Vijay Anand's 'Guide' was released in India on December 6 1965. So today, December 7 2014, is the start of its golden anniversary year.
The movies has appeared on this blog a couple of times earlier. I still remember its large colourful posters displayed in front of the town hall, Miraj where it ran at Deval talkies some time in 1966. Aged 6, I wanted to watch the movie! My father flatly and quite rightly refused the permission. I would watch the film a decade or so later.
I consider the movie very significant because, I feel, it marked the end of Hindi cinema's golden age that had started with Mehboob Khan's 'Andaz', 1949.
By the end of 1965. the best work of Hindi cinema's greats such as Mehboob Khan, Guru Dutt, Bimal Roy, Raj Kapoor, Dilip Kumar, Dev Anand, Balraj Sahni, Motilal, Nargis, Madhubala, Geeta Bali, Nutan, Meena Kumari, Shankar-Jaikishan, Naushad, Roshan, Madan Mohan, C Ramchandra, S D Burman etc. was largely behind them.
Those who like 'Guide' are often impressed with Waheeda Rehman's snake-dance, ahead of her even other wonderful dance numbers. I always feel that dance is a manifestation of suppressed sexual desires of Rosie played ably by Ms. Rehman.
courtesy: Google Inc.
R K Narayan's 'The Guide', 1958 on which the film is supposedly based, describes Rosie's snake-dance, on stage, in these words:
courtesy: Shemaroo and current copyright holder to the feature film 'Guide'
Apart from Mr. Narayan's vivid description, was there any on-screen inspiration for Mr. Vijay Anand?
Probably yes.
I read a few books this year.
The best of them is 'A Strange Kind of Paradise: India Through Foreign Eyes', 2014 by Sam Miller. Mr. Miller is easily one of the interesting persons who ever visited India. He belongs with the likes of Hiuen Tsang, Ibn Battuta...
The book gave me so much and will continue to give. Every page of the book is a treasure trove.
One of the most interesting things I learned there was great Fritz Lang's 'India films': 'The Tiger of Eschnapur', 1959 and 'The Indian Tomb', 1959.
'Serpent girl' Debra Paget performing snake dance in Fritz Lang's 'The Indian Tomb', 1959
courtesy: current copyright owner to the feature
Fritz Lang was a greater director than Vijay Anand but when it comes to the battle of serpent girls, the clear winner is Mr. Anand's fully clothed Ms. Rehman!
The movies has appeared on this blog a couple of times earlier. I still remember its large colourful posters displayed in front of the town hall, Miraj where it ran at Deval talkies some time in 1966. Aged 6, I wanted to watch the movie! My father flatly and quite rightly refused the permission. I would watch the film a decade or so later.
I consider the movie very significant because, I feel, it marked the end of Hindi cinema's golden age that had started with Mehboob Khan's 'Andaz', 1949.
By the end of 1965. the best work of Hindi cinema's greats such as Mehboob Khan, Guru Dutt, Bimal Roy, Raj Kapoor, Dilip Kumar, Dev Anand, Balraj Sahni, Motilal, Nargis, Madhubala, Geeta Bali, Nutan, Meena Kumari, Shankar-Jaikishan, Naushad, Roshan, Madan Mohan, C Ramchandra, S D Burman etc. was largely behind them.
Those who like 'Guide' are often impressed with Waheeda Rehman's snake-dance, ahead of her even other wonderful dance numbers. I always feel that dance is a manifestation of suppressed sexual desires of Rosie played ably by Ms. Rehman.
Google Doodle on October 10 2014
courtesy: Google Inc.
R K Narayan's 'The Guide', 1958 on which the film is supposedly based, describes Rosie's snake-dance, on stage, in these words:
“…Two hours passed. She was doing her fifth item—a snake
dance, unusually enough. I liked to watch it. This item always interested me.
As the musicians tuned their instruments and played the famous snake song,
Nalini came gliding onto the stage. She fanned out her fingers slowly, and the
yellow spotlight, playing on her white upturned palms, gave them the appearance
of a cobra hood; she wore a diadem for this act, and it sparkled. Lights
changed, she gradually sank to the floor, the music became slower and slower,
the refrain urged the snake to dance—the snake that resided on the locks of
Shiva himself, on the wrist of his spouse, Parvathi, and in the ever-radiant
home of the gods in Kailas. This was a song that elevated the serpent and
brought out its mystic quality; the rhythm was hypnotic. It was her
masterpiece. Every inch of her body from toe to head rippled and vibrated to
the rhythm of this song which lifted the cobra out of its class of an
underground reptile into a creature of grace and divinity and an ornament of
the gods.
The dance took forty-five minutes in all; the audience
watched in rapt silence. I was captivated by it. . . . She rarely chose to do
it indeed. She always said that a special mood was needed, and always joked
that so much wriggling twisted her up too much and she could not stand upright
again for days. I sat gazing as if I were seeing it for the first time. There
came to my mind my mother’s remark on the first day, “A serpent girl! Be
careful.”…”
'Serpent girl' Waheeda Rehman
courtesy: Shemaroo and current copyright holder to the feature film 'Guide'
Apart from Mr. Narayan's vivid description, was there any on-screen inspiration for Mr. Vijay Anand?
Probably yes.
I read a few books this year.
The best of them is 'A Strange Kind of Paradise: India Through Foreign Eyes', 2014 by Sam Miller. Mr. Miller is easily one of the interesting persons who ever visited India. He belongs with the likes of Hiuen Tsang, Ibn Battuta...
The book gave me so much and will continue to give. Every page of the book is a treasure trove.
One of the most interesting things I learned there was great Fritz Lang's 'India films': 'The Tiger of Eschnapur', 1959 and 'The Indian Tomb', 1959.
'Serpent girl' Debra Paget performing snake dance in Fritz Lang's 'The Indian Tomb', 1959
courtesy: current copyright owner to the feature
Fritz Lang was a greater director than Vijay Anand but when it comes to the battle of serpent girls, the clear winner is Mr. Anand's fully clothed Ms. Rehman!
