मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Wednesday, August 19, 2009

Book Banning, Author Expelling

Today started badly for me.

I began it reading Jagmohan: "...Look at the Indian Parliament. What an uninspiring spectacle it is. The 14th Lok Sabha, for example, had about 100 members who were involved in criminal cases — 30 of whom had been charged with murder, dacoity, rape and extortion. Could an institution, dominated by such men and women, provide a national environment conducive to the realisation of Sri Aurobindo’s great vision?"
(The Asian Age, August 19 2009)

Then it became worse.

A little while ago, one of the most upright members of the 15th Lok Sabha- Jaswant Singh, has been expelled from his party- the BJP.

For writing a book.

This is what I wrote on August 17, 2009 about "JINNAH: INDIA-PARTITION-INDEPENDENCE"
by Jaswant Singh at India Today website:

"I haven't still read the book. But going by excerpt, it has potential to become one of the best book written by an Indian politician.

T S Shejwalkar argues in "Panipat 1761" (available in English and Marathi both) that the third battle of Panipat was fought to save the Mughal empire ( and the then 'secular India') and that the Marathas were sacrificed for the cause.

He further argues that if J L Nehru had shown willingness for similar sacrifice, India may not have been divided in 1947.

Future historians will find it hard to condone J L Nehru.

And why aren't more people in BJP (and in its allies like Shiv Sena) as sensible as Mr. Singh?"

I liked the book excerpt because of following passages:

"...The cruel truth is that this partitioning of India has actually resulted in achieving the very reverse of the originally intended purpose; partition, instead of settling contention between communities has left us a legacy of markedly enhanced Hindu, Muslim, Sikh or other such denominational identities, hence differences. Affirmative action, reservations for Muslims, other castes and communities unfortunately does not dissolve those identities; it heavily underscores them, waters their roots, perpetuating differences through the nutrient of self interest being poured constantly in separateness. Reservation results finally in compartmentalising society, hence ultimately in fragmenting national identity. That is what 'special reservation' for Muslims in India did...

...There are now no more points left to score; all have already been scored, no great issues of partition left to resolve, except one: an inability to understand what, after all, did this partition achieve? Other than constant pain and the suffering of crores of humans, all around, which has now finally moulded itself into a kind of a sealed and an abrasive continuity...

...The partitioning of India is the defining event of the twentieth century for this entire subcontinent. The searing agony of it torments still, the whys and what-fors of it, too. We relive the partition because we persist without attempts to find answers to the great errors of those years so that we may never, ever repeat them. Also, perhaps by recounting them we attempt to assuage some of our pain..."

Jaswant Singh's book has been banned in the state of Gujarat.

Indians have always had difficult relationship with books.

A G Noorani said in Economic & Political Weekly December 1, 2007 :

"Book banning is a civilised form of the vice of book-burning which is a sure symptom of fascism. India has a formidable record of book banning. As with much else, independent India simply took over the habits of the British raj."

A formidable record of book burning too?

According to the late Durga Bhagwat दुर्गा भागवत, Indians burnt down Bhasa’a भास play “Pratima प्रतिमा” because they didn’t like it.

Bhasa wrote ‘Pratima’ based on the life of Rama.

(Source- Easy Conversations: With Durgabai by Pratibha Ranade ऐसपैस गप्पा : दुर्गाबाईंशी, लेखक प्रतिभा रानडे, 1998)

Hope Jaswant Singh has written his own book...

Following cartoon appeared after the publication of L K Advani's tome- “My Country, My Life” in 2008.

The guy throwing away the book in disgust is A B Vajpayee.


Artist: R K Laxman, The Times of India, March 27, 2008