मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, August 20, 2011

Can Anna Hazare be compared to Mahatma Gandhi? How clean a smell he manages to leave behind!

A favourite repost of Anna Hazare's detractors is - He is no Gandhi. (Someone writes he is not a patch on Jayaprakash Narayan.)

Maybe he is not. But are they so sure?

I have now read most of Joseph Lelyveld's 'Great Soul: Mahatma Gandhi and His Struggle with India', 2011.

And the overwhelming feeling I constantly got while reading the book: how human Gandhi was. Hardly a saint for sure if I compare him to the saints I know Kabir, Dnyaneshwar, Tukaram, Namdev...He was a politician and social activist.

Was Gandhi successful in what he set out to achieve in personal and public life?

It's hard to judge his personal life. Although reading the section of Lelyveld's book on his 'experiments in brahmacharya' (pages 303-308), I feel his personal life was tormented.

And public life?

Mahatma Gandhi: "India has still to attain social, moral and economic independence in terms of its 700,000 villages as distinguished from its cities."

Lelyveld: "...India has now been free and independent for about four months. And the leading shaper of that independence unsettled and despairing...No single catastrophe served as catalyst for his decision to start seventeenth and final fast on January 13 (1948). In the days running up to the fast, he'd been forcefully struck by several indications that matters were on a downward slide. First he received a detailed account of rampant corruption at all levels of the newly empowered Congress movement in the Andhra region of southeastern India...Announcing the fast at his prayer meeting on January 12, the Mahatma mentioned the insecurity of Muslim and the Congress's corruption..." (page 337-338)

Andrew Roberts: "...of the four great campaigns of Gandhi's life—for Hindu-Muslim unity, against importing British textiles, for ending Untouchability and for getting the British off the subcontinent—only the last succeeded, and that simply because the near-bankrupt British led by the anti-imperialist Clement Attlee desperately wanted to leave India anyhow after a debilitating world war."

Why do I then like a billion others still admire Gandhi? Why do I hang my head in shame that his killer was a Maharashtrian Brahmin like me?

George Orwell:

“One may feel, as I do, a sort of aesthetic distaste for Gandhi, one may reject the claims of sainthood made on his behalf (he never made any such claim himself, by the way), one may also reject sainthood as an ideal and therefore feel that Gandhi's basic aims were anti-human and reactionary: but regarded simply as a politician, and compared with the other leading political figures of our time, how clean a smell he has managed to leave behind! “

(This essay of George Orwell, Peter Davison speculates, could have been influenced by Balraj Sahni who worked with Gandhiji in 1938 and with Orwell at the BBC. Orwell brought Mr. Sahni and his future wife, Damyanti, together.

From 'George Orwell, A Life in Letters', 2010)

Anna Hazare too is a politician and social activist and so far he has managed to leave behind only clean smell!


Artist: Mischa Richter, The New Yorker, Apr 23 1960
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