall and die. Yet, serenely he went on not giving way to grief, for the light of Truth burned bright before him. Yudhishthira knew what was shadow and what was substance..."

(Mahabharata, Mahaprasthanika Parva, 1951)

They were six and a dog. (Dog was not really a dog but Dharma personified.)


an illustration from the Barddhaman edition of Mahabharata in Bangla, 19th century, author: Maharaja Mahatab Chand Bahadur (1820 - 1879)

courtesy: Wikipedia

In the Ingmar Bergman's 'The Seventh Seal' 1957, one of the greatest films ever made, towards the end, the knight and his followers are led away over the hills in a solemn dance of death.

They too are six in number, led by Death.


Cinematographer: Gunnar Fischer

courtesy: Wikipedia and the current copyright holders of the film
 
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)