Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Saturday, June 30, 2007
Who in hell uses oil, anyhow?
If you read William Bowles’s review of William Engdahl’s “A Century of War – Anglo-American Oil Politics and the New World Order”, you tend to entirely agree with it.
“….The core of the book reveals the pivotal role played by the Wall Street/London financial axis that determined how the world of the 20th century developed, whether it was the competition between rival capitalist powers or the control of the vital resources needed to power the entire process. So for example, whenever it looked like there might some kind of challenge posed to the Anglo-American alliance such as that of Germany in the 1920s or Italy in the 1970s, ‘convenient’ assassinations of key players would occur, or ‘exposés’ that scuppered deals that would have endangered US/UK hegemony.
Throughout the 1920s and 1930s, the masters of the ‘Great Game’ as the rule of British Empire was so named, was dictated by oil and even though the by the post-WWII period, it was the de facto American Empire calling the shots, the alliance formed between the two remained solid, dictated by the seven great oil cartels and a handful of international banking corporations that between them were to control events including the inevitable slide into yet another war, again determined by oil, without which modern industrial capitalism was nothing.
Fast forward a century and we find a world almost entirely shaped by that imperialist vision…”
But this interference seems to predate the Otto Cycle
Read Robert Kagan’s review of Michael B. Oren’s book “Power, Faith, and Fantasy: America in the Middle East: 1776 to the Present”
“..Today, the conventional view is that George W. Bush took the United States on a radical departure when he declared a policy to transform the Middle East and that, as soon as he leaves office, U.S. policy will return to an alleged tradition of realism, rooted in the hard-headed pursuit of tangible national interests. This is both bad history and bad prophecy, as Oren shows in Power, Faith, and Fantasy, a series of fascinating and beautifully written stories about individual Americans over the past four centuries and their contact with Middle Eastern cultures………. U.S. backing for the establishment of Israel was rooted in religious convictions going back more than four centuries… …..Despite all the crises of the past years, including the present war in Iraq, Oren predicts that the United States will continue "to pursue the traditional patterns of its Middle East involvement." Policymakers "will press on with their civic mission as mediators and liberators in the area and strive for a pax Americana." American "churches and evangelist groups will still seek to save the region spiritually." And Americans will regard the region as both "mysterious" and "menacing," as they have for centuries, and will seek to transform it in their own image. Many today may want to disagree, but they will have to wrestle first with the long history of American behavior that Oren has so luminously portrayed. “
Therefore, America was always in their neighbourhood even when Arab Sheikhs asked “Who in hell uses oil, anyhow?”
Artist: Everett Opie The New Yorker 20 April 1957
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