मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, January 17, 2022

२०२२ साली जॉन विल्यम्स यांच्या अप्रतिम 'ऑगस्टस' ला ५० वर्षें पूर्ण झाली...John Williams's Augustus@50

Daniel Mendelsohn on John Williams's 'Augustus': “Like the best works of historical fiction about the classical world....Augustus suggests the past without presuming to re-create it.”

John Gray on John Williams: "... Happily Williams was not, in the end, a writer of ideas. His books are not edifying lectures dressed up as fiction. What he does is give access to the lives of others. This novel of an aged emperor will be intensely illuminating to anyone who is ready to put modern morality aside for a moment in order to acquire a little knowledge of himself or herself. Augustus and Julia inhabit a world that shared none of the grand hopes that nowadays are supposed to be definitively human. But the Roman emperor and his daughter were human all the same, facing conflicts between ambition and family, self-realisation and ideal commitment not greatly different from those with which many people struggle today. The genius of this astonishing American writer is that he shows how lives that seem utterly strange can be very like our own."

John Williams, Augustus:  VIII. Letter: Gaius Cilnius Maecenas to Titus Livius (13 B.c.): "...What you seem so unwilling to accept, even now, is this: that the ideals which supported the old Republic had no correspondence to the fact of the old Republic; that the glorious word concealed the deed of horror; that the appearance of tradition and order cloaked the reality of corruption and chaos; that the call to liberty and freedom closed the minds, even of those who called, to the facts of privation, suppression, and sanctioned murder. We had learned that we had to do what we did, and we would not be deterred by the forms that deceived the world...."


 courtesy: copyright holders of the cover

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