प्रिसन छगन?...Another Defence Mechanism for Mr. Bhujbal

लोकसत्ता, June 17 2015:

"'सदन'भुजबळ!: छापासत्रात डोळे दिपविणारी मालमत्ता समोर:
महात्मा फुले यांचे नाव घेत सामाजिक समतेचा लढा देणारे 'समाजसेवक', राष्ट्रवादी काँग्रेसचे बिनीचे नेते आणि राज्याचे माजी उपमुख्यमंत्री छगन भुजबळ यांच्याविरुद्धच्या चौकशीची चक्रे मंगळवारी अधिक वेगाने फिरू लागली. भुजबळ आणि कुटुंबियांच्या मुंबई, ठाणे, पुणे, नाशिक, लोणावळा येथील विविध मालमत्तांची लाचलुचपत प्रतिबंधक विभागाने झडती सुरू केली आणि एकेकाळी फूल बाजारात फुले विकणाऱ्या भुजबळ यांच्या कुटुंबाची राजकारणात शिरल्यानंतरची आश्चर्यचकित करणारी भरभराट महाराष्ट्रासमोर अधिकृतपणे उघड झाली. मंगळवारी दिवसभर चाललेल्या या छाप्यांनंतर भुजबळ यांच्या मालमत्तेचा तपशील लाचलुचपत प्रतिबंधक विभागानेच उघड केला. आलिशान महाल, बंगले, इमारती, सदनिका, विस्तीर्ण भूखंड, ऐतिहासिक मोलाच्या प्राचीन वस्तू असा डोळे दिपविणारा खजिना या तपासात उघड झाला..."

लोकसत्ता, June 18 2015:

"...तूर्त तात्पर्य हे की एका भुजबळांवर कारवाई झाली म्हणून इतके सारे बाहेर आले. पण म्हणून ते एकमेव असे आहेत वा होते असे नाही. त्यांच्यावर कारवाई करणे हे सर्वासाठीच सोयीचे असल्याने ती होत आहे. यावरून, आता अशी कारवाई सर्वावरच होईल इतका आशावाद बाळगणे भाबडेपणाचे ठरेल. तशी ती होणे गरजेचे आहे, हे मान्य. पण तसे होत नाही तोपर्यंत भुजबळांच्या जमीनजुमल्याकडे आणि संपत्तीकडे पाहात छगन सदन तेजोमय..असेच म्हणत बसावे लागेल."

लोकसत्ता, June 19 2015:

"...या सरकारकडून कधी जेलमध्ये टाकले जाते याची आम्हीही वाट पाहात आहोत, अशी संतप्त प्रतिक्रिया राष्ट्रवादी काँग्रेसचे अध्यक्ष शरद पवार यांनी गुरुवारी व्यक्त केली..."

Apart from a million other defense mechanisms available to some one like Mr. Bhujbal in India's democracy- 'heart attack' to 'he is not me' (तो मी नव्हेच)- here is one more:

Artist: Paul Noth, The New Yorker, June 2015

If Indeed Napoleon Never Set a Foot in 'Waterloo'....

Today June 18 2015 is 200th anniversary of the battle of Waterloo.

Bernard Coppens, a Belgian historian and former Waterloo resident: 

"Napoleon never set a foot in Waterloo—it’s a fact.”

We are observing 100th anniversary of World War I (1914-1918) since last year and the most relevant word that comes to mind while doing so is slaughter.

200 years ago on that Sunday too thousands of men were slaughtered.  Lest we forget, thousands of horses too died.

Most of the Battle of Waterloo took place a few miles south of real Waterloo, in Braine-l’Alleud and Plancenoit. The battle got its name because the victor, Arthur Wellesley, 1st Duke of Wellington, penned his official report from his Waterloo headquarters.

I have also been curious about how and when the news of the battle reached shores of India.

How did, if at all, the Maratha's, themselves a dying (if not already dead) empire, learn about it? After all  Wellesley had earlier won a decisive victory over the Maratha Confederacy at the Battle of Assaye in 1803.

One of the most interesting commentary, I have read, on the battle has come from Andrew Roberts in '
Smithsonian Magazine':

"...If Napoleon had remained emperor of France for the six years remaining in his natural life, European civilization would have benefited inestimably. The reactionary Holy Alliance of Russia, Prussia and Austria would not have been able to crush liberal constitutionalist movements in Spain, Greece, Eastern Europe and elsewhere; pressure to join France in abolishing slavery in Asia, Africa and the Caribbean would have grown; the benefits of meritocracy over feudalism would have had time to become more widely appreciated; Jews would not have been forced back into their ghettos in the Papal States and made to wear the yellow star again; encouragement of the arts and sciences would have been better understood and copied; and the plans to rebuild Paris would have been implemented, making it the most gorgeous city in the world.

Napoleon deserved to lose Waterloo, and Wellington to win it, but the essential point in this bicentenary year is that the epic battle did not need to be fought—and the world would have been better off if it hadn’t been."

'The Field of Waterloo', 1818

Artist: Joseph Mallord William Turner 

courtesy: The New York Review of Books & Tate Britain

Jenny Uglow writes about it:

"But his great painting, The Field of Waterloo, of 1818, shows a scene of slaughter rather than triumph. Here the exuberance of all the satirical prints and dashing military watercolors is forgotten. Instead the opposing nations mingle and the divisions of rank vanish, as the women hunt by the light of a flaming torch, to find those they love among the tangled bodies."

That Robin Out There

The Guardian reported on June 10 2015 that "Robin wins vote for UK's national bird".

Picture courtesy: Lisa Geoghegan/Alamy and The Guardian

"Despite being a seemingly friendly bird, the robin is hugely territorial and very defensive of its territory and I presume that reflects us as an island nation that we will stand our ground,,,The robin is known for being openly aggressive towards birds it competes with for territory and food, and can kill them on occasion..." (David Lindo)

No wonder the seemingly simple task in the picture below is not that easy. Notice the number of people engaged, four, in driving it away and two are rushing with a ladder!

Artist: Peter Arno, The New Yorker, 5 April 1930

(This is the second time the cartoon above appears on this blog. For its first usage, dated December 13 2006, read this.)

Aesop's The Fox and The Lion: 21st Century Version

This is what Aesop wrote many centuries ago:

"A fox who had never seen a lion one day met one, and was so terrified at the sight of him that he was ready to die with fear. After a time he met him again, and was still rather frightened, but not nearly so much as he had been when he met him first. But when he saw him for the third time he was so far from being afraid that he went up to him and began to talk to him as if he had known him all his life."

 This classic story is accompanied by the following pictures in 'Aesop's Fables (Barnes & Noble Classics Series)', 2003:

Artist: Arthur Rachham

Now, see this picture from the story in Daily Mail dated May 17 2015:

 "Fantastic Mr Fox leaves pride of lions licking their wounds after game reserve battle - and even bites one lioness on the nose!"

Picture courtesy: Graham Dyer,  Barcroft Media,  Daily Mail

Fox can't stand in style,  like in the picture in the middle, because its spine and legs are injured by by a member of the pride. But it's standing its ground alright. 

स्वमग्न अग्रलेखाची लक्षणे ...Lead and Leader

(I have used Marathi word स्वमग्न to mean self-absorbed, and not its modern meaning autistic)

Business Line, July 6 2015:

"The United Kingdom, Canada, Singapore and Australia are a few of the foreign nations that have found Nestlé’s Maggi safe to eat after India held that its sundry varieties of instant noodles suffered from toxic contamination. So what should we make of this? It is tempting to argue we should go by our own tests, our own testing protocols, and our own interpretation of food safety norms, rather than be influenced by what other countries do or say. But this is a piece of hyper-nationalistic nonsense for more than one reason. To begin with, our food safety regulations are largely borrowed from the West. They are also extremely poorly enforced. Also in Maggi’s case, the Food Safety and Standards Authority of India (FSSAI), when testing for the contaminant lead, appears to have applied a norm that is totally at variance with international practice. The FSSAI’s ban on the product took place under the glare of a largely hostile media, an atmosphere in which TRPs trumped reason, self-righteous anger prevailed over sober analyses, and ideology replaced science..."
 
I buy Loksatta (लोकसत्ता) only for one reason:  their consistent, principled stand against fascist forces in Maharashtra (महाराष्ट्र), so rare among Marathi media. But most times, I don't read their  leaders.

The paper surely has a few interesting articles, on the editorial pages and else where, especially readers' letters, from time to time. Occasionally, even a leader, especially the one that takes apart fascist or corrupt forces,  is good but it's not their forte, indeed their Achilles heel.

Many of them are rudderless, clumsily written, socialist rant. The latest example of that is their leader on the subject of Maggi.

Let us start with the title: 'मॅगी'मग्न समाजाची लक्षणे...it means nothing other than the pun on words 'मॅगी' and मग्न....

"नवमध्यमवर्गीय घराघरांतील कुलदीपक आणि दीपिकांच्या आनंदाचे आणि त्यांच्या मातोश्रींच्या पाककलानिपुणतेचे निधान असलेल्या मॅगीनामक खाद्यपदार्थावर बंदीचे फतवे निघू लागल्याने आधीच मंदीने ग्रासलेल्या या वर्गाचे जगणे हराम झाले आहे."

What world the editors live in?....so many bachelors and low income people have survived on Maggi....I know it personally....Maggi is one of the most cost effective food in this country today....and until recently safer than any street food of similar price points.....

"आपल्या पोराबाळांना इंग्रजी माध्यमांच्या शाळांत घालणारे आणि मॅगी देण्यात आपल्या पालकत्वाची कृतकृत्यता शोधणारे हे दोन्ही एकाच लायकीचे."

What nonsense they peddle? What have English medium schools to do with Maggi eating? I went to Marathi medium school and I have eaten Maggi, since 1983, as a bachelor and, even when my wife is an excellent cook and we almost never eat out.

My son went to an English medium school, does not much eat Maggi and, if it were up to me, as and when his daughter arrives, she too will go to an English medium school even if meanwhile Maggi becomes extinct....

The rest of the leader is full of sweeping generalizations and left-leaning claptrap....

Such newspaper editorials are more dangerous for the body than an occasional pack of Maggi, even if it is laced with lead!

 Artist: Perry Barlow (1892-1977), The New Yorker, January 12 1957

...She Had the Radio On...and She Will Never Die

Today June 1 2015 is 89th Birth Anniversary of Marilyn Monroe

Cecil Beaton on Marilyn Monroe:


"She had rocketed from obscurity to become our post-war sex symbol, the pin-up girl of an age. And whatever press agentry or manufactured illusion may have lit the fuse, it is her own weird genius that has sustained her flight. Transfigured by the garish marvel of Technicolor cinemascope, she walks like an undulating basilisk, scorching everything in her path…. Perhaps she was born just the post-war day we had need of her. Certainly she had no knowledge of the past. Like Giraudoux’s Ondine, she is only fifteen years old, and she will never die."

"It’s not true that I had nothing on, I had the radio on."

courtesy: Facebook page of Ms. Monroe

Fantastic Cemetery-Filler

Today May 31 2015 is World No Tobacco Day

courtesy: Mad Magazine, Dangerous Minds.net

p.s. notice pun on filler - filter....

@55, I've Still Not Begun Connecting the Dots

 

Artist: Charles Barsotti (1933-2014), The New Yorker, 2014

Women of Algiers and Women of India by Ghulam Ali Khan

As is well known Pablo Picasso's 'Women of Algiers' has become the most expensive painting to sell at auction.

Wikipedia informs: "Les Femmes d'Alger (Women of Algiers) is a series of 15 paintings and numerous drawings by the Spanish cubist artist Pablo Picasso. The series was inspired by Eugène Delacroix's 1834 painting Women of Algiers in their Apartment (French: Femmes d'Alger dans leur appartement)..."

Here is  Delacroix's 1834 painting:

current location: Louvre, Paris

courtesy: Wikimedia Commons

As soon as I saw both the paintings mentioned above, I was reminded of this Indian painting:

Artist: Ghulam Ali Khan, 1st quarter of 19th century

Current Location: The San Diego Museum of Art 

I also saw this picture in  B. N Goswamy's 'The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100-1900'  and the lady, fourth from the left, produced below, is simply bewitching. 

No one  from the current crop of leading ladies of Hindi cinema comes close to her in poise and style.

 courtesy: B. N. Goswamy

 On the whole, I like Mr. Khan's painting more than the most expensive painting to sell at auction.

'

Not Thinking in Pictures The Role of Logic in Human Affairs: Bertrand Russell

Today May 18 2015 is Bertrand Russell's 143rd Birth Anniversary.

John Gray:

 “In his letter commenting on Russell’s book on China, Conrad wrote: ‘I have never been able to find in any man’s book or any man’s talk anything convincing enough to stand up for a moment against my deep-seated sense of fatality governing this man-inhabited world.’ Russell’s passionate admiration for Conrad may have had a number of sources. One of them was surely his suspicion that Conrad’s sceptical fatalism was a truer account of human life than his own troubled belief in reason and science. As reformer, he believed reason could save the world. As a skeptical follower of Hume he knew reason could never be more than the slave of the passions. Sceptical Essays was written as a defence of rational doubt. Today we can read it as a confession of faith, the testament of a crusading rationalist who doubted the power of reason.”

 Ray Monk writes:

"...“Thinking in pictures,” Sigmund Freud once wrote, “stands nearer to unconscious processes than does thinking in words, and is unquestionably older than the latter both ontogenetically and phylogenetically.” There is, in other words, something primordial, something foundational, about thinking visually.


Such a view is anathema to many philosophers, a good many of whom believe that all thought is propositional, that to think is to use words. For some of the most distinguished philosophers in history, thinking and verbalising were practically the same thing. Bertrand Russell sometimes to his great frustration, was hopeless at visualising and was more or less indifferent to the visual arts. His mental life seemed almost entirely made up of words rather than images. When his friend Rupert Crawshay-Williams once gave him an intelligence test that involved matching increasingly complicated geometrical shapes, Russell did extremely well up to a certain point and then exceptionally badly after that. “What happened?” Crawshay-Williams asked. “I hadn’t got any names for the shapes,” Russell replied...."

It's ironic that a well-received, best-selling comic novel has been produced on such a man!

 

courtesy: Logicomix: An Epic Search for Truth, 2009

Authors: Apostolos Doxiadis and Christos Papadimitriou

Art: Alecos Papadatos and Annie Di Donna