मेघदूत: "नीचैर्गच्छत्युपरि च दशा चक्रनेमिक्रमेण"

समर्थ शिष्या अक्का : "स्वामीच्या कृपाप्रसादे हे सर्व नश्वर आहे असे समजले. पण या नश्वरात तमाशा बहुत आहे."

G C Lichtenberg: “It is as if our languages were confounded: when we want a thought, they bring us a word; when we ask for a word, they give us a dash; and when we expect a dash, there comes a piece of bawdy.”

C. P. Cavafy: "I’d rather look at things than speak about them."

Martin Amis: “Gogol is funny, Tolstoy in his merciless clarity is funny, and Dostoyevsky, funnily enough, is very funny indeed; moreover, the final generation of Russian literature, before it was destroyed by Lenin and Stalin, remained emphatically comic — Bunin, Bely, Bulgakov, Zamyatin. The novel is comic because life is comic (until the inevitable tragedy of the fifth act);...”

सदानंद रेगे: "... पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय. ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे."

".. त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही. तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत...तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे. म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल. कारण हा जो अनुभव आहे... आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत....."

Kenneth Goldsmith: "In 1969 the conceptual artist Douglas Huebler wrote, “The world is full of objects, more or less interesting; I do not wish to add any more.”1 I’ve come to embrace Huebler’s ideas, though it might be retooled as “The world is full of texts, more or less interesting; I do not wish to add any more.” It seems an appropriate response to a new condition in writing today: faced with an unprecedented amount of available text, the problem is not needing to write more of it; instead, we must learn to negotiate the vast quantity that exists. How I make my way through this thicket of information—how I manage it, how I parse it, how I organize and distribute it—is what distinguishes my writing from yours."

Tom Wolfe: "The first line of the doctors’ Hippocratic oath is ‘First, do no harm.’ And I think for the writers it would be: ‘First, entertain.’"

विलास सारंग: "… इ. स. 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली , त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय: लुप्त झाले...आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे."

Wednesday, December 17, 2025

श्रीरामाचे दुर्दैव ...Shri Rams's Misfortune

आरण्यकांडातील काही श्लोक .... आय आय टी कानपूरच्या रामायणावरून

राज्यं भ्रष्टं वने वासस्सीता नष्टा हतो द्विजः।
ईदृशीयं ममालक्ष्मीर्निर्दहेदपि पावकम्।।3.67.24।।

I have been expelled from the kingdom. I am made to stay in the forest. I have lost Sita (my beloved wife). This bird (who was my wellwisher) has been slain. Such misfortune will burn even fire.

सम्पूर्णमपि चेदद्य प्रविशेयं महोदधिम्।
सोऽपि नूनं ममालक्ष्म्या विशुष्येत्सरितांपतिः।।3.67.25।।

Now if I enter even the great sea, the lord of the rivers filled with water, it will also dry up due to my misfortune.

नास्त्यभाग्यतरो लोके मत्तोऽस्मिन्सचराचरे।
येनेयं महती प्राप्ता मया व्यसनवागुरा।।3.67.26।।

In this world of the animate and the inanimate there is no one more unfortunate than me fallen into the trap of adversities.

अयं पितृवयस्यो मे गृध्रराजो जरान्वितः।
शेते विनिहतो भूमौ मम भाग्यविपर्ययात्।।3.67.27।।

This aged king of birds is my father's friend. To my illluck, he is struck down and is lying on the ground.


 'The Picture Ramayana', 1916 by HH Bhawanrao Shriniwasrao Pant Pratinidhi (1868- 1951), ex-ruler of Aundh


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