मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

Friedrich Nietzsche: “Everybody wants the same, everybody is the same: whoever feels different goes voluntarily into a madhouse.”

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे:
"... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."

Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Tuesday, February 24, 2009

Crouching Housing, Hidden Sanitation and Slum Dog Billionaire

I am happy for SDM but have always felt that good art needs no certification. Rabindranath would be Rabindranath- Dnyaneshwar ज्ञानेश्वर of Bengali-without the Nobel.

A R Rahman may be very good but Indian cinema has created many similar musical giants since Kundan Lal (K.L.)Saigal. (Wasn't he the tallest of them all?)

David Pilling has written "Can slumdogs become millionaires in India?" in FT February 18, 2009.

He says: "...Why are there no slums in China? China is better run than India, with more powerful city mayors who build basic infrastructure to support wealth-creating migrants. Indian politicians court the rural vote. Corruption corrodes infrastructure plans, though some states, such as Gujarat, are improving. China is authoritarian; when workers are no longer required, they can be shipped back to the countryside. A registration system maintains a strict distinction between urban and rural citizens. Democratic India must not go down this route. But it can learn from China by providing clean water, sewerage and basic housing...

...One critic of the film said it was “inconceivable” that a tea-boy from the slum would be allowed on to a television quiz show. Until that changes, India will only progress so far."

So what Mr. Pilling? Watching "Boot Polish"(1954) and listening to its soulful music, people of this country had tears in their eyes and great hope in their hearts and they have clung on to them since then.

And then we will have SDM-II aka SDB. It will eclipse Godfather-II.

Artist: Sudhir Tailang, The Asian Age, February 24, 2009

No comments: