मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, March 20, 2017

उदासतेला जहरी डोळे: मर्ढेकर मरणदिन....Melancholy Has Disquieting Eyes

Today March 20 2017 is 61st Death Anniversary of  B S Mardhekar ( बा.सी.मर्ढेकर)



                                                           Artist: Steve Cutts
 

Poem no#  21  from "Mardhekarnchi Kavita" (मर्ढेकरांची कविता), 1959

"पिपांत मेले ओल्या उंदिर;
माना पडल्या, मुरगळल्याविण;
ओठांवरती ओठ मिळाले;
माना पडल्या, आसक्तीविण.
गरिब बिचारे बिळांत जगले,
पिपांत मेले उचकी देउन;
दिवस सांडला घाऱ्या डोळीं
गात्रलिंग अन् धुवून घेउन.

जगायची पण सक्ती आहे;
मरायची पण सक्ती आहे.

उदासतेला जहरी डोळे,
काचेचे पण;

मधाळ पोळें
ओठांवरती जमलें तेंही
बेकलाइटी, बेकलाइटी!
ओठांवरती ओठ लागले;
पिपांत उंदिर न्हाले ! न्हाले !"

Translated  by Vilas Sarang (विलास सारंग):

"Mice Died in the Wet Barrel

Inside the waterlogged drum, the mice are dead,
Their necks hang, wrung by nobody.

The necks hang, and lips meet lips
Without desire.

Poor bastards lived in holes,
And, with a hiccup, died in the drum.

Day spilled into gray eyes,
rinsed their limbs and genitals.

Living is obligatory;
so, too, is dying.

Melancholy has disquieting eyes;
they are glass ones, though.

Even the honeycomb
brimming on their lips
is merely foam rubber!

Lips nuzzling lips:
O the mice are douched in the drum!
the mice are douched!"
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