G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Shel Silverstein : “Talked my head off Worked my tail off Cried my eyes out Walked my feet off Sang my heart out So you see, There’s really not much left of me.” ~
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Tuesday, March 17, 2009
Now Showing: Amitabh’s Uranium
DRAKE BENNETT (NYT March 8, 2009):
“When it comes to press coverage, uranium does pretty well among its peers on the periodic table. Surely strontium or seaborgium or even manganese would kill for its name recognition. But how well do we really know the element in whose long, mushroom-shaped shadow we all live? If someone handed you two rocks and asked which was uranium, would you have any idea how to tell?
Probably not. For most of us, uranium is an abstraction, more like a vitamin or a gigabyte than like, say, copper. We know it is important, and we know more or less what it’s for, but it’s not something we’d recognize by sight.
With “Uranium: War, Energy, and the Rock That Shaped the World,” the journalist Tom Zoellner sets out to rectify that lack of familiarity. Part history and part travel narrative, the book presents the atomic age not through its scientists or grand strategists, but through its raw material: an undistinguished-looking ore, more common than tin, whose destructive power when refined is hard, even today, to imagine. As Zoellner writes, “A single atom of uranium is strong enough to twitch a grain of sand. A sphere of it the size of a grapefruit can eliminate a city.”…”
Uranium deserves to be featured in a blockbuster Hindi film: “Amitabh’s Uranium” (inspired by Mackenna's Gold , 1969)
Artist: Alain, The New Yorker, 8 March 1947