मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, July 02, 2007

Is there a Mrs. R D Karve?

Raghunath Dhondo Karve (1882-1953) remains one of the most fascinating characters of 20th century India.

On July 1, 2007, Doordarshan showed a film “Dhyas Parva” made on his life. It’s an OK film. But I rather prefer books. I recommend two of them- M V Dhond’s म वा धोंड
Jalyatil Chandra” (Rajhans Prakashan 1994) and Y D Phadke’s Ra Dho Karve” (Ha Vi Mote Prakashan 1981).

Dhond’s book consists of collection of his literary essays. Three of them are focused on RDK. Third of them is the best-“Ra Dho Karve Ani Santati Niyaman” (R D Karve and family planning).

In the said essay, Dhond analyses why RDK was not as successful in his mission as Margaret Sanger and Marie Stopes, his counterparts in US and UK respectively.

Dhond says RDK’s mission, unlike that of the ladies, was not just happy family life, emancipation of women, control of population etc but more. RDK wanted women to have as much sexual freedom as men did. He wanted them to have as much sensual pleasure as men did.

Sample few of RDK’s thoughts: - 1) so long childbirth and venereal diseases are prevented debauchery of women does not really harm men and the benefit is those women who need variety get it. 2) Why cannot women have right to prostitution?

Dhond claims contemporary society’s objectives were restricted to those of Sanger and Stopes and hence not only RDK’s mission has a whole suffered, he himself was persecuted by society at large. There were other reasons too - RDK’s unattractive personality, poor finances and lack of networking skills.

It’s unfortunate RDK was not alive when three major events that make us understand woman sexuality better happened- 1. The Kinsey report of 1953 2. Masters and Johnson’s book of 1966 and 3.The Hite report of 1976. The late Stephen Jay Gould has discussed them in some detail in his essay “Male Nipples and Clitoral Ripples” (“Adam’s Navel” Penguin 1995).

These reports conclusively proved to men that primary site of for stimulation to orgasm centres upon the clitoris and not vagina. Not to have orgasm from intercourse is the experience of the majority of women A woman’s sexual pleasure might not arise most reliably as a direct result of man’s own coital efforts. 79% of women who masturbate do so by directly stimulating the clitoris and surrounding vulva, while only 1.5% use vaginal entry. The techniques of masturbation and of petting are more specifically calculated to effect orgasm than the techniques of coitus itself.

RDK would have been particularly pleased because these reports busted Freud’s edict that women must make the transition from clitoral to vaginal orgasm to escape the tag of frigidity. (by the way RDK also hated Freud’s child -psychoanalysis.). Therefore, if women were as much entitled to sensual pleasure as men they need not choose vaginal orgasm and hence men.

RDK would also have been happy with the oral contraception’s (birth control pill’s) contribution to women's reproductive rights and health,

I am not sure if our society is ready even today to discuss RDK’s mission in its entirety.

Was there a Mrs. RDK? Sure there was. Malati was whole-heartedly with Raghunath on this treacherous journey. She actively participated in whatever he undertook. She willingly supported his decision not to have any children. She also helped him in making contraceptives and applying them on to their women clients. By all known accounts they were a happy couple.


Artist: Peter Arno The New Yorker 1 May 1948

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