I have not read J D Salinger but I plan to read him some day. However I read G A Kulkarni जी ए कुलकर्णी every month.
Some excellent articles have appeared on Salinger after his death.
JENNIFER FINNEY BOYLAN writes:
"THE national bereavement over the death of J. D. Salinger provided a strangely public moment in the career of a writer who’d become best known, in recent years, for his reclusiveness. There are other American writers famous for shunning the public eye — Thomas Pynchon leaps to mind — but Mr. Salinger’s seclusion was unique. By the end of his life, he may have become better known for his solitude than for his imagination.
In a way, nothing succeeds like invisibility. In America, we revere artists who won’t do the thing they’re famous for...
...The more steadfastly they refuse us, the more infuriatingly desirable they become..." (NYT Feb 1 2010)
That's how I thought G A Kulkarni became more desirable.
For a long time, GA refused permission to reprint his books once the first edition was sold out! Avoided meeting the then celebrities of Maharashtra. Used a rubber stamp of his signature instead of signing letters etc.
He simply didn't give a damn. I loved him also for that.
And then I saw in print his voluminous correspondence with many people in Maharashtra.
I was disappointed.
I always felt that instead of pouring his heart in writing and playing psychotherapist to the likes of Sunita Deshpande सुनीता देशपांडे, he could have written more books or painted.
He had so much to say...
On appreciation of arts. Perhaps a translation of his own stories in Kannada. On sights, sounds and smells (he was so good at smells) of Dharwad-Hubli. Where to savour the best south Indian snacks in Belgaum (here I remember his friend Jaywant Dalvi's जयवंत दळवी brilliant essay on eating out in Mumbai), beauty of two sisters Kannada-Marathi...
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
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