मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, July 31, 2023

Morning Sun...John Williams, Edward Hopper

 “For the past several years, since shortly after my arrival upon this island of Pandateria, it has been my habit to arise before dawn and to observe the first glimmer of light in the east. It has become nearly a ritual, this early vigil; I sit without moving at an eastern window, and measure the light as it grows from gray to yellow to orange and red, and becomes at last no color but an unimaginable illumination upon the world. After the light has filled my room, I spend the morning hours reading one or another of those books from the library that I was allowed to bring with me here from Rome. The indulgence of my library was one of the few allowed me; yet of all that might have been, it is the one that has made this exile the most nearly endurable. For I have returned to that learning which I abandoned many years ago, and it is likely that I should not have done so had not I been condemned to this loneliness; I sometimes can almost believe that the world in seeking to punish me has done me a service it cannot imagine.

It has occurred to me that this early vigil and this study is a regimen that I became used to many years ago, when I was little more than a child…”

(‘II. The Journal of Julia, Pandateria (A.D. 4)’, ‘Augustus’ by John Williams, 1972)


 'Morning Sun', 1952 by Edward Hopper 

(Edward Hopper's wife, Josephine N. Hopper, served as his model)

Friday, July 28, 2023

दुर्गाबाईंचा भाबडेपणा आणि पी. व्ही. नरसिंह राव...P V Narsimha Rao and Durga Bhagwat

(ह्या  पोस्टचा बराच भाग २०१७ साली  फेसबुक वर मी प्रसिद्ध केला होता.)

दुर्गाबाईंनी भारताचे तत्कालीन पंतप्रधान पी व्ही नरसिंह राव यांना १ मार्च १९९६साली लिहलेले खालील पत्र वाचा.

 सौजन्य :दुर्गा भागवत यांच्या साहित्याचे कॉपीराईट होल्डर्स, ललित , दुर्गा भागवत विशेषांक , ऑगस्ट २००२

मला ८६ वर्षाच्या दुर्गाबाईंनी संपूर्ण आयुष्य राजकारणात घालवलेल्या रावांना दिलेल्या 'विशुद्ध चारित्र्याचे' सर्टिफिकेट वाचून हसू आले. स्वतः श्री रावांना ते वाक्य वाचून नेमके काय वाटले असेल?

दुर्गाबाई खरतर मॅकियावेली (Niccolò Machiavelli) च्या अभ्यासक. बरेच भारतीय लोक मॅकियावेली यांना पाश्चिमात्यांचा कौटिल्य चाणक्य समजतात. दुर्गाबाईंनी त्या दोघांच्यातला नेमका फरक स्पष्ट केला आहे. "...मॅकिएवेलीत (माक्याव्हेल्ली) इतिहासाचे पूर्ण भान आहे. तसे अर्थशास्त्रात नाही..."

त्याबद्दल मी अधिक डिसेंबर ४ २०१३ रोजी याच ब्लॉगवर इथे लिहले होते.

अलीकडील रावांच्या गाजलेल्या चरित्राचे ('Half - Lion: How P.V. Narasimha Rao Transformed India', 2015) लेखक विनय सीतापती त्यांच्या पुस्तकाची सुरवात ह्या एपिग्राफने, मॅकियावेली उधृत करून करतात!

A prince . . . must imitate the fox and the lion. For the lion cannot protect himself from traps, and the fox cannot defend himself from wolves. One must therefore be a fox to recognise traps, and a lion to frighten wolves. (Niccolò Machiavelli, The Prince, circa 1513 AD)...

रावांबद्दलची त्यांची पुस्तकातील काही विधाने पहा :

"P.V. Narasimha Rao was born a fixer. "

“Rao’s dual disposition enabled him to be at once principled, at once immoral. Personally honest, he was no stranger to political corruption. Though the courts acquitted him in the JMM bribery case, the evidence available to this author suggests he was in on the conspiracy. While Rao could be sensitive to those he loved, he could also be petty to subordinates, distant to family, instrumental with friends, and vicious to his enemies."

"Even Rao’s association with women reflected a certain opacity. He lived away from his wife for much of their marriage. He had a relationship with Lakshmi Kantamma for more than a decade. From around 1976 till his death, he had a close friendship with Kalyani Shankar. ‘He liked that people around him couldn’t quite figure out the exact nature of these connections,’ a friend of Rao says. ‘He liked the ambiguity.’”

माझा निष्कर्ष : ह्या सगळ्यात विशुद्ध चारित्र्याला वगैरे अजिबात स्थान नाही!.दुर्गाबाईंच 'सर्टिफिकेट' हा भाबडेपणा वाटतो. त्या अजूनही १९७७सालातच होत्या- ज्यावेळी जयप्रकाश नारायण, मधु दंडवते यांच्या सारखे लोक अजून राजकारणात होते- अस वाटत.

Wednesday, July 26, 2023

ही अनिरुद्ध पवनचक्की, फिरणार सतत फिरणार...The Windmill

 हा अखंड नंदादीप जळणार, सतत जळणार... 

ही अनिरुद्ध पवनचक्की, फिरणार सतत फिरणार...

"The Windmill", 1850s by Jules Dupré (1811-1889)

Sunday, July 23, 2023

Beauty Is Terror....नांगी असलेले फुलपाखरू

Donna Tartt, 'The Secret History', 1992:
“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, 'more like deer than human being.' To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.” 

कृतज्ञता: कलाकार : द ग गोडसे

Friday, July 21, 2023

Oppenheimer's Hamlet, Waste Land and Gita...श्रद्धेचा घडिला जीव जशी श्रद्धा तसा चि तो...

#Oppenheimer

 JAMES A. HIJIYA, "The Gita of J. Robert Oppenheimer", June 2000:

"...Oppenheimer acquired a deeper knowledge of the Bhagavad-Gita in 1933 when, as a young professor of physics with interests ranging far beyond his academic specialty, he studied Sanskrit with Professor Arthur W. Ryder at Berkeley. The Gita, Oppenheimer excitedly wrote to his brother, was “very easy and quite marvelous.” This is the earliest direct evidence of the impression the book made on Oppenheimer, and a lasting impression it was. Later he called the Gita “the most beautiful philosophical song existing in any known tongue.” He kept a well-worn copy of it conveniently on hand on the bookshelf closest to his desk and often gave the book (in translation) to friends as a present. He continued to browse in it while directing the bomb laboratory. After President Franklin Roosevelt’s death in April 1945, Oppenheimer spoke at a memorial service at Los Alamos and quoted a passage from the Gita. Clearly this ancient book was on his mind as the atomic bomb neared completion, even before he saw the dazzling fireball from the Trinity test. In later years, too, he would look back on the Gita as one of the most important influences in his life. In 1963, Christian Century magazine asked him to list the ten books that “did most to shape your vocational attitude and your philosophy of life.” Along with Shakespeare’s Hamlet and Eliot’s Waste Land, Oppenheimer listed the Gita...."

What did he quote at FDR's funeral service on  April 15, 1945:

सत्त्वानुरूपा सर्वस्य श्रद्धा भवति भारत |
श्रद्धामयोऽयं पुरुषो यो यच्छ्रद्ध: स एव स: ||  (अध्याय १७, श्लोक ३)

विनोबा भावे त्याचे रूपांतर गीताई मध्ये असे करतात:

"जसा स्वभाव तो ज्याचा श्रद्धा त्याची तशी असे 

श्रद्धेचा घडिला जीव जशी श्रद्धा तसा चि तो "

"The faith of all humans conforms to the nature of their mind. All people possess faith, and whatever the nature of their faith, that is verily what they are."


Memorial service speech for President Roosevelt by J. R. Oppenheimer (courtesy: Berkeley Library Digital Collections, University of California)

Thursday, July 20, 2023

Contemplating the Perfumed Breasts...With a Dab of Petrol


Tilar J. Mazzeo, ‘The Secret of Chanel No. 5’, 2010:

“...St. Bernard of Clairvaux, who founded the Cistercian movement, made a point of encouraging his monks to give perfume and anointment a central role in prayer and in rituals of purification. In his famous sermons on the Bible’s “Song of Songs,” some of the most erotic verses anywhere in religious literature, he advised devout clerics to spend some spiritual time contemplating the perfumed breasts of the young bride described in the song’s key passages...”
 
Lizzie Ostrom, 'Perfume: A Cenury of Scents', 2015:

“...But perfume? A bit trivial, isn’t it? What could it possibly have to say?

We are told that olfaction is the magic key to unlocking memory, and sometimes we do have a vivid picture connected to a particular smell. If we are lucky, it might be from an idyllic moment in childhood, when we had our own treehouse and hosted a tea party for the squirrels; if we are unlucky, it could be the classroom at school where we got thumped. But more often when we smell something not quite familiar, catching a whiff off another person’s coat, it is as though we have been kidnapped and taken to a remote landscape. Blindfolded, disoriented, we sense something of the place but are unable to distinguish exactly where we are. There is that frustrating feeling of recognising a smell, of knowing we know it, but being completely flummoxed as to its identity. After a friend tells us ‘that’s Paco Rabanne’ and puts us out of our misery, there is that moment of relief. The Rubik’s Cube is solved! All is well with the world. When fragrance more often than not renders us dumb, how are we supposed to start articulating its important role in our history?...”


Courtney Humphries, The Boston Globe, July 17 2011:

“Think of some of your most powerful memories, and there’s likely a smell attached: the aroma of suntan lotion at the beach, the sharpness of freshly mown grass, the floral trail of your mother’s perfume. “Scents are very much linked to memory,” says perfumer Christophe Laudamiel. “They are linked to remembering the past but also learning from experiences.”

But despite its primacy in our lives, our sense of smell is often overlooked when we record our history. We tend to connect with the past visually - we look at objects displayed in a museum, photographs in a documentary, the writing in a manuscript. Sometimes we might hear a vintage speech, or touch an ancient artifact and imagine what it was like to use it. But our knowledge of the past is almost completely deodorized.

“It seems remarkable to me that we live in the world where we have all the senses to navigate it, yet somehow we assume that the past was scrubbed of smells,” says sensory historian Mark Smith...”

There were no auto-rickshaws  in Miraj until mid 1970's or so. Tonga was the vehicle of transport. But Kolhapur, where our favorite aunt lived, had them.

So even today petrol smell brings back ' idyllic moment in childhood' when we visited Tai-mavashi. (There are many such smells now lost to me almost permanently.)

This is how Karen Abbott describes prostitutes in Chicago in 1905:

"...All thirty Everleigh Club harlots remained upstairs in their boudoirs, preparing for the night ahead, running razors under their arms, down and between their legs—clients didn’t have a smooth woman at home. They packed themselves with sponges, made certain they had enough douche, checked cabinets for the little black pills that, along with three days of hot baths, usually “brought a girl around” from any unwanted condition. They yanked and tied one another’s corsets, buttoned up gowns made of slippery silk, unrolled black stockings over long legs. Hair was wound tight with pins or left to fall in tousled waves, depending on the preference of their regulars. A dab of gasoline—the newest fad in perfume, if you couldn’t afford an automobile—behind the ears, across the wrists and ankles, between the breasts. Eyes rimmed in black and lashes painted, standing stiffer than the prongs of a fork. Each courtesan had a name chosen by her peers. Once she entered this life—the life—she discarded all remnants of the one she’d left behind..."

("Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul", 2007)

A dab of gasoline—the newest fad in perfume, if you couldn’t afford an automobile—behind the ears, across the wrists and ankles, between the breasts!

“We’re finding that the ones we tested perfume and makeup on are extremely attractive to me.”

 Artist: Zachary Kanin, The New Yorker