मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, March 06, 2014

Kim Novak- Now and Then...धम्मपद



The Dhammapada (धम्मपद):


"Look at your body—

A painted puppet, a poor toy

Of jointed parts ready to collapse,

A diseased and suffering thing

With a head full of false imaginings." 

 (as quoted in 'The Conspiracy Against The Human Race / A Contrivance of Horror' , 2010 by Thomas Ligotti)


Lip Service' by Marianne LaFrance, WSJ, August 6 2011:

"...This is why, as Ms. LaFrance shows, Botox treatments smooth out feelings as well as wrinkles. When Botox is injected into the muscle that encircles the eyes to eliminate what Ms. LaFrance unfortunately calls "those awful crow's-feet wrinkles" (she of all people should refer to them as laugh lines!), it inhibits the muscles that convey delight, curiosity or irritation. Appropriately enough, it does not affect the fake smile..."



Whom the gods would destroy, they first make beautiful. Just look what they did to Kim Novak. Until Sunday night, most of the world thought of Novak primarily as the siren of Hitchcock’s iconic “Vertigo,” a famously stunning actress whose career peak happened nearly 60 years ago. Then she showed up at the Oscars, presenting the award for best animated feature with an admiring Matthew McConaughey. Her hair was a shoulder length tumble of blond, but it was her face that was the most surprising for a woman of her 81 years. Her eyes seemed pulled back, her lips seemed strangely inflated and her skin seemed at once unnaturally taut and puffy. If you were on Twitter on the time, you could almost hear the collective gasp...."

Now:


courtesy: AP and The Atlantic

Apparently, Ms. Novak,  the 81-year-old actor, struggled to speak at the Oscars on the morning (in India) of March 3 2014.

Even her smile, fake or genuine,  seems to be affected in the picture above.

Spencer Kornhaber wrote in The Atlantic:

 "...The talk seems to be a bunch of people arriving at the same joke about the 81-year-old Vertigo star thinking she'd arrived to present an award for "Frozen," because of the way her face looked. Donald Trump, speaking as he does for civilization's baser instincts, tweeted that "Kim should sue her plastic surgeon!’"..."

Then:



courtesy: The Golden Age of Hollywood

Monday, March 03, 2014

I am Forlorn and Destitute, and Misery is My Ultimate Lot

Today March 3 2014 is 307th Death Anniversary of Emperor Aurangzeb who ruled most of India/ South Asia from 1658-1707, a record that may never be broken.

World's leading historian John Darwin says:

"...Aurangzeb’s reign came to be seen by later historians as the climax of the Mughal era, and his death as the signal for a new dark age of imperial collapse, from which India was rescued by British intervention after 1765..."

('After Tamerlane / The Global History of Empire since 1405', 2007)


Emperor Aurangzeb in front of soldiers and an elephant, 1672 


By:  Olfert Dapper (c 1635-1689), A Dutchman who never travelled outside the Netherlands!

Courtesy: Wellcome Library, London  (Copyrighted work available under Creative Commons Attribution only licence CC BY 2.0, see http://creativecommons.org/licenses/by/2.0/)

 John Keay, 'India A History', 2000/2010

"...In 1705 Aurangzeb fell seriously ill. A frail and shrouded spectre dressed ‘all over white’, as a visitor put it, with turban and beard of the same ghostly pallor, he was installed in a palanquin and carefully carried back to Ahmadnagar. Even then he was a long time dying. Embittered and isolated, he prayed hard, bemoaned the state of affairs, and found fault with his officials; he had already despaired of most of his progeny. As for himself, ‘I am,’ he wrote, ‘forlorn and destitute, and misery is my ultimate lot.’ The misery ended in 1707, his ninetieth year. His funeral expenses were supposedly met from the sale of the Qurans he had copied and the caps he had stitched. True to his wishes, he was buried not beneath a stylish mountain of marble and sandstone at the heart of the empire but in a simple grave beside a village shrine dear to the Muslims of the Deccan. At Khuldabad, not far from Aurangabad, a neat little mosque now flanks the small courtyard in which stands the least pretentious of all the Mughal tombs. There is barely room for a vanload of pilgrims. And instead of a great white dome, a dainty but determined tree provides the only canopy..."


Painted seal of Mughal Emperor Awrangzib ibn Shah Djahan I, Abul Muzzaffar Muhammad Alamgir surrounded by the names of his predecessors c. 1669

Courtesy: Wellcome Library, London  (Copyrighted work available under Creative Commons Attribution only licence CC BY 2.0, see http://creativecommons.org/licenses/by/2.0/ )

 

Friday, February 28, 2014

Science Demands Heroic Minds, But Not Heroic Morals

Today February 28 2014 is National Science Day in India

J. Robert Oppenheimer:

"When you see something that is technically sweet, you go ahead and do it and argue about what to do about it only after you've had your technical success. That's the way it was with the atomic bomb."

Dr. Vijay Bhatkar, 'Outlook', July 2002:

"Vedic astrology is one of the six limbs of the Vedic knowledge-system. Jyotish-shastra—that combines astronomy and astrology—is a coherent, consistent and comprehensive body of knowledge with theory, practice and underlying mathematical models, and is certainly a science."


Czesław Miłosz:


" If I had to tell what the world is for me 
I would take a hamster or a hedgehog or a mole
and place him in a theatre seat one evening
and, bringing my ear close to his humid snout,
would listen to what he says about the spotlights,
sounds of the music, and movements of the dance"
 
John Horgan, Scientific American, June 2013:

"There are lots of other irrational beliefs out there that science should try to cure people of. Some examples: Belief that string theory and multiverses are legitimate scientific propositions and not just science fiction with equations. Belief that snazzy new mathematical models running on ever more powerful computers will help the social sciences become as rigorous as nuclear physics. Belief that evolutionary psychology represents psychology’s final, triumphant paradigm instead of just another fad. Belief that behavioral genetics will soon transcend its embarrassing record of bogus claims—the gay gene, God gene, warrior gene, high-IQ gene, and so on–and become a credible field. Belief that drugs like SSRIs represent a huge advance over psychoanalysis and other “talking cures” for mental illness. Belief that humanity is headed toward a Singularity, when we all turn into software and live happily ever after in cyberspace."



Jeanette Winterson:


"As explanations of the world, fairy stories tell us what science and philosophy cannot and need not. There are different ways of knowing. "Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird."

John Gray:

"An old fairy tale has it that science began with the rejection of superstition. In fact it was the rejection of rationalism that gave birth to scientific inquiry. Ancient and medieval thinkers believed the world could be understood by applying first principles. Modern science begins when observation and experiment come first, and the results are accepted even when what they show seems to be impossible. In what might seem a paradox, scientific empiricism – reliance on actual experience rather than supposedly rational principles – has very often gone with an interest in magic.
Science and the occult have interacted at many points. They came together in two revolts against death, each claiming that science could give humanity what religion and magic had promised – immortal life."




'Science, Mystery and Magic II (superman)', 2011 (Oil on Canvas)

Artist: Jiten Thukral and Sumir Tagra

Courtesy: THUKRAL & TAGRA

 For most middle-class Maharashtrians and their media,  scientists- likes of Jayant Narlikar (जयंत नारळीकर), A P J Abdul Kalam,  Stephen Hawking,  Albert Einstein, Vijay Bhatkar (विजय भाटकर), Raghunath Mashelkar (रघुनाथ माशेलकर), Anil Kakodkar (अनिल काकोडकर) -  are like gods.

They can do almost no wrong. 
  
A few of them are best-selling authors in Maharashtra. They also are often sought after for 'sound bite' on most issues that attract media. All Indians among them have been given 'Padma' awards.

I have hardly read- if any- a critical assessment of their scientific work or general writings in a Marathi newspaper or TV.

They are as much celebrated for their morals as their intellect.


Adam Gopnik writes of Galileo:

"...In 1592, Galileo made his way to Padua, right outside Venice, to teach at the university. He promised to help the Venetian Navy, at the Arsenale, regain its primacy, by using physics to improve the placement of oars on the convict-rowed galleys. Once there, he earned money designing and selling new gadgets. He made a kind of military compass and fought bitterly in support of his claim to have invented it. Oddly, he also made money by casting horoscopes for his students and wealthy patrons. (Did he believe in astrology? Maybe so. He cast them for himself and his daughters, without being paid.)..."

(The New Yorker, February 11 2013)

Mr. Gopnik further writes:

"...Contemporary historians of science have a tendency to deprecate the originality of the so called scientific revolution, and to stress, instead, its continuities with medieval astrology and alchemy. And they have a point. It wasn’t that one day people were doing astrology in Europe and then there was this revolution and everyone started doing astronomy. Newton practiced alchemy; Galileo drew up all those horoscopes. But if you can’t tell the difference in tone and temperament between Galileo’s sound and that of what went before, then you can’t tell the difference between chalk and cheese. The difference is apparent if you compare what astrologers actually did and what the new astronomers were doing..."

I agree. You must appreciate "the difference in tone and temperament between Galileo’s sound and that of what went before,"

But Mr. Gopnik's conclusion of the essay is very disturbing:

"...It may be no accident that so many of the great scientists really have followed Galileo, in ducking and avoiding the consequences of what they discovered. In the roster of genius, evasion of worldly responsibility seems practically a fixed theme. Newton escaped the world through nuttiness, Darwin through elaborate evasive courtesies and by farming out the politics to Huxley. Heisenberg’s uncertainty was political—he did nuclear-fission research for Hitler—as well as quantum-mechanical. Science demands heroic minds, but not heroic morals..."