मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, February 18, 2008

Naked Woman on Mars and Yeti-Alien in Himalayas. Will they Mate?

Marathi newspaper Pudhari पुढारी has printed a picture of colourful alien, arguably male, on the first page of its edition dated February 16, 2008. (See picture below).

It has reported how in year 2004 a team of Indian scientists from ISRO filmed an alien in Himalayas. It claims this is first such shooting of its kind.

No word of doubt or skepticism as always. See a related previous post "Dark Side of the Moon" here.

In January 2008, there was a report:
“The photo of what looks like a naked woman with her arm outstretched was among several taken on the red planet and sent back to Earth by NASA's Mars explorer Spirit.”

James Lovegrove wrote excellent review of science fiction books in FT on February 9, 2007.

“…Contrary to received opinion, science fiction’s preoccupation has always been the here and now. Its far-flung planets and future timelines are merely a way to analyse the contemporary. In this respect, it is the most politically engaged of all literary genres. Motifs that may appear trashy to the uninitiated - space exploration, extraterrestrials, futuristic technology - can in fact be surprisingly sophisticated tools for dissecting and examining the world as it is…

… The search for aliens, then, has turned inward. The Other is no longer up there in the stars. He’s our neighbour with the faith-based dress code. She’s the person with the tinted skin and unfamiliar accent. Modern science fiction is putting out the unexceptionable message that we should gladly embrace him or her, if we are to have any kind of future.

Someone else’s Other, after all, is us.”

Carl Sagan:

“…Which, then, is more likely that we're undergoing a massive but generally overlooked invasion by alien sexual abusers, or that people are experiencing some unfamiliar internal mental state they do not understand? Admittedly, we’re very ignorant both about extraterrestrial beings, if any, and about human psychology. But if these really were the only two alternatives, which one would you pick?

And if the alien abduction accounts are mainly about brain psychology, hallucinations, distorted memories of childhood, and hoaxing, don’t we have before us a matter of supreme importance, touching on our limitations, the ease with which we can be misled and manipulated, the fashioning of our beliefs, and perhaps even the origins of our religions?…”

(“The Dragon in My Garage” from “The Demon-Haunted World” 1996)

For me, ISRO scientists are as fallible as anyone when it comes to “brain psychology, hallucinations, distorted memories of childhood, and hoaxing.” I am fallible even to an attack of acidity after eating too many peanuts.

See below how a group of scientists and technologists are resorting to astrology for rocket launching.


Artist: Rowland Wilson The New Yorker 14 August 1965



Naked Woman on Mars and Yeti-Alien in Himalayas.
My fantasy: Will they mate?
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