मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, April 22, 2019

When Butterfly Discovered Nabokov.....Vladimir Nabokov@120

#VladimirNabokov120

Saul Steinberg, “Portraits and Landscapes,” The Paris Review, no. 195 (Winter 2010), pp. 27-36:
 
“Just a few days after Nabokov’s death, there was an invasion of butterflies out in Springs, Long Island. It probably happens every year. But the reason I noticed the butterflies this time was the presence—or the absence—of Nabokov.


“While I was riding my bicycle, in fact, I had the pleasure of traveling with one of them: a monarch, one of those orange-and-black butterflies that migrate from Canada down to Mexico. It was right beside me, we were moving at the same speed, and the butterfly was at the same height as my head. The proximity of the butterfly transformed me into an airborne head, a cherub or a seraph, one of Raphael’s angels composed solely of a head and wings.”
 


illustrations by Jason Novak, captioned by Eric Jarosinski

Friday, April 19, 2019

Wednesday, April 17, 2019

साहित्यातील एक नायक जो त्याच्या जन्मदात्या पुस्तकापासून हळूहळू वेगळा होत गेलाय....GA, Nabokov and Don Quixote

 जी. ए. कुलकर्णी:
"... मी ज्यावेळी माझ्या शौर्याने दलितांचे रक्षण , सौंदर्याचे पूजन व सदाचाराचे आचरण करण्यासाठी माझ्या खेड्यातून बाहेर पडलो , त्यावेळी माझ्यात हीच मनःशांती होती आणि मी तर ठिकठिकाणी वेडा ठरलो !..."
(पृष्ठ २२६, 'यात्रिक', 'पिंगळावेळ', १९७७
 
Vladimir Nabokov, ‘Lectures on Don Quixote‘, 1984:
“We are confronted by an interesting phenomenon: a literary hero losing gradually contact with the book that bore him; leaving his fatherland, leaving his creator’s desk and roaming space after roaming Spain. In result, Don Quixote is greater today than he was in Cervantes’s womb. He has ridden for three hundred and fifty years through the jungles and tundras of human thought—and he has gained in vitality and stature. We do not laugh at him any longer. His blazon is pity, his banner is beauty. He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon.”

याचा मी केलेला अनुवाद :
"आपल्या पुढयात येती एक इंटरेस्टिंग कल्पना: साहित्यातील एक नायक जो त्याच्या जन्मदात्या पुस्तकापासून हळूहळू वेगळा होत गेलाय; त्याची पितृभूमी सोडून, त्याच्या निर्मात्याचे टेबल सोडून आणि फिरतोय अवकाशात, स्पेन फिरून झाल्यावर. त्याचा परिणाम असा की आज डॉन क्विकसोट (कीहोटे) सर्वांटिस यांच्या गर्भातून आला त्यापेक्षा मोठा आहे. गेले साडेतीनशे वर्षे तो मानवाच्या विचाराच्या जंगलातून, टुंड्रा प्रदेशांतून रपेट करतोय - आणि त्याचा जोम आणि उंची वाढली आहे. आपण त्याला आता हसत नाही. त्याच्या अंगरख्यावरचे सुचिन्ह आहे करुणा, त्याचा झेंडा आहे सौन्दर्य. जे जे सभ्य, परित्यक्त, निर्मळ , निःस्वार्थी, आणि स्त्रीदाक्षिण्यवादी आहे त्यासाठी तो उभा आहे. विडंबन एक उत्कृष्ठ वस्तू बनली आहे."

म्हणून जी ए  नाबाकोव्ह यांच्या सारखे डॉन कडे वळले आणि  हे  अविस्मरणीय वाक्य लिहले : ".... दलितांचे रक्षण, सौंदर्याचे पूजन व सदाचाराचे आचरण..."

... चांगला माणूस कसा असावा हे यापेक्षा चांगल्या शब्दात मांडताच येणार नाही....


Tuesday, April 16, 2019

Monday, April 15, 2019

Odour From a Clammy Cave on the Eiger Glacier: Titanic

#TitanicSinking107
 
107 years ago, on April 15 1912, RMS Titanic sank

"Kilgore: I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like [sniffing, pondering]  victory. Someday this war's gonna end..."
 (Apocalypse Now, 1979)

E O Wilson:
"Our greatest weakness, however, is our pitifully small sense of taste and smell. Over 99 percent of all living species, from microorganisms to animals, rely on chemical senses to find their way through the environment. They have also perfected the capacity to communicate with one another with special chemicals called pheromones. In contrast, human beings, along with monkeys, apes, and birds, are among the rare life forms that are primarily audiovisual, and correspondingly weak in taste and smell. We are idiots compared with rattlesnakes and bloodhounds. Our poor ability to smell and taste is reflected in the small size of our chemosensory vocabularies, forcing us for the most part to fall back on similes and other forms of metaphor. A wine has a delicate bouquet, we say, its taste is full and somewhat fruity. A scent is like that of a rose, or pine, or rain newly fallen on the earth.
We are forced to stumble through our chemically challenged lives in a chemosensory biosphere, relying on sound and vision that evolved primarily for life in the trees. Only through science and technology has humanity penetrated the immense sensory worlds in the rest of the biosphere. With instrumentation, we are able to translate the sensory worlds of the rest of life into our own. And in the process, we have learned to see almost to the end of the universe, and estimated the time of its beginning. We will never orient by feeling Earth’s magnetic field, or sing in pheromone, but we can bring all such information existing into our own little sensory realm."

Titanic has earlier appeared on this blog twice here and here.

In the past year,  I came across the following and realized how no book or movie can quite capture that: smell!


“...The fifth night of the maiden voyage was moonless: a flat sea, an unclouded sky, with stars gleaming in the frosty air. “Grand weather,” said John Poingdestre, a member of the deck crew, but “terribly cold.” After five thirty on Sunday evening, the sharp fall in temperature drove all but the hardiest passengers indoors. It was so chill that smart women in flimsy dresses retreated to their cabins early. Eloise Smith, for example, who had dined with her husband in the Café Parisien, left him at ten thirty and went to bed. Elizabeth Shutes, the American governess of the Graham family, wrote afterward: “Such a biting cold air poured into my state room that I could not sleep, and the air had so strange an odour, as if it came from a clammy cave. I had noticed the same odour in the ice cave on the Eiger glacier.” She lay in her berth shivering until she switched on her electric stove, which threw a cheerful red glow...” 

(Richard Davenport-Hines, ‘Collision’ from ‘Voyagers of the Titanic: Passengers, Sailors, Shipbuilders, Aristocrats, and the Worlds They Came From’, 2012)
Artist: Edward Sorel, The New Yorker, March 6 1995

Saturday, April 13, 2019

मर्दांच्या बंदुका उडाल्या मुलाबायकांत ...Kusumagraj, Jallianwala Bagh@100

#JallianwalaBaghMassacre100


कृतज्ञता : कुसुमाग्रज, वि वा शिरवाडकर यांच्या कार्याचे कॉपीराईट होल्डर्स

 Ferdinand Mount LRB एप्रिल २०१९ च्या अंकामध्ये लिहतात "प्रमुख मर्दाबद्दल":
".... Dyer died in 1927, after suffering several strokes. He was given a military funeral at Long Ashton, the village near Bristol to which he and his wife, Annie, had retired. But then, amazingly, he had a second great ceremonial funeral through the streets of London, his body carried on a gun carriage draped in the Union flag, from the Guards’ Chapel to St Martin-in-the-Fields. Wagner underplays the extraordinary fact of this rite, normally reserved for a national hero, being accorded to a disgraced temporary brigadier..."


Tuesday, April 09, 2019

कोलंबसाचे गर्व (शरम) गीत....How Mean Columbus Could Be!

कुसुमाग्रजांचे "कोलंबसाचे गर्वगीत", १९३६ ही एक मराठीतील cult कविता आहे.  (पहा 'विशाखा', १९४२/२००३, पृष्ठ ५६-५७) 

कोलंबसाचे खरे रूप जगासमोर १९३६साली मोठ्या प्रमाणात आले नव्हते. ते शिरवाडकरांना माहित असते तर त्या कवितेचे नाव नक्कीच वेगळे असते.

वि स खांडेकर फेब्रुवारी १९४२ साली 'विशाखा' साठी लिहलेल्या अर्ध्यदानात (प्रस्तावनेत) या कवितेबद्दल म्हणतात : "... मानवतेचे निशाण मिरवू महासागरात /  जिंकुनी खंड खंड सारा' या कोलंबसच्या गीतातल्या त्यांच्या ओळी नवे जग निर्मू पाहणाऱ्या मानवालाही मार्गदर्शक आहेत ! नाही का?..." (पहा 'विशाखा', १९४२/२००३, पृष्ठ १५) 

कोलंबसचा आणि मानवतेचा काहीही संबंध नव्हता: “...As an explorer, the Admiral of the Ocean Sea is widely seen as an opportunist who made his great discovery without ever acknowledging it for what it was, and proceeded to enslave the populace he found, encourage genocide, and pollute relations between peoples who were previously unknown to each other. He was even assumed to have carried syphilis back to Europe with him to torment Europe for centuries thereafter. He excused his behavior, and his legacy, by saying that he merely acted as God’s instrument, even as he beseeched his Sovereigns, Ferdinand and Isabella of Spain, to enrich him and his family. Historians have long argued that Columbus merely rediscovered the Americas, that the Vikings, the Celts, and American Indians arrived in the “New World” long before his cautious landfall....”

त्यामुळे तिथेच ती कविता कोलंबसची रहात नाही....शिवाय कवितेत कोलंबसच्या एकाही सफरीच्या हार्डफॅक्टस नाहीत. त्यामुळे कवितेचे नाव केंव्हाही बदलता आले असते...

मी Laurence Bergreen यांचे 'Columbus: The Four Voyages, 1492-1504', २०११ हे पुस्तक वाचत आहे. आधीचे इंग्लिश अवतरण त्यातीलच आहे.

पहिल्या सफरी मध्ये सुरवातीलाच काय झाले ते पहा.


““I sailed to the West southwest, and we took more water aboard than at any other time on the voyage,” wrote Christopher Columbus in his logbook on Thursday, October 11, 1492, on the verge of the defining moment of discovery. It occurred not a moment too soon, because the fearful and unruly crews of his three ships were about to mutiny. Overcome with doubt himself, he had tried to remind the rebels of their sworn duty, “telling them that, for better or worse, they must complete the enterprise on which the Catholic Sovereigns”—Isabella of Castile and Ferdinand of Aragon, who jointly ruled Spain—“had sent them.” He could not risk offending his royal patrons, whom he lobbied for ten years to obtain this commission, and so he insisted, “I started out to find the Indies and will continue until I have accomplished that mission, with the help of Our Lord.” And they had better follow his lead or risk a cruel punishment.
Suddenly it seemed as if his prayers had been answered: “I saw several things that were indications of land.” For one thing, “A large flock of sea birds flew overhead.” And for another, a slender reed floated past his flagship, Santa María, and it was green, indicating it had grown nearby. Pinta’s crew noticed the same thing, as well as a “manmade” plank, carved by an unknown hand, perhaps with an “iron tool.” Those aboard Niña spotted a stick, equally indicative that they were approaching land. He encouraged the crew to give thanks rather than mutiny at this critical moment, doubled the number of lookouts, and promised a generous reward to the first sailor to spot terra firma.
And then, for hours, nothing.
Around ten o’clock that night, Columbus anxiously patrolled the highest deck, the stern castle. In the gloom, he thought he saw something resembling “a little wax candle bobbing up and down.” Perhaps it was a torch belonging to fishermen abroad at night, or perhaps it belonged to someone on land, “going from house to house.” Perhaps it was nothing more than a phantom sighting, common at sea, even for expert eyes. He summoned a couple of officers; one agreed with his assessment, the other scoffed. No one else saw anything, and Columbus did not trust his own instincts. As he knew from experience, life at sea often presented stark choices. If he succeeded in his quest to discover the basis of a Spanish empire thousands of miles from home, he would be on his way to fulfilling his pledge to his royal sponsors and attaining heroic status and unimaginable wealth. After all the doubts and trials he had endured, his accomplishment would be vindication of the headiest sort. But if he failed, he would face mutiny by his obstreperous crew, permanent disgrace, and the prospect of death in a lonely patch of ocean far from home....
....He would spend the rest of his life—and three subsequent voyages—attempting to make good on that pledge. Many in Europe were inclined to dismiss Polo’s account, by turns fantastic and commercial, as a beguiling fantasy, while others, Columbus especially, regarded it as the pragmatic travel guide that Polo intended. His attempt to find a maritime equivalent to Marco Polo’s journey to Asia bridged the gap between the medieval world of magic and might, and the stark universe of predator and prey of the Renaissance. Although Marco Polo had completed his journey two hundred years earlier, Columbus nevertheless expected to find the Mongol empire intact, and Kublai Khan, or another Grand Khan like him, alive and well and ready to do business. But Kublai was long gone, and his empire in ruins.
Protected by his delusion, Columbus conveniently concluded that he had reached an island or peninsula on the outskirts of China, a leap made possible only by omitting the Americas and the Pacific Ocean from his skewed geography. And as for the promised reward, which should have gone to the humble seaman, Rodrigo de Triana, who had first sighted land, Columbus decided that his own vision of the glowing candle took precedence, and so he kept the proceeds for himself.”

त्या कोत्या मनाच्या कोलंबसाने साधे जमीन दिसल्याचे बक्षीस सुद्धा आपल्या खलाशाला (Rodrigo de Triana) न देता स्वतःच्या खिशात टाकले!


Artist: Mastroianni and Hart