मेघदूत: "नीचैर्गच्छत्युपरि दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… . . 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Sunday, November 23, 2025

This Year Fibonacci Day is Special After Reading The Golden Road

 Today November 23 is Fibonacci Day. 

This year it feels special after reading William Dalrymple's book "The Golden Road: How Ancient India Transformed the World"...

"...Five hundred years later, in 1205, Leonardo of Pisa, known by his nickname ‘Fibonacci’, returned from Algeria to Italy with his father. Fibonacci had grown up in a Pisan trading post in Bejaïa, where he had learned fluent Arabic as well as Arab mathematics. Aged thirty-two, he wrote the Liber Abaci, the ‘Book of Calculation’. It was he who first popularised in Europe the use of what were later thought of as ‘Arabic numerals’, so seeding the commercial revolution that financed the Renaissance and in time, as these ideas spread north, the economic rise of Europe.

But these numbers were not Arabic in origin. As Fibonacci and his Arab masters recognised, they were Indian. ‘When my father held the post of notary at the customs house at Bejaïa, he arranged for me to come to him when I was a boy,’ wrote Fibonacci in the introduction to his Liber Abaci.

Because he thought it useful for me, he wanted me to spend a few days there in the mathematical school, and to be taught there.

Here I was introduced to a wonderful kind of teaching that used the nine figures of the Indias. With the sign 0, which the Arabs call zephyr (al-sifr), any number whatsoever can be written. Getting to know this pleased me far beyond all else … Therefore concentrating on this method, I made an effort to compose this book, so that those seeking knowledge of this can be instructed by such a perfect method and so that in future the Latin race may not be found lacking this knowledge....

Fibonacci became probably the greatest mathematician of the European Middle Ages...

...The solution, generation by generation, was a series of numbers known as the celebrated Fibonacci Sequence. This was in turn related to the Golden Ratio, which Fibonacci realised was something which kept reappearing in nature: the spiralling of the chambers of the nautilus shell, for example, obeys this ratio. Although Fibonacci’s Liber Abaci contains the earliest known description of the sequence outside India, the sequence had been described by Aryabhata as early as the sixth century..."