मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Thursday, April 27, 2023

Corner Office In Labyrinth...The World Is A Divine Comedy

John Gray on G K Chesterton:
"...Though some have tried to interpret The Man Who Was Thursday as a type of Christian allegory, the world it describes has more in common with the interminable labyrinth of Kafka's Castle. In the orderly Christian cosmos, in which Chesterton wanted to believe, nothing is finally tragic, still less absurd. The world is a divine comedy, the ultimate significance of which is never in doubt. In The Man Who Was Thursday, the world is illegible and may well be nonsensical. This was the nightmare he struggled, for the most part successfully, to forget. Producing a succession of wearisome polemics and mechanical paradoxes, he spent his life denying the vision that informed his greatest work...."

 
 Artist: Sofia Warren, The New Yorker,  March 2019

Monday, April 24, 2023

एखादी देवता आपले मूल कडेवर घेऊन त्याच्याकडे मातृप्रेमाने पाहात आहे, असे तुला कधी दिसले आहे? ...Yes, G. A. -Sir

 जी. ए. कुलकर्णी, 'ऑर्फियस', "पिंगळावेळ", १९७७,  पृष्ठ १३:
"... एखादी देवता आपले मूल कडेवर घेऊन त्याच्याकडे मातृप्रेमाने पाहात आहे, असे तुला कधी दिसले आहे? नाही...."


 

Sunday, April 23, 2023

Sunday, April 16, 2023

मर्लिन मुनरो आणि विनोद खन्ना पाणी पिताना ....Marilyn Monroe and Vinod Khanna Drinking Outdoors


























शोले हून मला किती तरी जास्त आवडलेला , राज खोसला यांचा मेरा गाव मेरा देश , १९७१... आम्ही असे घरात पडत असू पाण्याच्या समोर!

Thursday, April 13, 2023

All the Gods and Mortals Once Sought it Together But....Honey


‘The Rig Veda: An Anthology: One hundred and eight hymns’  selected, translated and annotated by Wendy Doniger:

“I have tasted the sweet drink of life, knowing that it inspires good thoughts and joyous expansiveness to the extreme, that all the gods and mortals seek it together, calling it honey” (8:48, 1)

Sadie Stein, The Paris Review, March 2016:

“.....In some ways, honey’s rise seems more improbable, more like a triumph of marketing. Indeed, it gives all those current-day Stevia manufacturers reason to hope. Because at some point honey lost its reputation as a specialty ingredient. It became the only sweetening option available to Utah settlers. It became Pooh’s drug of choice; a crank’s hippie sweetener; and then, at last, a ubiquitous plastic bear available on every supermarket shelf for a few dollars, even though it proverbially lasts for eons. Here is a glamorous 1960s Bit-O-Honey commercial extolling its social virtues:

“Honey!” I said aloud when I laid eyes on the packets. A woman next to me looked up. “To think,” I said urgently. “It was in the pharaohs’ tombs! It was eaten by Nero! And here it is, free!”

She smiled politely—best-case scenario, really—and walked away, and of course I took sugar for my coffee...”


An ad for French honey
Artist: Unknown to me