मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, November 26, 2012

Vasant Sarwate's 49th Year at Lalit...खेळ चालू राहिला पाहिजे!

ROSS DOUTHAT:
"But look through these anti-establishment theatrics to the deep structures of political and economic power, and suddenly the surge of populism feels like so much sound and fury, obscuring the real story of our time. From Washington to Athens, the economic crisis is producing consolidation rather than revolution, the entrenchment of authority rather than its diffusion, and the concentration of power in the hands of the same elite that presided over the disasters in the first place."


Sumanta Banerjee 

"Whenever such accusations are made – and often proved correct – against ministers or MPs, Supreme Court or high court judges, senior bureaucrats or army g­enerals, press reporters or TV journa­lists, we are always assured by the establishment that these are a few “black sheep”! Members of these professions rush to the d­efence of their respective fraternities sometimes even whitewashing their cri­mes, but generally taking the apolo­getic ruse that they are minor “exceptions” which are being “exaggerated”. These “exceptions” are supposed to prove the rule that our state and regulatory i­nstitutions are still solid and pure enough to prop up the world’s largest demo­cracy."


I received the Lalit (ललित) Diwali 2012 issue on November 24 2012 and was greeted by Vasant Sarwate (वसंत सरवटे) cover, now drawn for  record 49th year!



It is not surprising to see the contents of it. This year, on TV at least,  has been dominated by the members of The India Against Corruption Jan Andolan (IAC), most of them now 'celebrities' in their own right.

Mr. Arvind Kejriwal is at the centre of the picture.  He is threatening his 'enemies' with his expose documents. I like depiction of Ms. Anjani Damania. standing just behind Mr. Kejriwal, but no less vocal.

But I like more the motley group facing the IAC is depicted, especially the ferocious looking dog and tongue-in-your-face kid. They represent what the well entrenched establishment really thinks of the new 'occupy movement', regardless of the thoughtful posturing by others there. They remind me of Mr. Burns of The Simpsons with a finger on 'the hounds' button.



Press is shown on the right side but probably belongs more on the left side of the picture. Media guy is shown smiling because regardless of what happens later he is going to win because the rise in his TRP.


Indian judiciary is watching all this with its eyes closed. It also seems to belong to almost another world- painted in pink and red. I also sense a kind of smugness that comes with a feeling that in the end all this will come to my backyard to decide one way or the other.


And people like us are watching all this...they seem more bemused than sad or anxious. It's as if they have come to watch a street circus show (डोंबाऱ्याचा खेळ).

This picture is in contrast with the last year's picture of Sarwate on Anna Hazare's 'occupy movement'. There was more hope there in a seemingly hopeless situation. It reminded me of India's freedom movement. There was idealism on march there. 


Artist: Vasant Sarwate, Lalit (ललित), November-December 2011



To view Sarwate's Lalit Diwali covers of the past few years, click on the respective year 2011, 2010, 2009, 2008, 2007
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