मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, November 23, 2013

Banks in India's Gilded Age


Jayant Sinha and Ashutosh Varshney, Financial Times, January 6 2011:

 "...Both in its rot and heady dynamism, India is beginning to resemble America’s Gilded Age (1865-1900). Ending with Theodore Roosevelt’s rise to the presidency in 1901, the Gilded Age transformed an agrarian US into an economic and industrial giant. Yet Roosevelt’s assessment was gloomy: “The dull, purblind folly of the very rich men; their greed and ignorance, and the way in which they have unduly prospered...these facts, and the corruption in business and politics, have tended to produce a very unhealthy condition.”..."'



Samuel Brittan, Financial Times, June 5 2012:

"...In general terms it is difficult to go beyond Adam Smith. Few of us like competition; and the tendency to form closely knit groups to keep outsiders at bay is probably as old as the human race. For pre-capitalist examples one has only to think of the medieval guilds, whether of craftsmen or Master Singers. More subtle are the practices of bankers, as they come disguised as services for customers. In summary, success has depended more on whom you know than what you know. Hence the catchphrase “crony capitalism”..."

Jackson Lears, 'Something For Nothing/ Luck in America', 2003:

 "In an laissez-faire economy, riddled by graft and scandal, robber barons and knights of the green baize were not always easy to tell apart."


Ajit Dayal, 'Why our bankers are like Gabbar Singh', June 20 2013:

"...Banking was a boring business.

But a lot has changed since Gabbar Singh took over. Now the banks are built to take risks and shed all fear of a serious reprimand. If "naming and shaming" had any relevance to the society we live in, most Indian industrialists (and many in the financial services industry) would be fakirs by now wandering aimlessly across the Indo-Gangetic plain in search of the mystical. Instead, they are surrounded by the material with some CSR to sprinkle around.

Which gets back to the other famous Gabbar quote: "Jo dar gaya, so mar gaya".

With no dar in the system, the mad expansion of bank branches will continue.

The mar will be for us."

 
I miss R K Laxman. He would have done real justice to the following news. 

 "Reserve Bank of India (RBI) Deputy Governor K C Chakrabarty said banks had written off Rs 1 lakh crore in the past 13 years and criticised the lenders because as much as 95 per cent of these write-offs were for large borrowers.

“During the past 13 years what we see is that the banking system as a whole has written off more than Rs 1 lakh crore in advances,” Chakrabarty, the senior-most of the deputy governors  at RBI, said.
He said over 95 per cent of such write-offs have been observed in the case of big accounts and expressed anguish that public discourse focuses only on the government’s agricultural  debt waiver scheme of 2008. 

“We only talk about the debt waiver of the agricultural borrowers, we don't say big players and of this (Rs 1 lakh crore) 95 per cent are all big borrowers and it has been written off,” he said.

The government had announced a waiver of over Rs 60,000 crore in advances to the farm sector as a one-time measure in the Budget of 2008 following stress in the rural sector..."

 (Business Standard, November 19 2013)

 Laxman would have shown a marginal farmer with attendant goat, chicken and cow facing a 'fat cat' (like the one in the late Mr. Steig's picture below) and signed off with a killer caption summarizing the state of India's banking.



Artist: William Steig, The New Yorker, 2 July 1960
 
Here is a cartoon by Mr. Laxman similar to the one being imagined by me. It has a marginal farmer, his goat, a government minister and his secretary, complete with their chopper.

The caption given by the artist is:

"No, Sir, this is neither a flood hit nor a drought hit area. We are only hit by bad government!"

P Devarajan wrote in Business Line on October 15 2006:

“...For bankers in India, hopping from one air-conditioned room to another, funding the poor is a chore. Not an act of passionate conviction. “

Based on all of the above, my caption is:

"No, Sir,  I feel bad because I hear that my waived loan of Rs. ten thousand has resulted in bankrupting my bank."
 
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