I have read and liked many Indian cricket writers.
N S Phadke ना सी फडके, V V Karmarkar वि वि करमरकर, K N Prabhu, Raju Bharatan, Mihir Bose, Sunil Gavaskar, M A K Pataudi, Ramachandra Guha...but no one came close to Rajan Bala- who passed away on October 9 2009- in appreciating the game, which perhaps is a proxy for life.
His "All the Beautiful Boys" (1990) remains one of the best books I have read. I must have read it dozens of times since 1993, the year I bought it.
When he interviewed (chatted with?) people connected to the game, he brought the best out of them.
When I read the quotes attributed to M L Jaisimha, Gundappa Vishwanath, Eknath Solkar, Erapalli Prasanna, Chandu Borde in his book, I thought - my god, they all are as erudite as Ian Chappell or Sunil Gavaskar!
Here are a few examples of his writings:
"...Tauseef the Pakistani on a death trap of a wicket in Bangalore must have realised that Sunil (Gavaskar) was a different class of a player. I remember one ball which was pitched short and changed course- did not turn. It bounced straight on and over Sunil's shoulder. Sunil had read it all the way, It was the mobile front foot which enabled him to avoid the ball. It was incredible..."
Why do you need a TV when you have a description as graphic as that?
"...It was the only time I have seen a fast bowler in a Test match resort to bowling to widish bouncers in order to prevent a batsman getting a single. The West Indians wanted to deprive Vishy of his second century in two Tests and get at Chandrasekhar, the last man. They succeeded. That was Andy's (Roberts) ultimate tribute to Vishy..."
How he evokes the drama in a diminutive man humbling one of the greatest fast bowlers of all time bowling on a helpful wicket.
"...One of my best moments off cricket watching was a defensive stroke in a Test match. This was in Madras. India were playing Pakistan and Imran Khan was bowling to Sunil Gavaskar. Imran dung the particular delivery short. It was not a bouncer but one which forced Sunil to get on his toes and defend. Sunil did just that. He was on his toes, on the back foot, left hand tight on the bat handle, right hand removed, both hands wide apart, and standing absolutely sideways. The ball hit the bat fairly high and then virtually rolled down the length of the blade to drop passively at Sunil's feet. Imran, on his follow-through, applauded the batsman..."
Isn't there so much to cricket than just runs, wickets and catches?
"I remember M L Jaisimha waiting under a big mishit at the edge of the boundary. The ball seemed to be suspended in the air for ever so long. Some one hundred and forty thousand eyes were focused on the ball and the man, in turns. Jaisimha positioned himself and finally, after what seemed an eternity, grasped the ball with both hands and closed his eyes. Seventy thousand hearts heaved a collective sigh of relief. the scoreboard registered unemotionally, G. Sobers caught Jaisimha bowled Chandrasekhar. One more Test dismissal.
For a full and agonizing minute Jaisimha was the loneliest man in the stadium, the mammoth and magnificent Eden Gardens..."
World is a stage!
"All the four spinners, Chandra, Prasanna, Bedi and Venkat, who benefited from Ekky's (Eknath Solkar) catching prowess, have readily sung the man's praises. Chandra said: "He gave me great confidence. Considering the pace I bowled at, and also the fact that the ball could have deviated either way, Ekky must have been genius to even react to some of the deflections." Bishan Bedi said: "If he did not go for one that popped, I was quite convinced that the batsman had not got his bat to the ball. His anticipation was uncanny." Venkat said: "I always believed that I was a capable catcher. But he could really catch." And Prasanna said: "If my delivery had the right loop and the ball turned, I just looked towards Ekky."
To judge if the show put on was worth it, I just looked towards Rajan Bala.
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
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