G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

W H Auden: "But in my arms till break of day / Let the living creature lie. / Mortal, guilty, but to me/ The entirely beautiful."

Will Self: “To attempt to write seriously is always, I feel, to fail – the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short. It is this failure – a ceaseless threnody keening through the writing mind – that dominates my working life, just as an overweening sense of not having loved with enough depth or recklessness or tenderness dominates my personal one.”

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Art Spiegelman: "You know words in a way are hitting you on the left side of your brain, music and visual arts hit on the right side of the brain, so the idea is to pummel you, to send you from left brain to right brain and back until you're as unbalanced as I am."

विलास सारंग: "संदर्भ कुठलेही असोत, संस्कृत, इंग्रजी, बुद्धिवादी, तांत्रिक, इतिहासाचे, खगोलशास्त्राचे, आधुनिक पदार्थविज्ञानाचे, शिवकालीन व पेशवाईतील बखरीचे, अगणित ज्ञानक्षेत्रांचे, अशा वैविध्यपूर्ण ज्ञानावर लेखन- विशेषत: कवितालेखन- उभं राहत."

Wednesday, May 29, 2013

What Has Humanness To Do With Everest Climbing?...मानवाचे माणूसपण असलेच


Henry David Thoreau:

“It is in vain to dream of a wilderness distant from ourselves.” 


Bertrand Russell, 'The Harm That Good Men Do', 1926:

"We all know that Galileo and Darwin were bad men; Spinoza was thought dreadfully wicked until a hundred years after his death; Descartes went abroad for fear of persecution. Almost all the Renaissance artists were bad men."


Orson Welles as 'Harry Lime' in film ‘The Third Man’, 1949:

"In Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace - and what did that produce? The cuckoo clock."
 
John Gray:

"The Swiss may have produced more than cuckoo clocks, but it was the creative turbulence of the Renaissance that gave us the murderous modern world"

So what do you want? Creative turbulence of the Renaissance that gave the murderous modern world or brotherly love, peace and democracy but no Michelangelo and  Leonardo da Vinci? Remember, it's a package deal.

Pune edition of Marathi daily May 29 2013 Loksatta (लोकसत्ता)  is all Everest. It's celebrating 60th anniversary of Everest conquest.

I don't grudge it but I wonder why there is no introspection and 'the other side' of it.

Read its leader here and I quote a part of it:

"...प्रत्येकाच्या मनात एक एव्हरेस्ट असते. किंबहुना असायला हवे. तसे असेल तर मग त्याचा ध्यास लागतो. ते शिखर गाठायची ओढ अस्वस्थ करते आणि तो अस्वस्थपणा जगण्याचे प्रयोजनच बनून जातो. हे शिखर खेळांतील असेल. लेखनातील असेल. संगीतातील असेल. चित्रनाटय़शिल्पकलेतीलही असेल किंवा साध्या शिडाच्या होडीतून सागरभ्रमंती करण्याच्या इच्छेचेही असेल. कोणतेही असेल. पण ते असणे हे आवश्यक असते. कारण ते तसे असणे हे प्रयोजन असते आणि प्रयोजनाशिवाय जगणे हे फक्त तगून राहणे असते. मानवाचे माणूसपण असलेच तर ते या आणि अशा एव्हरेस्टच्या ध्यासात आहे...."

 ("...there is an Everest on every person's mind. In fact it should be there. Only if it's there, you strive for it. You become restless to scale it and that restlessness becomes the life's objective. That peak could be in sports. In writing. In music. Even in cinema-drama-sculpture or the desire to navigate the sea in a simple sailboat. Whatever it is. But it is essential to have one and living without objective is just a survival. If there exists man's  humanness then it exists in this and such Everest objective...")

This is absolute nonsense, load of rubbish. (I have tackled this theme earlier on the blog. Therefore, I'm likely to repeat myself.)

Who told them every one has to have a lofty objective in life? For most people on the earth, the only affordable objective is 'survival'. And what is wrong with that objective?


Mel Brooks says in a lighter vein : Nietzsche whispers to you: ‘Without audacity there is no greatness.’ Freud whispers to you: ‘Why must there be greatness?’ That fight’s still going on. And you don’t understand either one, because they’re both whispering in German."

The most important point there: Why must there be greatness? 
  
George Orwell on sports:

"...Nearly all the sports practised nowadays are competitive. You play to win, and the game has little meaning unless you do your utmost to win. On the village green, where you pick up sides and no feeling of local patriotism is involved. it is possible to play simply for the fun and exercise: but as soon as the question of prestige arises, as soon as you feel that you and some larger unit will be disgraced if you lose, the most savage combative instincts are aroused. Anyone who has played even in a school football match knows this. At the international level sport is frankly mimic warfare. But the significant thing is not the behaviour of the players but the attitude of the spectators: and, behind the spectators, of the nations who work themselves into furies over these absurd contests, and seriously believe — at any rate for short periods — that running, jumping and kicking a ball are tests of national virtue.
Even a leisurely game like cricket, demanding grace rather than strength, can cause much ill-will, as we saw in the controversy over body-line bowling and over the rough tactics of the Australian team that visited England in 1921..." 

What has 'humanness' (माणूसपण) to do with excellence in competitive / commercial sports, music, sculpting, writing etc.? We all know how many of the great artists are/were lousy human beings.

Most acts of humanness in man's history have been carried out by ordinary anonymous men and women and remain unrecorded.

What about climbing Everest itself since 1953?


Noam Cohen in The New York Times on June 18,2007:

"...While praising Mr. (George) Mallory as “a man of today” and a “pioneer,” Mr. Geffen conceded that because of those qualities “he wouldn’t go to Everest today — people are crawling all over it.”

Lukas Eberle in Spiegel Online International on October 5 2012:

"...Since the first ascent on May 29, 1953, by Edmund Hillary and Tenzing Norgay, some 3,836 people have climbed Mount Everest, with almost three quarters of them making the ascent in the last 10 years. The Himalayan peak has become "an amusement park," says top Italian alpinist Simone Moro, who has summited Everest four times...."

MICHAEL J. YBARRA in WSJ on June 21 2012:

"On Everest—where about 350 people reached the summit over two days this spring—Sherpas do virtually all the work, fixing lines to the top and sometimes even attaching the clients' ascenders (a metal device that clamps onto the line) so that they don't have to remove their mitts. There is less hand-holding on K2, but some of the 2008 expeditions employed their high-altitude workers as de facto guides, and all of the expeditions—with the exception of a single climber, Alberto Zerain—depended on ropes fixed by Sherpas. "We climb twice," Chhiring tells the authors. "First, Sherpas go up to set the ropes and camps, then we go down to collect our clients and take them to the top.""

(review of 'Buried in the Sky' By Peter Zuckerman and Amanda Padoan)
  
Caitlin Dewey in Washington Post on May 29 2013:

"In the weeks leading up to today’s anniversary, climbers have complained that the mountain has gotten too crowded and commercialized, often with rich, inexperienced tourists looking for a high-prestige vacation. (It’s indicative, perhaps, that one of the most widely circulated videos from the 60th anniversary celebration was essentially a commercial for the Austrian energy drink Red Bull."

 
Artist: Gahan Wilson, The New Yorker, July 3 2000

Why is this obsession with action? Why can't we just see? Why can't we just listen?

John Gray: "Other animals do not need a purpose in life. A contradiction to itself, the human animal cannot do without one. Can we not think of the aim of life as being simply to see?"

In Satyajit Ray's 'Kanchenjungha', 1962, in the last scene,  the mists at last roll away from the
awesome summit but  the industrialist Indranath Roy (Chhabi Biswas) is so preoccupied.  he no longer cares to admire it.

Although I often enjoyed climbing small hills alone near Miraj fort while in school, I never dreamt of climbing Kanchenjungha. Although I lived in the east for a while, I never even went to see Kanchenjungha.

But when I see the last scene of Ray's  'Kanchenjungha', I am never preoccupied. I just see her. She then occupies me. I scale her and she scales me right back!



Satyajit Ray's 'Kanchenjungha'
 

2 comments:

Aniruddha G. Kulkarni said...

एक रेघ has left a new comment on your post "What Has Humanness To Do With Everest Climbing?......":

Good one and I agree completely.


ढेंकणासी बाज गड । उतरचढ केवढी ॥
होता तैसा कळों भाव । आला वाव अंतरींचा ॥
बोरामध्यें वसे अळी। अठोळीच भोंवती ॥
पोटासाटीं वेंची चणे । राजा म्हणे तोडें मी ॥
बेडकानें चिखल खावा । काय ठावा सागर ॥
तुका म्हणे ऐसें आहे । काय पाहे त्यांत तें ॥
- तुकाराम

आणि हे चढण्या-उतरण्याचं वाचून मला काम्यूचा सिसिफसही आठवला नि त्याच्या खांद्यावरचा दगडही.

Aniruddha G. Kulkarni said...

Thanks Ek Regh.

For some reason, I had to delete the original post of mine and repost it and hence I have migrated your comment.

That one by Tuka is my favourite, my 'kunku' considering where it appears!