मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, April 18, 2008

Memory Maybe the New Sex for Americans. For Indians, it's Money.

I had a lot of correspondence with the late M V Dhond म वा धोंड but I never met him. Earlier in my life, the same thing happened with D G Godse द ग गोडसे.

I mentioned this to Vasant Sarwate वसंत सरवटे at my place in Pune. He said I didn’t miss much because if I had met Dhond in 2007, I would have found him almost complete deaf.

No article on Dhond after his death mentioned this. I wonder why.

Aging is cruel. It takes away things one by one.

David Brooks has written a wonderful essay “The Great Forgetting “ ( NYT April 11, 2008):

“They say the 21st century is going to be the Asian Century, but, of course, it’s going to be the Bad Memory Century. Already, you go to dinner parties and the middle-aged high achievers talk more about how bad their memories are than about real estate…”

Mr. Brooks, although loss of hearing and memory now have reached epidemic proportion in graying India, we middle-class Maharashtrians talk about these 10 things in our parties. We don't even mention bad memory. For some of us, good memory is a curse. We don't wish to remember or meet someone who will help us remember "hard times".

“…In the era of an aging population, memory is the new sex. ..

…The dawning of the Bad Memory Century will have vast consequences for the social fabric and the international balance of power. International relations experts will notice that great powers can be defined by their national forgetting styles. Americans forget their sins. Russians forget their weaknesses. The French forget that they’ve forgotten God. And, in the Middle East, they forget everything but their resentments...

…Meanwhile, mnemonic gurus will emerge offering to sell neural Viagra, but the only old memories the pills really bring back will involve trigonometry.

As in most great historical transformations, the members of the highly educated upper-middle class will express their suffering most loudly. It is especially painful when narcissists suffer memory loss because they are losing parts of the person they love most. First they lose the subjects they’ve only been pretending to understand — chaos theory, monetary policy, Don Delillo — and pretty soon their conversation is reduced to the core stories of self-heroism.

Their affection for themselves will endure through this Bad Memory Century, but their failure to retrieve will produce one of the epoch’s most notable features: shorter memoirs”


Artist: Eric Teitelbaum The New Yorker 28 March 1994
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