मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Sunday, February 10, 2019

...मला ती मोलकरीण राजकन्येसारखी वाटली...Maritornes, the Princess


जी. ए. कुलकर्णी : 
"... मला ती मोलकरीण राजकन्येसारखी वाटली, मद्याच्या पखाली दबा धरून बसलेल्या शिपायांसारख्या वाटल्या, आता तूच सांग, तुझे वाटणे माझ्या वाटण्यापेक्षा जास्त महत्वाचे का आहे ? ..."
(पृष्ठ २२१, "यात्रिक", पिंगळावेळ , १९७७)


Miguel De Cervantes Saavedra , translator Edith Grossman, ‘Don Quixote’, Chapter XVI:

“...And holding her close, in a low, amorous voice he began to say:

“Would that I were able, O beauteous and exalted lady, to repay the great boon thou hast granted me with the sight of thy sublime beauty, but Fortune, which never wearies of pursuing the virtuous, hath chosen to place me in this bed, where I lie so bruised and broken that even if I, with all my heart, desired to satisfy thine own desires, I could not. Further, added to this impossibility is another even greater, which is the promise of faithfulness that I have sworn to the incomparable Dulcinea of Toboso, the sole mistress of my most hidden thoughts; if this great obstacle did not loom between us, I would not be so foolish a knight as to turn away from so gladsome an opportunity as this that thy great kindness affords me.”

Maritornes, extremely agitated and perspiring freely at finding herself held so firmly by Don Quixote, and not understanding or paying much attention to what he was saying, attempted, without saying a word, to break free....” 

btw- तुम्ही वाचला नसल्यास हा सोळावा चॅप्टर वाचा...

 'Duck Soup', १९३३ पासून,  'जाने भी दो यारों', १९८३ पासून 'The Simpsons' (१९८९-) अशा अनेक महान कलाकृतींची जननी कोण हे तुम्हाला लक्षात येईल....

from 'The History of Don Quixote of De La Mancha', 1922

Artist: Jean de Bosschère ( 1878 - 1953)

आज योगायोगाने मोलीये यांच्यावरती गुगल डुडल आहे Known as the greatest of all writers of French comedy today, Moliere premiered his final play, Le Malade Imaginaire (The Imaginary Invalid) on February 10  in 1673. 
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