मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Friday, December 03, 2010

Lots of little men and women have got somewhere

Siddharth Varadarajan: "Welcome to the Matrix of the Indian state: ...The Radia tapes reveal the networks and routers, the source codes and malware that bind the corporate and political establishments in India.


As squeamish schoolchildren know only too well, dissection is a messy business. Some instinctively turn away, others become nauseous or scared. Not everyone can stomach first hand the inner workings of an organic system. Ten days ago, a scalpel — in the form of a set of 104 intercepted telephone conversations — cut through the tiniest cross-section of a rotting cadaver known as the Indian Establishment. What got exposed is so unpleasant that several major newspapers and television channels that normally scramble to bring “breaking” and “exclusive” stories have chosen to look the other way. Their silence, though understandable, is unfortunate. Even unforgivable..."


The Supreme Court of India: "We have often talked about pollution of rivers, even the Ganga pollution. But this pollution (corruption) is mind-boggling."

A picture like the one below tells us why JT was one of the greatest.


Artist: James Thurber, The New Yorker, March 26 1938

Wednesday, December 01, 2010

You don't have to show navels to get medals!

Indian women athletes have done amazingly well at Guangzhou 2010 Asian Games. They made me cry with happiness.

What distinguished Indium women athletes from their co-athletes from other countries?

A: They didn't show their navels...And they still looked smart and attractive.

Way to go, ladies!

My wife often asks: Why can't women tennis player, on international circuit, dress more like their men counterparts? My answer: Sex sells, even at Wimbledon.


The Indian women’s 4x400m relay team, from left, Ashwini, Sini Jose, Mandeep Kaur and Manjeet Kaur after defending their gold medal.

Photo courtesy: AP

Monday, November 29, 2010

Have you lately followed Indian Radia..err Media?

John N Gray:
While the dominant trend in recent British art has toyed with nihilism, the mass media have done the opposite. Technology has been used to manufacture meaning. The camera gives us a snapshot of events and allows us to imagine we are seeing things clearly and plainly. By turning the chaos of sensation into a series of definite images, it enables us to find meaning when it may in fact be fugitive, or even absent. The truth is that we do not know why some people commit hideous crimes, but living in this knowledge is intolerable because it leaves the world a random place. The media cater to our need for order. When the camera is used to construct an icon of evil, it is not simply giving vent to punitive fantasies, but being used to maintain meaning in our lives.

William Leith:
And their (India’s) media is heading for ad-backed celebrity hell faster, and more comprehensively, than ours.


When I see India's superstar TV and newsprint personalities, I never think they bring any order or meaning to my life but I always feel they are smart, wealthy, sophisticated- like Avery Jessup of 30 Rock and totally unlike me- but I don't like what they do and I can always switch off the TV.

I never thought they were so corrupt.

The best comment on this has probably come from unsung Sudhir Tailang who according to me is the best political cartoonist drawing for a national newspaper in India today. If Mr. Tailang were to focus his attention on life beyond politics he might scale even greater artistic heights.


Artist: Sudhir Tailang, The Asian Age, November 28 2010

p.s After I posted the above, I came across this "Welcome to the Matrix of the Indian state" by Siddharth Varadarajan. Please read it to assess India's Who's Who.

Sunday, November 28, 2010

Even in neglect, Tolstoy looks majestic

AN Wilson: Is there a vanity, almost a frivolity in the anarchist-pacifist position? In view of the later excesses of Stalin and Hitler, the passing of Tolstoy in 1910 can seem like the sad death of a utopian dream. But the story of South Africa – to choose but one example – demonstrates the vigour and strength of the Tolstoyan idea. It was in South Africa that Gandhi first became enflamed by Tolstoy’s writings and began to put in practice the policy of passive resistance that would eventually defeat the British empire.

David Brooks: As a novelist, Tolstoy was an unsurpassed observer. But he found that life unfulfilling. As he set out to improve the world, his ability to perceive it deteriorated. Instead of conforming his ideas to the particularities of existence, he conformed his perception of reality to his vision for the world. He preached universal love but seemed oblivious to the violence he was doing to his family.


There is hardly anything original being done in India to mark the death centenary year of Leo Tolstoy.

That does not surprise me but I was shocked to read this:

"A century ago, all of Russia mourned Leo Tolstoy's death at a backwater train station. But today the novelist and pacifist, who abhorred any form of government, is more respected in the West than his home country.

The centennial of Tolstoy's death, 100 years ago Saturday, seems to be passing virtually unnoticed in Russia..." (AFP)

But I was very impressed see this monument.


Location: Yasnaya Polyana
courtesy: AFP

I bought 'War and Peace' long ago and I have yet to start reading it. I have read a lot about Tolstoy but not much by him.

Michael Dirda says: Tolstoy's main characters are all spiritual pilgrims.

A man from the land of Warkaris like me should be able to relate to them. Sure but only when he decides to take out the book from the bottom of the pile of unread books! Maybe a newspaper or TV strike will help.

Artist: Barney Tobey, The New Yorker, 20 Apr 1963

(Newspaper strike in US began on Dec 8, 1962 and lasted for 114 days. )

I was moved by A N Wilson's tribute to him: "From the first reading of War and Peace, it becomes clear that Tolstoy writes with the breadth and scope of Homer. Nowhere outside the Iliad do we find such a prodigious combination of artistic detachment from joy and suffering and yet at the same time such passionate engagement and sympathy. It is a paradoxical truth in these two European masterpieces, and Bartlett’s book gives us the sense of how both these godlike qualities, of indifference and empathy, were constantly present in Tolstoy’s soul." (FT, Nov 19 2010)

Vivian Gornick writes about Tolstoy's marriage:

"...It pained Sonya throughout her life that her only real hold on Tolstoy was sexual—neither her thoughts nor her desires kept his attention—and it pained her even more when that hold loosened. She herself never enjoyed making love, but when finally, in significant old age, he stopped coming to her, she was beside herself with shame, loss, longing. So often, throughout their years together, he had bolted, leaving her entirely alone—sometimes even when he was in the house—for days or weeks on end (her diary often reports an unspeakable loneliness). Yet she had gone on dreaming that ultimately she would have Tolstoy’s friendship and tender regard. When the sex went, and the friendship did not blossom, she grew desolate.

In the end the mixed nature of humanity itself proves the source of the great existential drama. To be mean and generous, depraved and decent, loving and murderous, not by turns but all at once—that, it seems, is the true burden of our existence. It is this humiliation that makes us rage at the heavens, this humiliation that has ever demanded of us some over-arching myth of redemption that will atone for the despair of our own self-divisions..."

In Marathi culture I have often heard people expressing satisfaction, even joy, after a person's passing, that his/her last days were spent well, perhaps in happiness.

I have never understood this focus on "last days".

Tolstoy's last days:

"...Fleeing from his home and wife of 48 years with just 50 rubles in his pocket, 82-year Tolstoy rushed from one monastery to another before catching a cold on a train and dying at a small train station in Astapovo, Lipetsk region..." (AFP)

Thursday, November 25, 2010

असेच होते गांधीजीही, येशु क्रिस्त अन् कृष्ण कदाचित् कालिदास अन टैकोब्राही

Jill Lepore: The life of Potter is the story of a man fated, at death, to be buried in a potter’s field. To the American Plutarch, it was rubbish. There is no humility in monumental biography. But there is humility in nature, in time, and in history. The same sun that shines on the Bunker Hill monument, Melville pointed out, shines on Potter’s unmarked grave. Come winter, the same snow falls, dusting us all. (The New Yorker, September 27 2010)

One of B S Mardhekar's (बा. सी. मर्ढेकर) poems: 'Mee Ek Mungi, Ha Ek Mungi' [मी एक मुंगी, हा एक मुंगी), poem 16 from 'Anakhi Kahi Kavita' (आणखी कांहीं कविता), has these lines:

'ह्या नच मुंग्या : हींच माणसे :
असेच होते गांधीजीही,
येशु क्रिस्त अन् कृष्ण कदाचित्
कालिदास अन टैकोब्राही.'

(They are not ants : they are humans :
Gandhiji was like this too
Jesus Christ and Krishna perhaps
Kalidas and Tycho Brahe too)

I have already written about this poem here.

After reading DAN BILEFSKY's article in The New York Times on November 19 2010, looking at Brahe's remains, I realised how human Brahe was!

In India, majority of Hindus are cremated and hence have no graves, and even if they had, we wouldn't allow opening of them. There would be riots even at the mention of it.

But if there were to be graves for Krishna or Gandhi, their remains wouldn't look very different from that of Brahe.

Niels Linnerup of the University of Copenhagen examines the remains of Tycho Brahe in Prague,

Pool photo by Jacob Christensen Ravn/Aarhus University, via European Pressphoto Agency courtsey: The New York Times, Published: November 19, 2010

Tuesday, November 23, 2010

Lin Dan, किस चक्की का आटा खाते हो?


I haven't seen a grander sporting spectacle than the Badminton gold medal match at Guangzhou between Lee Chong Wei vs Lin Dan. Watch it on YouTube here.

It was almost surreal. It was like watching artistic gymnastics being performed on badminton court.

I must thank DD that they did not bungle this one. Never mind their commentators.

In Indian mythology, one often reads that the Gandharvas shower flowers on earth at some special moments.

Were they present in Guangzhou skies on the evening of November 21st 2010?

p.s. The answer to my rhetorical question in the title is: None. Because he probably doesn't eat wheat flour (Aata)!

Sunday, November 21, 2010

Rishi Steven Weinberg

For Scientific American November 2010, Amir D. Aczel says: "For years the cosmos and the atom have been at odds with one another. If any physicist can reconcile them, it's Steven Weinberg."

Maybe.

But for me, Weinberg reached an exalted status not because what he may still do in science or his Nobel prize but when I read his this line in one of the greatest pieces of prose I have read:

"...Whatever purposes may be served by rewarding the talented, I have never understood why untalented people deserve less of the world's good things than other people..."

(Five and a Half Utopias, The Atlantic, January 2000)

No ism, no right/left, no ideology, no religion, no holy text...I trust only a poet-saint or a sage to write a line of this profundity.

I hope some day a Marathi Vinda (विंदा) will write what happened when Weinberg and Dnyaneshwar (ज्ञानेश्वर) met! [may I suggest a title for the poem:'Gyanya-Weinya Chi Bhet' (ग्यान्या-व्यान्याची भेट)].

And doesn't he look the Rishi/sage part in following lovely picture?


Picture courtesy: Jeff Wilson and Scientific American, November 2010

Wednesday, November 17, 2010

Whether you laugh or hurt or both, don't forget the sponsors

A character in Sydney Pollack’s “The Interpreter”: Despite all the flags fluttering on First Avenue, there are no nations any more. Only companies. International companies. It’s where we are. It’s what we are.

Howard Jacobson: It isn't as though we have lost the capacity to laugh. Stand-up comedy is riding higher than ever. If anything there is an argument to be made that we are laughing too much. But we have created a false division between laughter and thought, between comedy and seriousness, between the exhilaration that the great novels offer when they are at their funniest, and whatever else it is we now think we want from literature.


For this Diwali, Vasant Sarwate (वसंत सरवटे) has taken us, one more time, to meet a Marathi speaking the Simpsons family. (Please find earlier Lalit (ललित ) covers by Sarwate here: 2009, 2008, 2007).

Look at the picture below. (Sorry for the poor resolution. My scanner is down.)

Meet- clockwise- Homer, Marge, Lisa, Abraham, Mona and Bart. They are 'watching' a Marathi 'comedy' program on their brand new flat panel TV.

It's called a comedy program because laughter is in its name. It's "Ha Ha Bai Express" (हाः हाः बै एक्सप्रेस) . The newspapers that are lying on the side-table claim that this show is bound to cause you stomach ache because of your wild laughing at its humour.

But don't worry, remedy is on hand. The sponsors of the program are Udaroushadhi pharmacy (उदरौषधी फार्मसी ) makers of a medicine that cures such a stomach ache. Notice Udaroushadhi's calendar, showing its full product range, hanging next to the TV.

Let us look at what the Simpsons are doing.

Homer is dumbfounded. Lisa is busy reading something. Abraham- I like him best here- is disgustingly looking at the medicine manufactured by Udaroushadhi pharmacy that is put on his palm by Mona. Mona, squatting on the floor, is gaping at the TV. Bart is in his own world. Only Marge has a faint smile on her face.

Udaroushadhi pharmacy's ad campaign is successful because the Simpsons have fallen for their product. They are administering it to poor Abraham. See one more time his face.

Notice the contrast between the energy levels and the mood in the Simpsons hall and the TV studio.

Judges of the comedy show in the studio are falling over each other laughing. What the Simpsons family doesn't know is: People in the studio want to give full 10 marks to each other and the sponsors because their respective cheques have encashed!


(double click and magnify to get a better view)

Artist: Vasant Sarwate (वसंत सरवटे ), Lalit (ललित), November-December 2010

Monday, November 15, 2010

Dancing, dancing everywhere, except at Guangzhou

On a weekend evening in India if you switch on TV, you are bound to see more than one dance based reality show.

Indians are very fond of dancing. Mr and Mrs. Obama witnessed, and in good measure participated in, it recently. I know a couple of young women who attend classes that teach Latin dance.

DanceSport became an official Asian Games sport at Guangzhou.

I watched Cha-cha-cha event on Nov 14. It was spectacular. I liked performances by all the pairs. The gold went to the pair of Shi Lei and Zhang Baiyu.

I wonder why Indians were totally absent at Dancesport at the 2010 Asian Games .

Have all educated young urban men and women of India have decided to devote themselves to only three things: Hindi cinema, Cricket and IT industry?

Hope not.

Saturday, November 13, 2010

Let not Marathi Wiki meet the fate of Ketkar-pedia

On November 12 2010, while talking to IBN-Lokmat, Maharashtra's new chief minister Prithviraj Chavan appealed to all Marathi lovers, including those who send their kids to convent schools and wear their love of Marathi on their sleeves, to contribute towards enriching Marathi Wikipedia.

A number of people who visit this blog ask me to write the blog in Marathi.

Well, I am sorry, I don't plan to do it in near future because my objectives are different.

This blog is not just for Marathi readers. It's for all those who appreciate a picture / a view / a scene/ a visual. It's also an attempt to take a few aspects of Marathi culture to non-Marathi speakers.

However, I have created and edited a number of pages on Marathi personalities in English Wikipedia and to my eternal delight those pages have attracted a lot of readers. As long as Wiki lives, my own immortality is guranteed...(who the xxxx was Anikulkarni?)...!

In the past, I too have appealed to those who write in Marathi to contribute to Marathi Wiki.

Let not Marathi Wiki meet the same fate of Ketkar-pedia. Read a related post here.