काय खर्ज लागतो एकेक बेडकाचा...Mandookavani

काकाजी:
"… आपल्या देवासला पावसात हजारो बेडकं ओरडतात मेंडकी-रोडवर, ओहोहोहो! काय खर्ज लागतो एकेक बेडकाचा- असं वाटतं, की  कोणी दशग्रंथी ब्राह्मण वेदपठण करून राहिले आहेत बेटे ! काय ?"
(पु ल देशपांडे, 'तुझें आहें तुजपाशी', 1957)

[Kakaji:

"...in our Devas thousands of frogs croak in the rain on Mendaki road, oh..oh..oh! What deep (bass) sound each one creates- one feels, it's as if  Brahmins with the command of the ten great books are chanting Vedas ! What?"

(P. L. Deshpande, "Tujhe Ahe Tujapashi"]

Mohit M. Rao reported for The Hindu in April 2015:

"...In a first-of-its-kind initiative in the country, research spanning a decade has resulted in a comprehensive audio database titled ‘Mandookavani’ (translates to ‘speech of the frog’ in Sanskrit) which contains voice samplings of about 70 of these amphibian species.

The 30-minute CD contains a brief introduction to the frog species, followed by a 10 to 30 second voice sample. As an added bonus, the CD also features a one-minute ‘symphony’ using these samples. Researchers Ramya Badrinath, Seshadri K.S., Ramit Singal and Gururaja K.V. independently recorded the samplings during their research in amphibian behaviour and ecology in the Western Ghats.

The lush forests and innumerable streams of the region house 192 frog and toad species – or, around half of the amphibian diversity of the whole country – each of whom have their own distinctive voice. Of the 70 in the CD, 58 are endemic species..."

I have downloaded Frog Find, an Android Apps and I just love listening to various sounds of Mandookavani. 

 courtesy: gubbilabs

Nothing...I Don't Mean Vagina!

The Epic of Gilgamesh (18th century BC-), Translated by Andrew George, 1999: 

"Ever the river has risen and brought us the flood,
the mayfly floating on the water.
On the face of the sun its countenance gazes,
then all of a sudden nothing is there!" (X 315) 

 

 Anthony Gottlieb:

"...One might think that science will eventually be able to explain the matter (nothing); certainly many cosmologists have said so. But there is an eternal snag, because any answer to the question of why there is something rather than nothing will end up chasing its own tail. Any law of nature or mathematics, any purported set of physical conditions, indeed any fact at all counts as “something”, and is thus itself part of what is supposed to be explained. Every explanation must start somewhere. But there is not, and never could be, anywhere left for this one to start..."

Blaise Pascal, Pensées, The Misery of Man Without God :

“Man is equally incapable of seeing the nothingness from which he emerges and the infinity

in which he is engulfed.”

 

courtesy: FB page of Dangerous Minds

Anthony Gottlieb: 

"...Shakespeare, too, made much merry play with the word “nothing”, and not only in “Much Ado”. Whether or not something may come of nothing is a recurring theme in “King Lear”, and there is a particularly convoluted verbal joust between Hamlet and Ophelia—some of which escapes contemporary readers unaware that in Elizabethan slang “nothing” can mean “vagina”..."

Who Do Librarians Kiss?

Today August 12 2015 is  123rd Birth Anniversary of Shiyali Ramamrita Ranganathan, a mathematician and librarian, also considered the father of library science in India. 

To honour him, the day is observed as  National Library Day in India. 

courtesy: FB page of Vintage Books & Anchor Books

ढेकणासी बाज...How Bedbugs Bed

सदानंद रेगे:
 "म्हटलं
आज गादीला जरा
ऊन खाऊ दे.
गच्चीवर टाकली न टाकली तो
पसाभर ढेकूण
जीव घेऊन
सैरावैरा ढुंगणाला पाय
लावून धूम पळत सुटलेले.
तरी तीनचार पायाखाली आलेच.
त्यांच्या कुळथीच्या रंगाचे
रक्ताळ धूमकेतू
जमिनीवर गोंदणासारखे
उतरत्या सूर्याला साक्षी
ठेवून मी स्वत:शीच पुटपुटलो,
देवा, त्यांच्या आत्म्यांना शांती दे
त्यातला चुकून एखादा असायचा फ्रान्झ काफ्का!"
 
William Cook: "Bedbugs were biting humans long before humans invented beds..."   

Tukaram 1608-1649 (तुकाराम),  quoted at the very top of this blog, sure knew this truth when he said:  "ढेकणासी बाज गड, उतरचढ केवढी" (For a bedbug a bed is like a castle. so much climbing up and down!).


After reading this first time in Dilip Chitre's (दिलीप चित्रे) 'Punha Tukaram' (पुन्हा तुकाराम), 1990, I smiled and  imagined how Tukaram must have observed a bug climbing a leg of a bed in his own house. Those couple of minutes gave birth to, for me, one of the most moving Marathi couplets.

Western literature too is full of them: "...from Horace to Henry Miller. They crop up in the Talmud, in Aristotle and Aristophanes..." (Cook)

Recently I came across Brooke Borel's book 'Infested: How the Bed Bug Infiltrated Our Bedrooms and Took Over the World', 2015 and its review by Marlene Zuk in The New York Times, April 17 2015.

We associate a bed with bedbugs and sex. So what about sex of  bedbugs?

"...When bedbugs mate, the male stabs the female’s body with his penis and deposits his sperm inside, a process “more like a shanking than a romantic coupling.” It’s part of what enables the bugs to reproduce so effectively, and become — welcome or not — one of our most common urban companions." (Zuk)

"...After they’ve feasted on your blood, they like to engage in rough and tumble sex (not with you, fortunately)..." (Cook)

Tukaram did not know this. Had he known, I wonder what he would have composed!

Traumatic insemination

Credit: Richard Naylor, CimexStore.co.uk

शनिवारवाड्यात गोया!...If Francisco Goya Were Present in Shaniwar Wada on August 6 1790

Today August 6 2015 * is 225 th Anniversary of a tripartite treaty between the British, the Maratha's and the Nizam for joining forces against Tipu Sultan,  the day one may argue changed the destiny of India.

John Berger, 'Selected Essays', 2001:

"...There are artists such as Leonardo or even Delacroix who are more analytically interesting than Goya. Rembrandt was more profoundly compassionate in his understanding. But no artist has ever achieved greater honesty than Goya: honesty in the full sense of the word meaning facing the facts and preserving one’s ideals. With the most patient craft Goya could etch the appearance of the dead and the tortured, but underneath the print he scrawled impatiently, desperately, angrily, ‘Why?’ ‘Bitter to be present’, ‘This is why you have been born’, ‘What more can be done?’ ‘This is worse’. The inestimable importance of Goya for us now is that his honesty compelled him to face and to judge the issues that still face us."

E. H. Gombrich on Goya:

"...His portraits, in fact, which secured him a position at the Spanish court look superficially like State portraits in the vein of Vandyke or of Reynolds. But only superficially, for as soon as we scrutinize the faces of these grandees we feel that Goya seems to mock at their pretentious elegance. He looked at these men and women with a pitiless and searching eye, and revealed all their vanity and ugliness, their greed and emptiness. No Court Painter before or after has ever left such a record of his patrons..." (The Story of Art, 1950)

There already are two posts on this blog discussing the picture, reproduced immediately below, that captures the treaty above:

'Perhaps Beautiful but Surely A Fraud: Thomas Daniell’sPainting of Peshwa Court' dated September 23 2007 and 'If Marathas and Tipu-sultan Came Together... एक दरबारचित्र आणि दोन मोठ्या चुका नवीन पुस्तकातील' dated April 28 2013.

The key word describing the painting below is 'fraud' as against the brutal honesty of most of Goya's (1746- 1828) work!

Artist: Thomas Daniell

at the centre of the pictures are Sawai Madhavrao Peshwa, Nana Fadnavis to his right and in hat
Sir Charles Warre Malet Bt

Picture courtesy: Wikimedia Commons and Tate Gallery

The British defeated Tipu in May 1799, Maratha's in September 1803 and went on to become the rulers of India for almost 150 years. Arthur Wellesley, 1st Duke of Wellington played a major role in both the campaigns.

In February 2015, I came across the following portrait of Mr. Wellesley in The Guardian 'Art weekly' newsletter.

Artist: Francisco Goya (1746-1828) drawn 1812-1814 

                                                             photo courtesy: Corbis

Mr. Jonathan Jones writes of the picture: "The great British general is pensive, even anxious, in Goya’s subtle portrait. Wellington made his name fighting in Spain during the Napoleonic Wars. While there, he was caught uneasily on canvas by Goya’s insightful eye"

In plain English,  Mr. Wellington looks scared!

Only a master of Goya's caliber could have captured it. I had never seen a portrait of this nature that says so much because majority of such paintings are hagiographic. 

If  tripartite treaty between the British, the Maratha's and the Nizam for joining forces against Tipu Sultan had not taken place, we need not IMAGINE how the Duke would have looked, if he was fighting against the combined forces of the British enemies in India.

Goya has shown it to us above!

I wish Goya were present in Shaniwar Wada on August 6 1790*! His depiction of the ceremony showing the Peshwa, Nana and Charles Malet would have perhaps told us a different story.

* The  date may be different than this one. D G Godse's (द ग गोडसे) Marathi book 'Samande Talash' (समन्दे तलाश), 1981 claims it to be June 6 1790