James Fallows writes on The Atlantic:
"..."to Obama" -- has gained currency among some Japanese youths.
Explanation:
"obamu: (v.) To ignore inexpedient and inconvenient facts or realities, think "Yes we can, Yes we can," and proceed with optimism using those facts as an inspiration (literally, as fuel). It is used to elicit success in a personal endeavor. One explanation holds that it is the opposite of kobamu. (拒む, which means to refuse, reject, or oppose)...
...The absorptive-and-transforming power of the Japanese language is indeed one of its charms..."
When I read it, I thought:
why couldn't we be creative with the name- Ambedkar?
If Japanese care to lean about the achievements of B R Ambedkar- and they are no less than their favourite Gautam Buddha- what meaning will they assign to it?
Here is an attempt in Marathi.
The legend of Bhageeratha says because of his tireless efforts, the river Ganga descended to earth from heaven. It was considered an impossible task. To honour this, in Marathi, such efforts are called: Bhageeratha efforts भगीरथ प्रयत्न.
I have never forgot following lines of poet Namdev Dhasal since I read them in class X, thirty four year ago.
सूर्यफुले हाती ठेवणारा फकीर हजारो वर्षानंतर लाभला
आत्ता सूर्यफुलासाराखे सूर्योंमुख झालेच पाहिजे
('आत्ता', नामदेव लक्ष्मण ढसाळ, गोलपिठा, १९७१ )
[After thousands of years, we met a fakir who handed to us sunflowers
now we must become sun-facing like sunflowers
('Aatta', Namdev Lakshman Dhasal, Golpitha, 1971)]
Ambedkar's task was harder than that of Bhageeratha because in 1891- the year he was borne- growing, plucking and handing over the sunflowers, in the total darkness that engulfed the Dalits of India, was possible only in the dreams.
And yet, he did it. Therefore, let us call such efforts: Ambedkar efforts आंबेडकर प्रयत्न.
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"
समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."
G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”
C. P. Cavafy: "I’d rather look at things than speak about them."
Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”
सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."
".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."
Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."
Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"
विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."
