G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"

Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Thursday, July 04, 2013

Waits for Us All On a City Road With an IC Engine Beside HIm

"It does not take new accident data from the National Crime Records Bureau to confirm that India’s roads, bursting at the seams with about 141 million motorised vehicles in 2012, are deadly. The Centre has been ignoring the shameful toll of death and disability for years, responding only with token measures. State governments mostly limit themselves to granting meagre compensation to the families of victims, instead of engaging in serious reform. That 139,091 lives were lost on the roads last year seems to be an insignificant statistic, given the extraordinary indifference among policymakers to a worsening public health disaster. There is even less attention paid to the burden of disability caused annually by crash injuries. Studies show that figure could be 15 to 20 times the number of deaths..."
 James Graham Ballard:

“I believe in my own obsessions, in the beauty of the car crash, in the peace of the submerged forest, in the excitements of the deserted holiday beach, in the elegance of automobile graveyards, in the mystery of multi-storey car parks, in the poetry of abandoned hotels.'' 

Every time I drive in Pune or hear about a crash, I think of Ballard's novel 'Crash', 1972 and George Miller's movie  'Mad Max 2', 1981.

If my 19th century ancestors, I often think, who never saw 20th century,  were to return today, they would be surprised most not by mobile phones, not by television /radio, not by inhouse plumbing and electricity, not by antibiotics, not by aeroplanes, not by computers but how difficult it has now become  for a pedestrian to walk on a road in Pune even between 6:30 AM to 10 PM.

This is what happened to a family, related to us from my my wife's side, because of an automobile accident: A young man having a pregnant wife meets with an accident near Chembur, Mumbai. He is riding  a motor bike. He does not die. He goes into coma.  He wakes up from coma but never fully recovers. His parents sell off almost all their assets treating him and go broke. His sister shelters them in another city. His wife and kid leave him. His parents die. Bedridden he, looked after by his sister and her family, survives.

I haven't read or heard a more tragic middle-class tale than this.  

G A Kulkarni's ( जी ए कुलकर्णी) stories and letters have angry gods,  old abandoned water-wells, shortage of food,  abject poverty, diseases, lakes covered with moss, black magic, lightnings but no crashing automobiles. Lucky him! And us!!

J G Ballard says about his creation:  "Crash is less a hymn to death than an attempt to appease death, to buy off the executioner who waits for us all in a quiet garden nearby, like [Francis] Bacon's headless figure in his herringbone jacket, who sits patiently at a table with a machine gun beside him."
For Indians like me, he waits impatiently for us all on a chaotic, noisy, familiar city road with an IC engine beside him.

Artist: Unknown to me

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