मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, February 19, 2009

Nighty Purge Campaign in Pune?

When I was growing up in Miraj, it was quite common to see middle-class men walking out in pyjamas.

This blog has already commented on a similar habit of today's Pune residents. Read it here.

Therefore, it was quite amusing to read a report in Business Line on December 14, 2008:

"Community leaders in Shanghai are trying to break up the love affair of some city residents with walking outside in their pyjamas, state media has reported.

The Rixin neighbourhood committee in the city's north-east has begun a campaign to discourage residents' longstanding habit of wearing pyjamas out of their bedrooms and on the streets, the state-run Youth Daily reported.

"We're telling people not to wear pyjamas in the street because it looks very uncivilised," community official Guo Xilin was quoted as saying.

The Shanghainese habit of wearing pyjamas in public emerged alongside China's economic reforms over the past 30 years as it became a sign of prosperity, because it meant people did not sleep in tattered old clothes.

For a still visibly large number of Shanghainese, wearing pyjamas outside has become more a way of life than a fashion statement, and to outsiders, the phenomenon is part of the city's charm.

Guo, however, called pyjama-wearers "visual pollution" and a public embarrassment to the city.

But some residents still argue wearing pyjamas is perfectly acceptable.

"Pyjamas are also a type of clothes. It's comfortable, and it's no big deal since everyone wears them outside," a retiree surnamed Ge was quoted as saying.

Rixin's pyjama purge campaign is not the first of its kind - in the 1990s Shanghai officials put up signs and ran education campaigns to tell people not to stroll around in night gowns.

The campaign's managers eventually gave up."

I wonder why there are no such campaigns in India.

Artist: Barbara Shermund, The New Yorker, 18 Apr 1936

Monday, February 16, 2009

The Greediest Generation has made Traffic Deadlier than Terrorism

Earlier I asked: “What is Deadliest at Pune. Traffic,Temple Queues or Terrorism?”

The answer still is: Traffic.

Black humour now has mushroomed on the subject. Times of India Mirror reported on Jan 1 2009: "Death has a five day week...almost". You are less likely to get killed on a Pune road on Thursdays and Sundays.

Not just that. Times of India reported on December 17, 2008: drowning,poisoning, fire, by falling, electrocution, lightning strikes, due to firearms are also deadlier than terror.

"According to the Planning Commission, the social cost of road accidents in India stands at Rs. 55,000 crore annually. This constitutes 3% of the country's GDP." (Times of India, December 12, 2008)

The cost of terrorism is certainly less than 3% of GDP.

Marathi news daily Pudhari पुढारी reported on Sunday December 08, 2008:

“Pune has 2400 (road) accidents in a year involving 450 deaths.”

Considering this stat, terrorism- even of the latest kind- is a side-show.

Shame on us! The Greediest Generation.

THOMAS L. FRIEDMAN said in NYT on December 07, 2008:

“I’ve been thinking a lot lately about Tom Brokaw’s book “The Greatest Generation,” that classic about our parents and their incredible sacrifices during World War II. What I’ve been thinking about actually is this: What book will our kids write about us? “The Greediest Generation?” “The Complacent Generation?” Or maybe: “The Subprime Generation: How My Parents Bailed Themselves Out for Their Excesses by Charging It All on My Visa Card.”

Our kids should be so much more radical than they are today…”

Should be.

But I don’t see them anywhere. Most of the middle-class kids I see are highly conformists. They want to drive their own vehicle- a big one at that.

Carl Sagan has said:

“…Some of the habits of our age will doubtless be considered barbaric by later generations- perhaps for insisting that small children and even infants sleep alone instead of with their parents; or exciting nationalist passions as a means of gaining popular approval and achieving high political office; or allowing bribery and corruption as a way of life; or keeping pets; or eating animals and jailing chimpanzees; or criminalizing the use of euphoriants by adults; or allowing our children to grow up ignorant.”

India is already guilty of “…exciting nationalist passions as a means of gaining popular approval and achieving high political office; or allowing bribery and corruption as a way of life …”

If Sagan were to be alive and visit Pune now, he would have surely included “keeping public transport paralysed while encouraging more and more private vehicles on lawless roads of Pune” to his list.



‘So do you fancy staying in and getting obese or going out and getting murdered?

The Spectator 2007

My caption:

‘So do you fancy staying in and getting obese or going out and getting killed on a Pune road while driving?’

Wednesday, February 11, 2009

Vasant Sarwate Celebrates Birthday with a Dazzling New Book

On February 3, 2008- his 82nd birthday- a new book of Vasant Sarwate was published: "रेषालेखक वसंत सरवटे" ,संपादन: दिलीप माजगावकर / मधुकर धर्मापुरीकर, राजहंस प्रकाशन, 2009 (“Line-writer Vasant Sarwate” edited by Dileep Majgaonkar / Madhukar Dharmapurikar).

Read more about the event here.

It’s beautifully produced and attractively priced- just Rs. 125.

Suhas Palshikar in his brilliant Marathi essay for “Samaj Prabodhan Patrika April-June 2008” asked:

“गरिबांना भुक्कड सुविधा पुरवणं आपल्या लोकशाहीला कसं परवडतं?

(How can Our Democracy Afford to Provide Third-rate Services to the Poor?)

Well, Sarwate has raised and answered such questions related to Indian democracy from 1947-2009.

Most of the pictures are eternal. They just prove once again why Sarwate is arguably the greatest creative artist Marathi language produced in 20th century. (btw-His nearest competition: Laxmibai Tilak, Shripad Krishna Kolhatkar, C V Joshi, Arun Kolatkar, Acharya Atre, Master Vinayak, Kumar Gandharva (लक्ष्मीबाई टिळक, श्रीपाद कृष्ण कोल्हटकर, चि वि जोशी, अरुण कोलटकर, आचार्य अत्रे, मास्टर विनायक, कुमार गंधर्व)).

In Marathi intellectual world, there is little appreciation of visual arts, let alone that of subtle art of cartooning.

Even the title of this book is biased towards writers and blurbs on the back cover- both Vinda Karandikar विंदा करंदीकर and S P Bhagwat श्री पु भागवत disappointing with their platitudes- don't do any justice to Sarwate's talent. (I know how tender S P Bhagwat gets appreciating B S Mardhekar's बा सी मर्ढेकर poetry.)

Why don't these guys remember Ajanta or Halebidu or Jagte Raho or The Simpsons watching Sarwate's pictures?

Maybe सदानंद रेगे Sadanand Rege would have with a poem titled: "सरवटे गोंधळ घालतात- नाथांचा आणि लाथांचा!" (Here I remember his poems on Keshavsut's केशवसुत death and D G Godse's द ग गोडसे visit to Mastani's grave.)

A O Scott observes: "...I have long been of the opinion that the entire history of American popular culture — maybe even of Western civilization — amounts to little more than a long prelude to “The Simpsons.”"

Clearly a new paradigm needs to emerge in Marathi criticism to fully appreciate the art of Vasant Sarwate.

In a masterly essay on James Thurber, Paul Johnson writes: "...A score of his published cartoons are masterly, and five in the highest class in history. When I contemplate them, I sometimes feel that after a lifetime of studying and practising art, I know nothing about it..."

Surely, I know nothing about it but I hope Sarwate soon gets his own Paul Johnson.


"...I feel miserable by this arson. Our bright secular tradition has once again been blackened..err..I mean, bright secular tradition has been blackened..."

Artist: Vasant Sarwate वसंत सरवटे, 1970, First Published in Manoos माणूस Weekly

Monday, February 09, 2009

Concentrate on Fruit, Not Skeleton

Michel de Montaigne “On Cannibals” (1580)

“I am not sorry that we notice the barbarous horror of such acts, but I am heartily sorry that, judging their faults rightly, we should be so blind to our own. I think there is more barbarity in eating a man alive than in eating him dead; and in tearing by tortures and the rack a body still full of feeling, in roasting a man bit by bit, in having him bitten and mangled by dogs and swine (as we have not only read but seen within fresh memory, not among ancient enemies, but among neighbors and fellow citizens, and what is worse, on the pretext of piety and religion), than in roasting and eating him after he is dead.”

Nandan Nilekani (2008):"...leaving apart his (Narendra Modi's) Hindutva and all that triumphalism and Gujarat riots and all that, I think, in terms of what he's done on governance, it's remarkable. And I think there's a tendency to ignore that. You know, either you are for him or you are against him... Bush kind of argument. It's not that. I mean, the reforms he has done are exceptional. That's all I'm saying...."



Artist: Paul Noth, The New Yorker, February 9 2009, Cartoon Caption Contest 180

My caption:

“It was Gujarat chief minister Narendra Modi who taught me that for collective prosperity of our country an entrepreneur like me should learn to concentrate on the fruit and ignore the skeleton. Therefore, I am for both- the fruit and the skeleton.”

Monday, February 02, 2009

What Colour Chakra should we Pin on India's Terrorised Common Man?

TYLER E. BOUDREAU (NYT, January 26, 2009):

“THE Pentagon’s recent decision not to award the Purple Heart to veterans and soldiers suffering from post-traumatic stress has caused great controversy. Historically, the medal has gone only to those who have been physically wounded on the battlefield as a result of enemy action. But with approximately one-third of veterans dealing with symptoms of combat stress or major depression, many Americans are disappointed with the Pentagon’s decision; many more are downright appalled…

…I suggest we call this medal the Black Heart. Certainly the hearts of these soldiers are black, with the terrible things they saw and did on the battlefield. Certainly the country should see these Black Hearts pinned on their chests.”

In India, many ordinary citizens suffer deep physical and mental wounds when they get caught in mindless violence of one kind or the other.

What colour chakra should we pin on their chests?



Artist: Zachary Kanin. The New Yorker, February 2 2009, Cartoon Caption Contest # 179

My caption:

Doctor: “…I was attending an international conference at the Hotel Intercontinental Grand, Mumbai on January 21. Then, I drove down to Karnataka via Belgaum to be with my smartly dressed daughter at a Mangalore pub on the evening of January 24. Finally, I was the chief-guest at a function of a Nashik Municipal Corporation school on January 26."

Monday, January 26, 2009

Escaping Indian Jail is Easy. It’s Indian Sewer…

Frontline, January 16, 2009 reports:

“HUNDREDS of contract workers engaged by local bodies and water supply and sewerage boards in major cities and towns to clean underground sewers virtually walk into death traps. A large number of them die instantaneously after inhaling noxious fumes in the sewers. Others die a slow death from respiratory and neurological ailments. Human rights organisations and trade unions have time and again criticised the inhuman practice of employing people in hazardous jobs such as these. Most people employed for the dehumanising work are Dalits…”



Artist: Tom Cheney, The New Yorker, January 26 2008, Cartoon Caption Contest #178

My caption:

“Because I am wealthy and networked, breaking an Indian jail is never a problem. However, it’s Indian sewer that I dread.”

Wednesday, January 21, 2009

Still Mastani’s Future is Bright?

I woke up on Sunday January 18, 2009 morning to read to my horror that Mastani’s (मस्तानी) samdhi/mausoleum/grave at Pabal (पाबळ) had been destroyed.

The tragic love tale of Mastani and Baji Rao-I (पहिला बाजीराव) is a great example of composite culture of India. Many have attempted to narrate it but no one has done it better than the late D G Godse (द ग गोडसे) who died seventeen years ago this month.

No doubt his Marathi book- truly a labour of love- “Mastani”, Popular Prakashan, 1989 contains a lot of speculation but it is because so little is mentioned about her in contemporary reliable sources.

We may never catch the vandals/ tomb-raiders who destroyed her final resting place in 2009 but Godse produces strong circumstantial evidence to name the 18th century people responsible for Mastani's persecution: Baji Rao-I's younger brother Chimajiappa (चिमाजीअप्पा) and their mother Radhabai (राधाबाई).

In a Marathi letter to me, appended here, Godse argues that Mastani was the victim of "Stalinism" of 18th century Maharashtra. (I don't agree with his this nomenclature...a lot of Godse's writing on the subject of Mastani is pure speculation.)

Godse describes Mastani’s samdhi so movingly in his book. I have enclosed the relevant page from the book here.

(Aside: Godse’s labour of love moved poet Sadanand Rege (सदानंद रेगे) so much that he wrote a poem on the subject of Godse’s visit to Pabal! Find it at the bottom of this post.)

If D G Godse were to be alive today, he would have felt devastated. He might have interpreted vandalism of her samadhi as a sign of her continued persecution almost 300 years after her death. I wonder if he would have still maintained optimism expressed in his line: "Still her future is bright!" ("तरीही तिचे भविष्य उज्वल आहे!").

(click on the pictures below to get much larger view of them.)



Mastani samadhi-Before vandalism and After

(courtesy: Godse's book and Pudhari(पुढारी), January 18 2009)



(Description of Mastani's Samadhi by D G Godse)



D G Godse's letter dated 1991 to me that has that immortal line "Still her future is bright!"


 The late Sadanand Rege's poem on D G Godse's love of Mastani

Sunday, January 18, 2009

Times of India, a Patriot and Harold Pinter, a Traitor

I was moved by Michael Henderson’s obit of Harold Pinter:

“…Lord’s was in its midsummer majesty that afternoon. There was the lovely three o’clock murmur of a thousand conversations, and on the field England were making short work of a poor West Indies side. Best of all, Pinter had gathered around him four great pals who shared his love of the game: Gray, Stoppard, Harwood and Hare.

Seated behind the box’s glass partition, with a glass close to hand, and never empty, Pinter hardly missed a ball, because he was watching Brian Lara, the star batsman from Trinidad, who to his craftsman’s eyes represented something of the nobility he had admired in previous generations. One thought of the line Pinter put in the mouth of young Marcus Maudsley in the village cricket scene in The Go-Between: ‘Such elegance and command!’ Every stroke of Lara’s prompted some purr of acknowledgement, as Pinter saw in his mind’s eye all the days he had spent at that special place.

Returning to the box after spending an over or two elsewhere, I found him standing with his back to the cricket, about to address his friends. This time he was not talking about cricket. ‘Do you know,’ he asked them, ‘what I consider to be the most beautiful line in all literature?’ …

…Simply this: ‘That beautiful evening Compton made 70.’…” (The Spectator, 29th December 2008)

And then I read Times...

A report in The Times of India January 15, 2009 is headlined: ‘Hayden greater than Sachin.’

Donald Bradman - the unquestioned supreme deity of batting - said Sachin Tendulkar reminded him of himself more than anybody before or since. You might think Sachin can, thus, safely consider the No. 2 slot in a list of all-time greats his for the taking.”

Notice the impunity with which TOI is manipulating Bradman’s words.

Report continues: “But you would be wrong, or so says the ICC. Sachin isn’t even in the top 20 Test batsmen , according to new ICC "best ever" ratings.”

The report does not mention who those “top 20 Test batsmen” are. Therefore, I decided to find out more. I found it here.

ICC website very clearly says: ICC Best-Ever Test Championship Rating. Note it does not say: “ICC Test Championship Rating of Players.”

It is an attempt by the ICC to rate the best-ever test-cricket patch of a player. That is why Donald Bradman’s entry reads:

ID Rat. Name Nat. Career Best Rating
1 961 D.G. Bradman AUS 961 v India, 06/02/1948

If the ICC wanted to only rate players, there was no need to include the period and the opposition.

Look at following two entries:

20 916 S.M. Gavaskar IND 916 v England, 30/08/1979
26 898 S.R. Tendulkar IND 898 v Zimbabwe, 21/02/2002

It means Gavaskar’s 1978-79 patch was ‘better’ at number 20 than Tendulkar’s in 2001-02 patch at number 26.

But why did I bother about this? Isn't newspaper business only "yelling about the axe murder"?


Artist: William Steig, The New Yorker, 21 October 1933

Thursday, January 15, 2009

What did the Three Wise Men First Discover at Satyam?

“In a swift action to salvage the beleaguered Satyam Computer Services, the Centre on Sunday set up a three-member board by nominating HDFC chairman Deepak Parekh, the former Nasscom president, Kiran Karnik, and the ex-SEBI member, C. Achutan, as independent directors to take charge of the Hyderabad-based IT major and chart out the future course of action…”
(The Hindu, January 12, 2009)



Artist: Leo Cullum, The New Yorker, January 12 2009, Cartoon Caption Contest 177

My caption:

“His internationally reputed auditors have certified that what he is wearing are shoes and that they are the same size.”

Monday, January 12, 2009

Satyam Saga’s Taken My Mind Off Pune’s Vanished Winter

Winter that was supposed to have arrived in November 2008 has yet to visit Pune as of January 11, 2009.

Pune’s winter was once reputed to bring pinkness to a fair skin.

This topsyturvy of weather has brought illnesses into my family.

However...



‘At least the meltdown’s taken my mind off global warming.’

The Spectator

My caption:

“At least the Satyam saga’s taken my mind off Pune's vanished winter."