मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Monday, February 07, 2011

A Great Comet, in my face

Kent Brockman: "Today, Springfield will experience a rare total eclipse of the sun. A solar eclipse is like a woman breast-feeding in a restaurant. It's free, it's beautiful, but under no circumstances should you look at it..."

(The Simpsons, Season 20, Episode 13: "Gone Maggie Gone")

This winter the moon shone so brightly in the morning sky that I just couldn't ignore it.

Even if I don't see it, the moon always plays on my mind.

During the childhood, we often sat outside our house and talked about the moon as if she was our neighbour. Not just that as if she was sitting next to us...(I was so sure she kept a pet rabbit).

But today I don't think the moon plays any significant role in my son's life. I don't know if he even notices it.

It was our mother who often asked us to look at the skies with naked eyes and take in the beauty...Venus, Mars, Saturn, Jupiter, Comets...

Talking of comets, I distinctly remember how one day before the daybreak she woke us up to show either of these two great comets: Kohoutek (1973) or West (1975-76).

I was a bit scared by the beauty in the sky- kind of Maynard from the picture below if he acted on his wife's advice and went out- because the comet was almost in my face.


Artist: Charles Addams, The New Yorker, 25 July 1983

Thursday, February 03, 2011

Can Black Magic Making Jobs be Bangalored?

(Today Vasant Sarwate वसंत सरवटे one of the chief inspirations for this blog and who has appeared here dozens of times turns 84.

Happy birthday, Sir.

Compel us to look at ourselves...
Removing the glasses (blindfolds?)...
आम्हास आम्ही पुन्हा पहावे काढूनि चष्मा डोळ्यावरचा...

One more time.)


The Times of India dated February 2 2011:

"B S Yeddyyurappa, Karnataka Chief Minister:

There is a conspiracy to eliminate me through black magic."

Indian Express August 18, 2007 reported:

“…the (Indian) Prime Minister Manmohan Singh revealed how the BJP had tried to invoke divine forces not just to unseat him, but to kill him.

“They (BJP) didn’t even believe I would last as the PM and some leaders even did havans that I should die on a certain day,” said Manmohan Singh in an interview to India Today three months ago but published today…”

(More than 3 years later, BJP is trying to unseat him using other means!)

On November 20, 2007, The Hindu reported:

“The former (Karnataka) Chief Minister B. S. Yeddyurappa on Monday charged the former Prime Minister H.D. Deve Gowda and his sons with resorting to “black magic” to finish him off.

“I am facing a threat to my life. I know the places where they did pujas under black magic. I will write to the Home Department on Tuesday complaining against the black magic of Mr. Gowda and his sons. They will be responsible if anything happens to my life,” he said.

He said he would also write a public document in this regard.”

I wonder if this "public document" has come in public domain after more than 3 years.

I have seen this all in corporate world.

Then, 1989-92, I worked for a major multi-national company in Eastern India. Wife of its Managing Director firmly believed that her husband was the target of Bhanamati, black magic and related stuff.

And who was doing it?

None other than his own sister!

Mantrik used to often visit them and objects like bones (animal or human?) were hung at different places to counter the magic.


Artist: Charles Addams, The New Yorker, 21 Apr 1956

My caption: "Honey, Stop wasting your time here. Pack Your needles. You have a plum job waiting in Bangalore."

Tuesday, February 01, 2011

Why, why no David Hume, Vinda?

Simon Blackburn, July 2013:

"...I admire a great many of his (David Hume's) doctrines. The other, perhaps more personal, is that I very much admire and love him as a man. He lived an admirable life and a warm, generous spirit breathes through all his writings. I find that very attractive..."

Amartya Sen, Dec 14 2011:

"David Hume was born three hundred years ago, in 1711. The world has changed radically since his time, and yet many of his ideas and admonitions remain deeply relevant, though rather neglected, in the contemporary world. These Humean insights include the central role of information and knowledge for adequate ethical scrutiny, and the importance of reasoning without disowning the pertinence of powerful sentiments. They also include such practical concerns as our responsibilities to those who are located far away from us elsewhere on the globe, or in the future. 

 
Hume's influence on the nature and reach of modern thinking has been monumental. From epistemology to practical reason, from aesthetics to religion, from political economy to philosophy, from social and cultural studies to history and historiography, the intellectual world was transformed by the enlightening power of his mind. In his own time, Hume’s ideas encountered considerable resistance from more orthodox thinkers. One result of this was his being rejected for philosophy chairs first at Edinburgh University and then at the University of Glasgow. Yet the influence of Hume’s ideas has grown steadily and powerfully over time. Indeed, as Nicholas Phillipson remarks in his insightful biography David Hume: The Philosopher as Historian: “David Hume’s reputation has never been higher.”..."


I have already rued the fact that the late Vinda Karandikar (विंदा करंदीकर) didn't choose David Hume as one of the eight philosophers he chose to showcase in his book ‘ASHTADARSHANE’ (अष्टदर्शने), 2003.

More I read about Hume, more strongly the feeling grows.

John Gray writes:

"...(Immanuel) Kant wrote that David Hume aroused him from dogmatic slumber. He was certainly shaken by the great eighteenth-century Scottish philosopher’s profound scepticism. Traditional metaphysicians claimed to demonstrate the existence of God, the freedom of the will and the immortality of the soul. In Hume’s view, we cannot even know that the external world really exists. Indeed we do not even know that we ourselves exist, since all we find when we look within is a bundle of sensations. Hume concluded that, knowing nothing, we must follow the ancient Greek Sceptics, and rely on nature and habit to guide our lives..."

('Straw Dogs: Thoughts on Humans and Other Animals', 2002)

And if I still wanted one more reason for the loss, here is one.

The Economist dated Jan 27 2011:

"...If Mr Miller had included the sunny and admirable David Hume and some other less troubled souls in his portraits, his gallery of philosophers could have been brighter overall..."


Artist: Henry Martin, The New Yorker, 5 November 1979

My caption:

Present- Descartes, Spinoza, Kant, Hegel, Schopenhauer, Nietzsche, Bergson, Charvak (Missing: David Hume and also George Santayana)

Monday, January 31, 2011

Sadanand Rege on Leo Tolstoy

As mentioned earlier, this is the death centenary year of Leo Tolstoy.

On January 31, 2011, I came across this poem of Sadanand Rege (सदानंद रेगे).


(Enlarge/ zoom-in this image in another window to get a better view)

courtesy: 'Akshar Gandharv' (अक्षर गंधर्व) by P S Nerurkar (प्र श्री नेरुरकर), 1987

"...
मला काहीच ऐकायला येत नव्हत.
मीच एक फांदी झालो होतो
नि तिथल्या वार्याबरोबर आंदुळत होतो."


Location: Yasnaya Polyana
courtesy: AFP

Sunday, January 30, 2011

Are we paying any attention to the first Sun?

Gayatri Mantra for Sun:

"Om Asva dhvajaya vidmahe, pasa hastaya dhimahi, tanno Suryah prachodayat"

( अस्व ध्वजय विद्महे
पसा हस्तय धीमहि
तन्नो सूर्य प्रचोदयात)


They say: The Earth could soon have a second sun.

Unlike in CE 1054, India surely will notice and record the event.

But in general have we really learnt to pay attention?



Artist: Bill Watterson, Creator of Calvin and Hobbes who often makes my day because The Asian Age publishes his syndicated cartoon strip.

In case captions in the picture above are not readable:

Calvin: That cloud of stars is our galaxy, the milky way. Our solar system is on the edge of it.

Calvin: We hurl through an incomprehensible darkness. In cosmic terms, we are subatomic particles in a grain of sand on an infinite beach.

Calvin:

Calvin: I wonder what's on TV now.

Wednesday, January 26, 2011

Five Best: Patriotic Songs

1. Muhammad Iqbal's "Saare Jahan Se Achcha" played by Indian military band

2. Bankimchandra Chattopadhyay's "Vande Mataram" sung by Lata Mangeshkar for film 'Anand Math'. (Music director: Hemant Kumar)

3. Vinayak Damodar Savarkar's "Jayostute Shree Mahan Mangale" sung by Mangeshkar siblings

4. Vinayak Damodar Savarkar's "Sagara Pran Talmalala" sung by Mangeshkar siblings

5. "O Mera Rang De Basanti Chola" from Shaheed (1965) Music Director: Prem Dhawan Singers: Mukesh, Mahendra Kapoor, Rajendra Mehta

5. G D Madgulkar's "he rashtra devatanche, he rashtra preshitanche aa chandra-surya nando, swatrantra bhaaratache" (Singer : Rani Verma Music : C. Ramchandra Movie : Gharkul Year : 1970)


Artist: Alan Dunn, The New Yorker, 29 November 1941

p.s. The Internationale is a famous socialist, communist, social-democratic and anarchist anthem.

Monday, January 24, 2011

मन भीमसेन रंगी रंगले

What does one say

when season changes,

another birthday comes and goes,

friend departs,

crow that perches on your balcony every day stops doing so without a warning,

neighbourhood friendly cat who trusted you enough to kitten in your house dies,

stray dog you see every day is without a leg one morning,

a booming (and yet soothing) voice that defined your world, however small and insignificant, is silenced...

Not for me, Dylan Thomas's "Rage, rage against the dying of the light".

Instead only the acceptance of, to paraphrase Sadanand Rege (सदानंद रेगे),

"आमचीही वही कोरी होत चाललीय...".

The only consolation:

"भीमसेन कसले मेले? भीमसेन गातचि बसले"

Saturday, January 22, 2011

Literature in the Time of Plague and Flu

John Gray: The peace and prosperity of one generation stand on the injustices of earlier generations; the delicate sensibilities of liberal societies are fruits of war and empire. The same is true of individuals. Gentleness flourishes in sheltered lives; an instinctive trust in others is rarely strong in people who have struggled against the odds. The qualities we say we value above all others cannot withstand ordinary life.

Wikipedia: The 1918 flu pandemic (the Spanish Flu) killed as many as 17 million in India, about 5% of the population.

I haven't read a single book of Philip Roth. Not even the one I have with me- 'The Professor of Desire'!

But I have read tens of reviews of his work.

For FT review of his latest book "Nemesis", Adrian Turpin says:

"Philip Roth’s fifth short novel in five years is a perfectly proportioned Greek tragedy played out against the background of the polio epidemic that swept Newark, New Jersey, during the summer of 1944..."

Although some of us witness some pseudo scares like H1N1 in 2009 in Pune, we cannot even begin to understand what an epidemic does to a society. However, our not-very-distant-forefathers lived in such times.

Sadly, I have not come across many good Marathi books where an epidemic has cast a large shadow.

A few exceptions are C V Joshi's (चिं. वि. जोशी) 'Rahat-gaadagan' (रहाट-गाडगं), Laxmibai Tilak’s (लक्ष्मीबाई टिळक) 'Smritichitre' (स्मृतिचित्रे) and Natyachhatakar Diwakar's (नाट्यछटाकार दिवाकर) monologues.

I am sure there are a few more that I have not read. But not many, not surely in the class of Roth, Joshi, Tilak and Diwakar at any rate.

Pune in 1897 was shaken by the murder of W. C. Rand of ICS by Chapekar brothers. Wikipedia claims that "This action of the Chapekars has been considered the worst violence against political authority seen anywhere in the world during the third plague pandemic."

Maybe but there is no good book- like say Godse Bhatji's (गोडसे भटजी) 'Maza pravas' (माझा प्रवास) for events of year 1857- in Marathi describing that epidemic, to make us relive those times in Pune.

Marathi poet Keshavsut (केशवसुत), 39 - who some consider a great one- and his wife died in a plague epidemic of 1905 at Hubli. He died on November 7 that year. There was some confusion on the exact date of his death. I was touched reading the efforts put in by Natyachhatakar Diwakar ['Samagra Diwakar' (समग्र दिवाकर) edited by Sarojini Vaidya (सरोजिनी वैद्य), 1996] to establish the correct date. (Diwakar himself died of flu at the age of 42.)

Sadanand Rege (सदानंद रेगे), whose brilliance and eclecticism are seldom matched in 20th century Marathi writings, has written a moving poem on this.


(double click on the image to get a larger, readable view)

[courtesy 'Aksharvel' (अक्षरवेल), 'Popular Prakashan' (पॉप्युलर प्रकाशन),1957]

[p.s. last three lines of the poem are from the best poem of Keshavsut 'Zapurza' (झपुर्झा). Just for inventing the word 'Zapurza', Keshavsut for me was an extraordinary talent.]

I said earlier that we cannot even begin to understand what an epidemic does to a society.

Or do we?

TONI BENTLEY: “Cosmetic surgery is now so prevalent that it could qualify as a national epidemic. And under all that Botox — the gateway procedure — as well as the face-lifts and tummy tucks, lies a sinister story, as deep as it is shallow.”


Courtesy: The Spectator

Tuesday, January 18, 2011

Duniya Banane Wale...

The other day I was watching, one more time, my favourite film 'Teesri Kasam' (तीसरी क़सम, 1966).

What a journey! I wish I were a bullock to participate in it.

A song there asks a question:

"Duniya Banane Wale Kya Tere Man Mein Samaayi
Kaaheko Duniya Banayi
"?


Artist: Sam Gross, The New Yorker

(For selection of pictures by Mr. Gross go to Cartoonbank.com by using this link.)

If this is true, the lyricist may want to ask this question:

"If you knew you might not have time to look after it, why did you create it in the first place?"!

Friday, January 14, 2011

ऐ मेरे वतन के लोगो

"...कोई सिख कोई जाट मराठा
कोई गुरखा कोई मदरासी
सरहद पे मरनेवाला
हर वीर था भारतवासी

जो ख़ून गिरा पर्वत पर
वो ख़ून था हिंदुस्तानी
जो शहीद हुए हैं उनकी
ज़रा याद करो क़ुरबानी..." कवि प्रदीप

Stanley Crouch:
…heroes need huge obstacles to teach them what they must know in order to achieve the victories demanded of them.

Dominic Sandbrook:
Despite all the patriotic American nonsense about the "greatest generation", (Antony) Beevor shows that there were remarkably few heroes. There were rarely "more than a handful of men prepared to take risks and attack," he says; most men just wanted to get home in one piece and "somebody else to play the role of hero". Surveys showed that if a few broke ranks and fled, the rest would follow; in most engagements, as many as half never fired a shot.

This could be true of Panipat 1761 too but the important thing is there were "few heroes". And today is the day to remember them one more time. Let us also not forget their mounts- ponies, elephants, camels, bullocks...(read a related post here).

Remembering those who died 250 years ago today on Makar Sankranti day January 14 1761 at Panipat whose great valour was praised in lofty terms by none other than the enemy who vanquished them...

They made the supreme sacrifice NOT in the name of
a Caste,
a Religion,
a Language,
a Region...

but, maybe unwittingly, to preserve the idea of tolerant, pluralistic, multilingual, multiethnic India...

Read a related post that was written to mark the beginning of the anniversary year on January 15 2010 here.

Joseph Campbell: "A hero is someone who has given his or her life to something bigger than oneself. ”


Artist: Pablo Picasso

(Ignore the name of the artist for a moment and look at the picture again.

Isn't it still deeply moving?

Don, Sancho, bright sun, high ideals, dreams, castles, princesses, mounts, spear, shield, windmills...Who is to say victory or defeat?

I still remember my confusion reading Mahabharat that when Yudhishthira reaches the heaven he finds Kauravas who were killed in the battle- and not his brothers who died during the journey- having good time.)