मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, August 30, 2024

How was The Son of Man Conceived?

 I laughed my head off when I saw this on Feb 22 2024...

 artist: Dan Misdea

 


 The Son of Man, 1964 by René Magritte

Saturday, August 24, 2024

The Vast Majority of Humans Today have Never Seen an Unpolluted, Natural Night Sky

 तारारूपाणि यानीह दृश्यन्ते द्युतिमन्ति वै । दीपवद् विप्रकृष्टत्वादणूनि सुमहान्त्यपि ॥३.४३.३०॥  (महाभारत, आरण्यकपर्व) " The luminous stars, thought really very large, appear small and twinkle like lamps on account of their great distance. "

लहानपणी मिरजेला अनेक वेळा घरासमोरील त्यावेळी कमी रहदारी असलेल्या रस्त्यात रात्र पडल्यावर बसत असू (आम्हाला अंगण आणि गच्ची नव्हते) आणि साहजिकच नजर वरती जाऊन चंद्राची अनेक रूपे , चांदण्या पहिल्या आहेत... चंद्र अगदी घरचा वाटे... त्याच्या पृष्ठभागावर कल्पना करू ती गोष्ट दिसत असे... हरीण, ससा वगैरे... आता आकाशाकडे केंव्हातरी पाहतो... 

Rebecca Boyle reviewing "Starborn: How the Stars Made Us (and Who We Would Be Without Them)" By Roberto Trotta, 2024 for WSJ:

"...The vast majority of humans today have never seen an unpolluted, natural night sky. They have never seen the gauzy stripe of the Milky Way arcing overhead on a summer evening, the fuzz of the Andromeda Galaxy, the faint stars that fill in the empty space between the brightest constellations. It is a great paradox of our age that even as the night sky is screened by a haze of artificial lighting, the glowing rectangles we hold in our palms can bring us to the edges of the universe. As Mr. Trotta artfully puts it: “The pixelized ghosts of photons that chanced to fall onto the mirrors of our giant telescopes after a few billion years’ journey through space are served up from the cloud in an instant.”..."

Stars over Biwa Lake, by Shoda Koho, 1930

 

Wednesday, August 21, 2024

Philip Ball's Enjoyable Drubbing of Richard Dawkins

John Gray:

"...In a well-known passage at the end of Civilization and Its Discontents (1930), Freud declared: “I have not the courage to rise up before my fellow-men as a prophet, and I bow to their reproach that I can offer them no consolation…” What is most in demand at the start of the 21st century, in contrast, is consolation and nothing else. Enlightenment fundamentalism—the insistence by writers such as Christopher Hitchens and Richard Dawkins that our salvation lies in affirming a highly selective set of “Enlightenment values”—serves this emotional need for meaning rather than any imperative of understanding. Like the religions they disparage, but with less profundity and little evident effect, the varieties of Enlightenment thinking on offer today are balm for the uneasy soul. The scientific-sounding formulae with which they appease their anxiety—the end of history, the flat world, the inexorable but forever delayed process of secularisation—are more fantastical than anything in Freud’s “gloomy mythology.”..."

 In Maharashtra, for a group of people, Richard Dawkins has been a 'deity'  oops "a great social reformer" for some time!...his takedown was necessary, of course the people I referred mayn't learn a thing from this...

 James McConnachie, The Times UK, Jan 7 2004:
 
"...You could read this book as a 500-page drubbing of Richard Dawkins. It is not a personal attack — although some barbed words are aimed — but it is a robust and sustained takedown of the “simplistic”, “distorted”, “barren” and “intellectually thin” notion that biology is all about the gene. There is very much more to life than that, according to Philip Ball. It might even have some meaning.
 
...He wonders why genes were ever worshipped so ardently. Maybe it is because DNA conveniently offers a new home for the age-old idea of an “essence”, or soul. Maybe it has something to do with the male scientists who have so often pushed gene-centric thinking while their female colleagues have pushed back. Ball coyly declines to offer any interpretation of that last, curious fact, but I’m happy to try to fill in. Does glorifying DNA cry up the relatively limited role of the man in the creation of a child?
 
As for Dawkins’s notorious claim that we are machines made by genes, this “alarming gambit” represents “a sterilisation of the life sciences”. It gives the gene “an almost sentient agency it does not possess”. Biologists have developed an allergy to words such as “purpose” and “meaning” — which all too easily open the door to those waiting to usher a god back in. Ball does not want to do that, but he does want to revalorise life — rich, complex multicellular life — while shoving the gene back in its proper place.
 
For Ball, the possession of agency — and purpose, and even meaning — is precisely how you might characterise life. Life, then, is not the servant of the selfish gene. Life happens at other levels. In the cell. In the organism. In us."
 

 

Sunday, August 18, 2024

When Jacob Epstein Met Rabindranath Tagore...

 I saw very ordinary Netflix documentary of Albert Einstein ("Einstein and the Bomb") in February 2024. An important scene (that I liked) there is of Sir Jacob Epstein making his portrait bust in 1933.

I was going through Epstein's book "Let There Be Sculpture", 1940 where he has written about his making of bust of Rabindranath Tagore in 1926.

Epstein writes: "...“I am he that sitteth among the poorest, the loneliest, and the lost.”

This quotation from Gitanjali was strangely contradicted by my sitter, whose handsome, commanding presence inspired in his followers awe and a craven obedience. On entering my house I brought to him for presentation a little Indian boy, Enver, who was living with me. He was the son of Sunita. Tagore looked at him and asked, “A Hindu?” I said, “No, a Moslem,” whereat Rabindranath lifted his eyes to the ceiling and passed on...The manners of Tagore were aloof, dignified, and cold; and if he needed anything only one word of command to his disciples escaped him.

It has been remarked that my bust of him rests upon the beard, an unconscious piece of symbolism."

 



Sunday, August 11, 2024

सुंदर मी होणार,, सुंदर ती झाली ...श्रावण मासी , हर्ष मानसी....Indian Hockey

मराठीतील एक अप्रतिम कविता म्हणजे कवी गोविंदांची  (१८७४-१९२६)

"सुंदर मी होणार, आतां सुंदर मी होणार !

सुंदर मी होणार । हो । मरणाने जगणार ।धृ.।

.... 

मी १२ वर्षांचा असताना , माझ्या डोळ्यादेखत, भारतीय हॉकी ची अवस्था  १९७२ च्या म्युनिक ऑलिम्पिक मध्ये  वाईट झाली.

 त्या  वर्षी ब्रॉन्झ मिळाल्यावर  प्रचंड टीकेचा आणि उपहासाचा सामना करायला लागला होता. १९७५ साली आपण कसाबसा वर्ल्ड काप जिंकला खरा पण आपली घसरण  सुरु झाली आहे अशी भीती वाटायला लागली होती. ती खरी ठरली. नंतर ब्रॉंझ सुद्धा मृगजळ ठरू लागले.

२०२१ सालच्या टोकियो ऑलिम्पिकस पर्यंत मी सर्वआशा  सोडल्या होत्या. 

पण भारताची मोडलेली, अपंग हॉकी त्या वर्षी पुन्हा सुंदर झाली , आणि आज चार वर्षांनंतर तिचे  सौन्दर्य कायम आहे.... 

माझे बालपण परतले , श्रावण मासी , हर्ष मानसी अशी अवस्था ह्या पदकाने सर्वात जास्त झाली आहे

Indian Hockey team with their bronze on August 8 2024

Tuesday, August 06, 2024

Alexandria and India...what empty words these kingdoms were

Islam Issa, 'Alexandria: The City that Changed the World', 2024:

"...Alexandrians also made the most of their location to travel. In the second century BCE, the Ptolemies learnt how to use the monsoon winds to sail directly from the Red Sea to the Indian coast, thus taking complete control of the Red Sea ports. Strabo records fleets of more than 120 ships setting sail towards India. According to a cargo list on a papyrus discovered in the late twentieth century, a huge ship named Hermapollon crossed the Indian Ocean and its crew returned to Alexandria with some 140 tonnes of pepper, 80 boxes of muskroot plants and 167 elephant tusks weighing 3.3 tonnes. On other occasions, they would return with sparkling gemstones and pearls, in addition to fine silks. They also brought back malabathrum (a cinnamon-like plant) and spikenard (a honeysuckle plant) whose leaves were pressed to make essential oils for perfume and medicine...."

"...The act of imagining Alexandria’s past inspired Cavafy to understand its present. In ‘Alexandrian Kings’, he visualises Cleopatra and Antony’s festival in which the queen crowned her children, insinuating that the whole population has always been able to see through the political façades:

and the Alexandrians rushed to the festival
filled with excitement, and shouted acclaim
in Greek, and in Egyptian, and some in Hebrew,
enchanted by the lovely spectacle −
though they knew what they were worth,
what empty words these kingdoms were...."

 

 Alexander’s incredibly lavish funeral procession, as imagined by Andrew Bauchant, 1940