मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, October 25, 2012

Jaspal Bhatti, Have You Conned Even Wikipedia?



Mel Brook:

"Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die."



Homer Simpson:

“Aw, being a clown sucks.  You get kicked by kids, bit by dogs, and admired by the elderly.  Who am I clowning?  I have no business being a clown!  I've leaving the clowning business to all the other clowns in the clowning business.”

When I read about Mr. Bhatti's death in a road accident a few minutes ago I thought he was satirising traffic woes of India. So I went to Wikipedia to verify it...

Outside cinema, he was one of the best Indian comedians I saw. Sometimes Doordarshan was worth watching only for his program 'Ulta-Pulta'.

I should have written about his art on this blog when he was alive. He has made so much fun of corruption in India. He of course couldn't have imagined the monstrous proportions the evil has now reached.The joke is truly on us.


Mr. Bhatti exhibiting 'Corruption Devta' in April 2011

Photograph courtesy: Shiv Kumar Pushpakar, The Hindu


I always feel that Sikhs as a community get more than fair share of Indian society's affection. For me, the reason is they produce people like the late Mr. Bhatti and Mr. Khushwant Singh. 



Food Gets Z Category Security in India

Jaspal Bhatti’s wife Savita Bhatti, guarded by members of the Nonsense Club dressed as commandos, goes to deposit vegetables in a bank locker in Chandigarh on Tuesday April 1, 2008. (PTI)

Ok...ok...Mr. Bhatti...we get it...You have now read a lot of obituaries...Now please get up...The Flop-show must go on.
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