G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

H. P. Lovecraft: "What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world's beauty, is everything!"

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Wednesday, March 16, 2016

Shyam Joshi's Philip K. Dickensian PRECOG: वाङ्मय-शोभा, Diwali 1965

Gaff, 'Blade Runner', 1982:
"It's too bad she won't live, but then again who does?"



Artist: Shyam Joshi (श्याम जोशी) , 'Vangmay Shobha' (वाङ्मय-शोभा), Diwali 1965

I was completely puzzled by the picture above.  I refuse to see her a day-dreaming pretty woman. I wonder what the artist was trying to do.

First I thought she was dead.

And that thought is not that ludicrous because the late Mr. Joshi was almost obsessed with the subject of death. I already have one of his marvelous cartoons on the subject, on this blog,  here.

But considering that Mr. Joshi was drawing for a Diwali issue of the magazine, I dismissed my thought. So what else was possible?


If Mr. Joshi had drawn her sitting, she would go on to make another pretty cover of "Vangmay Shobha" (वाङ्मय-शोभा). For instance, what he created a year later.


But he did NOT do that in 1965.

The lady in 1965 cover looked to me like a Precog from movie "Minority Report", 2002 which is based on Philip K. Dick's book published in 1956 of the same name.

Had Joshi read the book? Was he inspired by it? 


"Precog" 



No comments: