मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Saturday, July 12, 2008

Did Madhukar Sarpotdar Hear the Verdict?

More than 16 years after the alleged act, Mr. Madhukar Sarpotdar was sentenced to 1 year in jail on July 9, 2008.

His case proved once again: good cartoons never fade away, they just re-connect.


Old Lady: “Had you written a leader in 1982? He has come with an arrest warrant. For doing the writing that provoked people’s passions…”

Artist: वसंत सरवटे (1993) "सरवोत्तम सरवटे" संपादक: अवधूत परळकर, लोकवाङ्मय गृह 2008

Vasant Sarwate "The Best of Sarwate" editor: Avadhoot Paralkar, Lokvangmay Gruh 2008

Thursday, July 10, 2008

Does America Have Any Culture? And Urban Middle-class Maharashtra?

After reading what I have quoted below and watching Marathi TV occasionally I am motivated to ask: “Does Urban Middle-class Maharashtra Have Any culture?”

Chuck Klosterman says in Esquire June 30 2008:

“…Since my arrival in Leipzig, I have continually been reminded about the way many Germans view American culture. They essentially feel it does not exist. One grad student only half jokingly told me that an entire semester of American cultural studies "should probably take about twenty-five minutes." But this, of course, is crazy. Now more than ever, I feel certain that the United States is as good at manufacturing culture as the rest of the world combined, probably because we often do so accidentally. A lack of culture is not our problem. The problem is we've become too effective at distributing that culture -- at the same time, in the same way, and with the same velocity. It all ends up feeling interchangeable, which makes it all marginally irrelevant. As it turns out, my initial question was beyond impossible. There are no interesting twentieth-century Americans. There can't be, because they all are…”

Lucy Ellmann:

“What the hell is going on? The country that produced Melville, Twain and James now venerates King, Crichton, Grisham, Sebold and Palahniuk. Their subjects? Porn, crime, pop culture and an endless parade of out-of-body experiences. Their methods? Cliché, caricature and proto-Christian morality. Props? Corn chips, corpses, crucifixes. The agenda? Deceit: a dishonest throwing of the reader to the wolves. And the result? Readymade Hollywood scripts.

So not only has America tried to ruin the rest of the world with its wars, its financial meltdown and its stupid stupid food, it has allowed its own literary culture to implode. Jazz and patchwork quilts are still doing O.K., but books have descended into kitsch. I blame capitalism, Puritanism, philistinism, television and the computer.” (NYT Books Update June 2008)


Artist: Joseph Mirachi The New Yorker December 11, 1954

Tuesday, July 08, 2008

Grunting became Music because Tennis was so Great and that fetched the Gods

I am not a tennis fan. But the match between Rafeal Nadal and Roger Federer at Wimbledon 2008 took my breath and sleep away. It was like playing or watching a classical video game, involving humans. Simple, fast, accurate, surreal.

Imagery that came to my mind at the end of it all was from Indian mythology: The gods gathered in the skies over Wimbledon and did a flower-shower on the pair.

Both the champions are so unbelievably well-behaved and humble. Far cry from the days of abusive, ill-mannered Jimmy Connors and John McEnroe.

What is store for us at Beijing 2008 after cracking Euro 2008 and Wimbledon 2008?


published Asian Age July 07 2008 The Spectator

Monday, July 07, 2008

Who Answers Your Phone and How? 'हलो हलो' ला हलकट उत्तर.

One of B S Mardhekar’s बा. सी. मर्ढेकर poems starts with following lines:

त्रुटित जीवनीं सुटी कल्पना,
ट्रिंग ट्रिंग जैसा खोटा नंबर
सलग जमेना एक भावना,
'हलो हलो' ला हलकट उत्तर.

Last two lines read:

“not aligned are feelings,
‘hello, hello’ is answered by an abuse.”

(poem number 28, “मर्ढेकरांची कविता” “Poetry of Mardhekar”, 1959)

Times of India wrote a leader on June 17 2008 “Goodbye Hello”

“A study commissioned by UK's Post Office Telecoms to mark the 130th anniversary of the telephone in that country has found the once standard telephone greeting of "hello" is falling out of favour.

Instead, up to one in three 18 to 24-year-olds prefer answering their mobiles with "hi", "yo" or "wassup". ..

…Today, with caller identification protocols in existence in cellphones, most people — especially the younger set — know exactly who's ringing them up and react accordingly with nobody getting offended in the process.

…However, having acknowledged that technology is the main cause for the cultural shift in creating more informal relationships, it should also be recognised that the use of cellular devices per se is not helping much to maintain basic courtesy levels in society either.

Too many people are starting to complain about mobile phone users. They criticise them for leaving their phones on in movie halls and meetings, for speaking while driving rashly or too slow, for discussing personal matters loudly in public or simply for using hands-free attachments and walking..

Emily Post's well-known book, Etiquette, written in 1922 may read like fuddy-duddy stuff today but its principles remain the same: honesty, respect and consideration for other people…”


Artist: Raymond Thayer The New Yorker 21 May 1932

Thursday, July 03, 2008

Phillips Rodny Associates (and many of us) are now in Bunge

John Kay said: “…what we need is a term for the opposite of a bubble….bubbles are puffed up, not puffed down. That is why we need a phrase to describe the anti-bubble..”, asked readers to try and annouced a prize for the best entry. (FT June 24, 2008)

I participated with an entry ‘elbbub’, produced as al-boob. I lost although Kay says I would have won if Keynes’ rules were applied.

John Kay now has announced the winner:

“…But under Keynes’ rules the runaway winner would have been elbbub – bubble reversed – and that did not quite do it for me. So I decided to seek fundamental value rather than be carried away by market momentum…But the most compelling image is surely the bungee. You are in free fall. You expect that fall will end and reverse before you hit the ground, but you do not know when. And bungee jumping offers the same kind of immature pleasure as blowing bubbles in the air…But bungee is the cord, not the process… And congratulations to Iain Martin for his winning entry – the bunge…” (FT July 1, 2008)



Artist: Arnie Levin The New Yorker 27 August 1990

My caption: "Well, I guess Phillips Rodny Associates are now in bunge."

Wednesday, July 02, 2008

Tata’s Nano because they said Oil Price was a Globe Wide Bubble

The New Yorker Caption Contest #152



Artist: Mick Stevens The New Yorker 7 July 2008

proposed caption:

"Oh, no! We bought Tata’s Nano because American Congress and India’s Finance Minister said oil price was only a globe-wide bubble, inflated by commodity speculators. And here we are facing onrushing globe-sized behemoth."

Tuesday, July 01, 2008

Reader’s Digest for the Overclass,The Economist, does it again!

Paul Krugman: “Nine years ago The Economist ran a big story on oil, which was then selling for $10 a barrel. The magazine warned that this might not last. Instead, it suggested, oil might well fall to $5 a barrel.

In any case, The Economist asserted, the world faced “the prospect of cheap, plentiful oil for the foreseeable future…” (NYT, April 21, 2008)

The Economist October 6th 2007: “The American presidency is Hillary Clinton’s to lose…Mrs Clinton is clearly a formidable candidate for the presidency. She has the most powerful name in the business now that the Bush brand is tarnished. She has a smoothly working political machine. She has a wealth of experience in both the legislative and the executive branch. And she exudes competence. All told, she looks likely to translate this into both the Democratic nomination and a victory in November 2008…”

Homer Simpson might say: “Suckers!”

When Indian stock markets started falling in calendar 2008, the magazine probably thought they finally got one prediction right.

Did they?

The magazine said on November 17, 2008:

“…India shows dangerous signs of irrational exuberance. It was swept by euphoria last month as the Sensex, India's benchmarket index, hit 20,000 for the first time. India's Economic Times declared, “The first 10,000 took over 20 years. The next came in just 20 months...Superpower 2020?” Instead, India's poor risk-rating should ring alarm bells.

China's economy looks less risky thanks to a small official budget deficit (many reckon that it really has a surplus) and its vast current-account surplus and reserves…

…The p/e for Chinese shares that foreigners can buy is a more modest 22, well below the 40 reached in 2000. In contrast, Indian shares, also with a p/e of 22, have never been so overvalued…

… The riskiest economies, all with current-account deficits and relatively high consumer-price inflation, are India, Turkey and Hungary…”

They risk-rated China 5, Russia 8, Brazil 12 and India at the bottom of the pile 15.

But as the luck would have it, sure Indian stocks have plunged since then but Chinese stocks have suffered worse, both in local currency and dollar terms! See the table below.





'Now the weather, and as usual it's a tale told by an idiot, full of sound and fury, signifying nothing.'

The Spectator 2008

My caption:’Now the future according to The Economist, and as usual it’s a tale told by an …’

Sunday, June 29, 2008

Did a Typewriter Play a Role in Nietzsche’s God is Dead?!

Andrew Sulliavn wrote on June 15, 2008 in The Sunday Times:

“Here’s something I didn’t know: Friedrich Nietzsche used a typewriter. Many of those terse aphorisms and impenetrable reveries were banged out on an 1882 Malling-Hansen Writing Ball. And a friend of his at the time noticed a change in the German philosopher’s style as soon as he moved from longhand to type.

“Perhaps you will through this instrument even take to a new idiom,” the friend wrote. Nietzsche replied: “You are right. Our writing equipment takes part in the forming of our thoughts.”

Gulp. The technology writer Nicholas Carr, who pointed out this item of Nietzsche trivia in the new issue of The Atlantic, proceeded to make a more disturbing point. If a typewriter could do this to a mind as profound and powerful as Nietzsche’s, what on earth is Google now doing to us? …”

or should it read "I've killed Good Lord."?

Artist: John M Price The New Yorker 9 March 1940

Friday, June 27, 2008

Whose Nice Decade/Century/Millennium was it Anyway?

The Governor of the Bank of England, Mervyn King, has declared the “nice decade” to be over.

Tim Bond argues in FT May 19, 2008 that we are now in the ‘nasty decade’ and life won’t be easy there.

For vast majority of Indians, could any period in India's history be called "nice"?

Social scientist V K Rajwade’s (विश्वनाथ काशीनाथ राजवाडे 1863-1926) following extract from his essay महाराष्ट्र व उत्तरकोंकणची वसाहत (The colony of Maharashtra and North Konkan) is interesting.


click on the scanned pages above to get a larger view

(source: राजवाडे लेख्संग्रह Rajwade Collected Essays, संपादक: तर्कतीर्थ लक्ष्मणशास्त्री जोशी editor: Tarkateerth Lakshman-shastri Joshi, Sahitya Akademi, 1958)

Wednesday, June 25, 2008

How Tall can Pencils Grow in Green Pune, NASA'a Innovative Zero Gravity Pen


Artist: Tom Cheney The New Yorker 30 June 2008 caption contest # 151

Proposed captions:

1. "“…So you are saying I may go to jail if we don’t take permission from Pune Municipal Corporation before sharpening them because they technically are now trees.”

2. “I just wanted to create a living monument for our innovative spirit and extend it. Remember, NASA’s extravagance and its tendency to look for complex solutions when they developed a pen that would write in zero gravity while we Russians made do with pencils.”