Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Wednesday, February 06, 2008
Am I a Narcissistic Jerk having a Meltdown?
I read two conflicting reports on the subject this year.
Typical of me, I agree with both!
Asian Age January 30, 2008 reported:
“Believe it or not, middle age makes you miserable. So, don't blame your job, your kids, your spouse, your income or lack of it.
A team of researchers from Britain and the United States has carried out a study and found that people are more likely to feel depressed in their mid-life, with the peak age for depression being about 44.
In fact, according to the researchers, happiness and depression follows a U-shape over a person's lifetime with the happiest times being at the start and end of life…”
Good news in above. I am not 44 anymore. I will never be!
Richard A. Friedman said (NYT January 15, 2008):
“With the possible exception of “the dog ate my homework,” there is no handier excuse for human misbehavior than the midlife crisis.
Popularly viewed as a unique developmental birthright of the human species, it supposedly strikes when most of us have finally figured ourselves out — only to discover that we have lost our youth and mortality is on the horizon.
No doubt about it, life in the middle ages can be challenging. (Full disclosure: I’m 51.) What with the first signs of physical decline and the questions and doubts about one’s personal and professional accomplishments, it is a wonder that most of us survive.
Not everyone is so lucky; some find themselves seized by a seemingly irresistible impulse to do something dramatic, even foolish. Everything, it appears, is fair game for a midlife crisis: one’s job, spouse, lover — you name it…
… But you have to admit that “I’m having a midlife crisis” sounds a lot better than “I’m a narcissistic jerk having a meltdown.”…
… So what keeps the myth of the midlife crisis alive?
The main culprit, I think, is our youth-obsessed culture, which makes a virtue of the relentless pursuit of self-renewal. The news media abound with stories of people who seek to recapture their youth simply by shedding their spouses, quitting their jobs or leaving their families. Who can resist?…”
On related subject, Allan Massie wonders what would have happened to those who died young in their old age.
“…What of Shelley? Would he have remained a Man of the Left, being scooped-up, white hair streaming, by police as he took part in a sit-down demonstration in Trafalgar Square? Or would he as Sir Percy Shelley, Bart, have put all that behind him, becoming a pillar of the Establishment? Would the author of the tract ‘The Necessity of Atheism’ have ended up as a churchwarden? Bertrand Russell or T. S. Eliot? He might have gone either way, for he was the perfect type of the intellectual always attracted to extreme positions. So would Shelley in his seventies have found himself lining up with Carlyle, Ruskin, Tennyson and Charles Kingsley in defence of Governor Eyre who had displayed what John Stuart Mill called ‘brutal recklessness’ in suppressing a Black rebellion in Jamaica? I suspect he might...
… They were all spared the pains and disgruntlement of advancing years, and so they remain, like the figures on the Grecian Urn, ‘For ever warm and still to be enjoy’d,/ For ever panting and for ever young.”
Artist: Tom Cheney The New Yorker 26 Feb 1996
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