मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, August 05, 2016

Sustaining a Benevolent Myth: Like Livia Drusilla, I Want a Good Show



Today August 5 2016, Games of the XXXI Olympiad start

Mary Pilon, The New York Times, July 18 2016:
"...Because sports are a religion, it’s difficult to imagine a world without the Olympics, and to be sure, they have given us many glorious moments. It would be easy to conclude that the Olympic “movement” has lost its way since the time of Coubertin’s lofty vision, but that, as Goldblatt demonstrates, would be to rewrite history, since the idea of a clean and easy way to achieve peace through sport was a benevolent myth in the first place."

Livia Drusilla, 30 January 58 BC – 28 September 29 AD:
 “I've a few words to say to you before these games begin. Well, gather round. Now, these games are being held in honor of my son, Drusus Nero, who was worth the whole lot of you put together. It's my intention that these games shall be remembered long after you're all dead and forgotten even by your nearest and dearest. You're all scum and you know it, but you've a chance here - some of you - to prove that you're a bit more than that. And for those whom death doesn't liberate, there'll be plenty of freedoms handed out afterwards - to say nothing of gold plate and coin. But... I want a good show. I want my money's worth! I don't want any kiss-in-the-ring stuff. And I don't want my family watching two grown men pussyfooting around each other for half an hour before one of them aims a real blow. There's been too much of that in the past. And, don't think you can fool me either because I know every trick in the book, including the pig's blood in the bladder to make it look as if one of you is dead. There's been too much of that too lately. These games are being degraded by the increasing use of professional tricks to stay alive, and I won't have it. So put on a good show and there'll be plenty of money for the living and a decent burial for the dead. And, if not, I'll break this guild up and I'll send the lot of you to the mines in Numidia. That's all I've got to say to you.”
(from Episode 4,  ‘I, Claudius’, 1976 BBC Television adaptation of Robert Graves's I, Claudius and Claudius the God.)




                                                       Majestic  Siân Phillips as Livia

                                                                    courtesy: BBC