मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, June 23, 2025

पिपात मेला एकच (पण सुंदर) उंदीर...But where, oh where is the compassion?

 Two books on rats were published and reviewed in 2024. I read only reviews and found them very intriguing.

Elizabeth Kolbert, The New Yorker:

"...Two new books take up the subject of Calhoun and his rats. The authors of the first, “Rat City: Overcrowding and Urban Derangement in the Rodent Universes of John B. Calhoun” (Melville House), are a pair of British researchers, Edmund Ramsden and Jon Adams, who for a time both taught at the London School of Economics. The second, “Dr. Calhoun’s Mousery: The Strange Tale of a Celebrated Scientist, a Rodent Dystopia, and the Future of Humanity” (University of Chicago), is by Lee Alan Dugatkin, a historian of science at the University of Louisville. Both books cast Calhoun as a visionary. Both also portray him as eccentric to the point of crankdom...."

Simon Ings write in The Spectator, UK: 

"...Among rodents, a rising population induces stress, and stress reduces the birth rate. But push the overcrowding too far (further than would be likely to happen in nature) and stress starts to trigger all manner of weird and frightening effects. The rodents start to pack together, abandoning all sense of personal space. Violence and homosexuality skyrocket; females cease to nurture and suckle their young; abandoned, these offspring become food for any passing male. The only way out of this hell is complete voluntary isolation. A generation of ‘beautiful ones’ arises, that knows only to groom itself and avoid social contact. Without sex, the population collapses. The few Methuselahs who remain have no social skills to speak of. They’re not aggressive. They’re not anything. They barely exist...

...But whether we behave exactly like rats in conditions of overcrowding and/or social isolation is not the point. The point is that, given the sheer commonality between mammal species, something might happen to humans in like conditions; and it behoves us to find out what that something might be before we foist any more hopeful urban planning on the proletariat. Calhoun, who got us to think seriously about how we design our cities, is Rat City’s visionary hero, to the point where I started to hear him. Observing some gormless waifs staring into their smartphones at the bottom of the escalator, I recalled his prediction that ‘we might one day see the human equivalent’ of his mice, pathologically crammed together in ‘a sort of withdrawal – in which they would behave as if they were not aware of each other’..."

 

Artist: Tomi Um, The New Yorker