मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Sunday, September 15, 2019

It’s Annoying They’re Not Men!....Berthe and Edma Morisot

Madison Mainwaring, The Paris Review, July 2019:
 "...“It’s annoying they’re not men,” Édouard Manet wrote to fellow artist Henri Fantin-Latour, after meeting Berthe and Edma Morisot, two sisters from the Parisian upper crust who were promising painters. He found them “charming” and feared that because they were women, their accomplishments would inevitably go to waste. Manet thought the Morisot sisters should “further the cause of painting by marrying académiciens,” members of the jury who selected which works to display at the Académie des Beaux-Arts’s annual salon. The possibility that the Morisots might actually become artists did not seem to occur to him. Manet envisioned the Morisot sisters might make their mark in the annals of art as counselors to men in power—by influencing their tastes and sympathies, and convincing them of the worth of outsider artists (such as Manet himself).
Edma gave up her practice when she married in 1869. The next year Berthe destroyed the entirety of her own oeuvre and fell into a creative fallow period..."

अतिशय थोर असे चित्रकार एडवार माने (Édouard Manet) १८३२- १८८३ स्त्री चित्रकार-कलाकारांबद्दल वरती काय म्हणतात पहा: "... किती त्रासदायक आहे - त्या पुरुष नाहीयेत... "

"Manet thought the Morisot sisters should “further the cause of painting by marrying académiciens,” members of the jury who selected which works to display at the Académie des Beaux-Arts’s annual salon. The possibility that the Morisots might actually become artists did not seem to occur to him.... "
हा एडवार माने यांचा कमी दोष असून समाज व्यवस्थेचा (पॅरिस सारख्या ठिकाणी!) जास्त असेल पण आजही आपण, १९५० पर्यंत चित्रकारीचे काम कौशल्याने करणाऱ्या, मराठी स्त्रीयांची यादी करू लागलो तर त्यात एकतरी नाव असेल का?

स्त्रिया पुन्हा एकदा  शिक्षण घ्यायला १९व्या शतकात लागल्या हे खर पण त्यांना अनेक कलेंचे आणि अनेक व्यवसायांचे मार्ग खुले करून द्यायला महाराष्ट्रा सारख्या प्रगत राज्याला  सुद्धा खूप काळ लागला आहे... आणि अजूनही गावोगावी महाराष्ट्रात एडवार माने पसरले आहेत!


 'Julie Daydreaming'

 Artist: Berthe Morisot, 1894
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