G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
Shel Silverstein : “Talked my head off Worked my tail off Cried my eyes out Walked my feet off Sang my heart out So you see, There’s really not much left of me.” ~
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
Werner Herzog: “We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.”
John Gray: "Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter. What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness."
Justin E.H. Smith: “One should of course take seriously serious efforts to improve society. But when these efforts fail, in whole or in part, it is only humor that offers redemption. So far, human expectations have always been strained, and have always come, give or take a bit, to nothing. In this respect reality itself has the form of a joke, and humor the force of truth.”
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
Wednesday, October 03, 2007
Morning’s at Seven, K L Saigal is on the Air and All's Right with the World! Vividh Bharati at Fifty
But few of them don’t. Vividh Bharati, for example. It completes 50 years today October 3, 2007.
During my school days at Miraj, 1965-75, Radio Ceylon (I haven’t forgot even a jingle “hey, hey Binaca Green, Binaca Green hey hey..”) occupied haloed place in our lives because we couldn’t quite tune to short-wave Vividh Bharati every day. Signal wasn’t reliable. Except on Sunday afternoons, when a guest star hosted the program Vishesh Jaymala, waves complied.
Radio Australia and BBC were more reliable. (btw- There hasn’t been anything more thrilling, yes including T20 WC, on either TV/radio, than 1975-76 Australia-West Indies test cricket series, heard on RA. India-West Indies 1974-75 was better in cricketing terms but was not as well commentated on and photographed-courtesy Patrick Eagar).
Although Vividh Bharati gives me Browningian reassurance of ‘All's right with the world!’ with K L Saigal number in the morning, the program I best like is Chhayageet at 10 PM.
It calms my nerves and creates hope for the next day. I have this habit of recording favourite but unpossessed song on a tape but when I am listening to Chhayageet, I don’t do it. I just let that moment of bliss prevail. Greed can wait.
10 PM in Pune is a time when noise outside is low, hot summer day is giving in to persistent cool breeze, birds & dogs are quiet, rain is not lashing very hard, cold winter night is still away, all of us have shut up and Vividh Bharati is on a song. Trance is never too far.
Artist: Robert J. Day The New Yorker September 20, 1947