मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, May 02, 2016

Makes You Kind of Proud to be a Goan!...Mario Miranda @90

Today May 2 2016 is 90th birth anniversary of Mario Miranda

Mr. Miranda has appeared on this blog twice earlier, on December 12 2011 and December 24 2011. He had died on December 11 2011.

As said earlier, Wikipedia claims Mr. MM considered Ronald Searle (1920-2011) to be his mentor (The mentor died on December 30 same year).

Now, I feel MM was also inspired by 'naughty' great Peter Arno (1904-1968).

Artist: Peter Arno


"Untitled 189", Artist: Mario Miranda, 1996 (reproduced from Business Standard website)

When you look at the picture above, sure you notice "Daily Noise" headline "New Ministry Formed" and you get the joke how the businessman is disappointed that he now has no 'his man' inside and that's all he cares about the latest political development.

But above all you notice Miss. Fonseca, her big eyes, round face, small waist and ample bosom. At least I surely did whenever I looked at MM's pictures.

Now see a picture drawn by a fellow Goan, the late Dinanath Dalal (दीनानाथ दलाल)- who also drew cartoons once.


Artist: Dinanath Dalal, Diwali 1970

Now consider some of the beauties drawn by another Goan: the late Raghuvir Mulgaonkar ( रघुवीर मुळगावकर). For instance this one, drawn for the cover of Marathi magazine 'Vangmay-shobha' (वाङ्मय शोभा) dated April 1951.



So if you are from Goa, these artists should kind of make you proud to be a Goan...as illustrated by Peter Arno....

Artist: Peter Arno, The New Yorker, September 10 1960

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