मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, June 10, 2013

Does Usain Bolt Understand French? Majority of Us Don't

Harry Shearer:

"When you want your euphemising to be particularly opaque, you go French."


French moralist Nicolas Chamfort:

 “A man should swallow a toad every morning to be sure of not meeting with anything more revolting in the day ahead.”

Patrick West, June 5 2013:

" If you consider that the English and the French spent a good part of 800 years at war with each other, it’s not surprising that relations between the two peoples and their cultures remain awkward. The latest manifestation of this came last week. We learned that many people in France have been up in arms about plans to allow English to be used to teach science courses in its universities. The British, in turn, have found such fury and indignation hilarious...

...Everyone in the world - except Dutch and Scandinavian footballers - learns American English because it is today’s lingua franca. It’s the principal means for disseminating ideas and getting work, as Latin used to be. As Luc Ferry of Le Figaro, writing approvingly of the new French legislation, noted last week: ‘Si Descartes n’avait pas écrit en latin, come le feront encore après lui Leibniz ou Spinoza, il n’aurait jamais été lu dans le monde entier.’ People stopped using French when that country went into decline and lost influence in the nineteenth century, and it was the same story for British English in the twentieth. But neither language has disappeared, and neither is ‘threatened’ by American English. It’s also worth remembering that as America declines, so will its influence and the importance of its language. No empire lasts for ever."
 
On the rainy evening of June 9 2013, on TV, I saw closing parts of Men's final at French open and then stayed on for the presentation ceremony.

Usain Bolt presented the trophies. But I wonder if he understood anything that was spoken around him in Spanish and French for a large part of the ceremony.

Shouldn't just every one try speak English as a courtesy to not just millions of TV viewers around the world but the chief guest?

Sure, you can translate each line into French for the stadium spectators and French-only TV viewers around the world.

Do French think this will popularise their great language? In India, I meet a lot of young people learning German and Japanese but hardly any one learning French.

I don't get angry at this, I am just amused.


Artist: Helen E. Hokinson, The New Yorker, September 2 1944