G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Monday, November 09, 2009
The Fall of the Wall:Camus, with help from Kafka and Molière
Some people say 'the fall' restored the light in Eastern Europe.
I always felt Václav Havel was a poster boy for anti-communist brigade.
Therefore, I was surprised to read him saying:
"...It lies in human nature that where you experience your first laughs, you also remember the age kindly. Older people experienced their first joys in that time, and it shapes their remembrance today. There are objective grounds for this nostalgia because the communists cared for the individual from birth to death, something that has gone missing today..." (Newsweek, October 9, 2009)
Gerard DeGroot says:
"...In Eastern Europe, the people wanted communism's fairness but also capitalism's riches. The incongruity of those desires eventually eroded communist regimes but has since produced ironies worthy of Tolstoy. Freedom did not bring justice...
...When light was restored, East Europeans emerged not as heroes but as flawed human beings. They are indeed just like everyone else.
As Poland's Cardinal Stefan Wyszynski once warned, one gang of robbers replaced another.
"Free elections," Constantine Pleshakov concludes, "do not necessarily lead to more freedom. . . . The free market can impoverish a nation as effectively as central planning." How true.
Today, the Czech Republic is a leading producer of pornography, while Sofia and Gdansk market themselves as destinations for stag weekends. Half a million Poles live in Britain, causing the British jokingly (and not so jokingly) to complain that they should take their work ethic and go home. That's not quite the simple beauty that starry-eyed romantics in the West envisioned in 1989..." (November 1, 2009)
Did Rambo Ronald Reagan's speech on June 12, 1987:"Mr. Gorbachev, open this gate! Mr. Gorbachev, tear down this wall!" bring down the wall?
Gerard DeGroot again:
"...The real story, minus the comic book hero, is more complicated -- and interesting. Reagan still plays a role, but as diplomat, not Rambo. His contribution came in accommodation; his willingness to talk to Gorbachev gave the Soviet leader the confidence to break molds. Gorbachev, furthermore, did not tear down the wall; he merely suggested that change would be tolerated.
The events themselves were played out by a cast of thousands in Budapest, Berlin, Prague, Warsaw and Bucharest. There was no script; this was an improvisational drama conceived by Camus, with help from Kafka and Molière. The Soviet Union came to the realization that its empire was no longer affordable. Like other imperial powers, it cut and ran, leaving colonial subjects to sort things out for themselves. Chaos naturally resulted.
...Events were shaped by "the logic of human messiness." The regimes in Eastern Europe were destroyed not by monolithic force, but by myriad human beings reacting impulsively to the freedom of possibility. Watching from afar, we saw what seemed like neat little dominoes falling. In fact, what happened was as capricious, and messy, as a tornado.
Chance played a huge part..."
Artist: Robert Weber, The New Yorker, Nov 27 1989