मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, September 15, 2012

Singapore Fulfills R K Laxman's Vision!

Jeremy Grant wrote in FT on Aug 26 2012:

"A Singapore property developer is targeting the super rich with parking problems by marketing luxury apartments that allow owners to keep their cars next to their living rooms, even if they are on the top floor of the 30-storey block...Singapore, along with Hong Kong, is home to more Maseratis, Ferraris and Lamborghinis per capita than anywhere else in the world..."

On March 6 2009, this is the entry I posted on this blog:

The Times of India March 3, 2009: "Bookings for Nano will start from March 23: Tata Motors has advanced the booking date for its Nano, touted as the world's cheapest car, in India by three weeks,"



Artist: R K Laxman, The Times of India, September 1 2007


Artist: Tom Cheney, The New Yorker, 9 March 2009, Cartoon Caption Contest 183

my caption:

"I told you: our neighbour's drawing room was right above our bedroom."

Evgeny Morozov:

"The Khannas also heap praise on Singapore, “a seamlessly efficient cosmopolitan world capital of finance and, increasingly, innovation.” Alas, they do not explain how Singapore has become so “seamlessly efficient.” Perhaps this quotation from Lee Kuan Yew, its first long-time ruler—conveniently omitted by the Khannas—may shed some light: “Everytime anybody wants to start anything which will unwind or unravel this orderly, organized, sensible, rational society, and make it irrational and emotional, I put a stop to it without hesitation.” The Khannas approvingly note that Singapore is “the leading role model in city-state Technik for entities from Abu Dhabi to Moscow to Kuala Lumpur.” That all three aforementioned cities are situated in despicable authoritarian regimes—which might explain why they look up to Singapore—does not much trouble the Khannas. They recently announced that they are moving to Singapore. Good. The autocratic city and the apologists for autocracy deserve each other."

(The New Republic, "The Naked and the TED", Aug 2 2012)
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