मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Wednesday, March 12, 2008
All You Hear is Hema Malini. It’s as though Manorama Never Lived.
In sad circumstances. Alone. Apparently she had no house to stay before it was arranged. No one knows her only daughter’s whereabouts.
This is almost a pattern when it comes to Hindi film personalities, particularly character actors, of yesteryears.
She gave us so much of pleasure.
Other day I watched tearjerker Dus Lakh (1966) for a while. It has a scene when Manorama walks over to the table where Pran and Om Prakash are sitting. Moving her arched thumb towards Om Prakash, she asks Pran: “Who is this joker?”
I couldn’t stop laughing for a while.
1972 was a golden year for her.
Block buster, “Seeta Aur Geeta” is the most popular movie in our household largely because of Manorama. And “Bombay To Goa” where Manorama stood her ground admirably is arguably the greatest gathering of comic actors in Hindi film history.
Sorry Manorama, we were not grateful enough and life –not you- is a bitch anyway. Make lots of faces at us.
Artist: Alain The New Yorker 20 January 1934