Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
Monday, January 10, 2011
Sangeet Manapman, one of the greatest Marathi entertainers will be 100 soon!
George Orwell:”The only true test of artistic merit is survival.”
“Sangeet Saubhadra” (संगीत सौभद्र) by Annasaheb Kirloskar (अण्णासाहेब किर्लोस्कर), the greatest Marathi entertainer of 19th/20th century combined, completed 125 years of its staging on November 18, 2007. Read more about it here.
(The only rivals of these two are Loknatya /Tamasha performed by the likes of Dada Kondke दादा कोंडके among a few others.)
Sangeet Manapman (संगीत मानापमान) was first staged on March 12 1911.
I have yet to hear a better music album than that...and one of the best songs ever 'Prem Seva Sharan' (प्रेम सेवा शरण) sung by Asha Bhosle (आशा भोसले) and earlier her father Dinanath Mangeshkar (दीनानाथ मंगेशकर)... (My father wrote the first biography of Mother Teresa in Marathi. Its title: 'प्रेम सेवा शरण' 'Love, Service, Surrender')
Writer- Krushnaji Prabhakar Khadilkar कृष्णाजी प्रभाकर खाडिलकर
Music- Govindrao Tembe गोविंदराव टेंबे (Read a post on him here.)
Cast- Joglekar जोगळेकर , Ganpatrao Bodas गणपतराव बोडस...Bal Gandharva बालगंधर्व
Baldanharva's only daughter died on the morning of March 12 1911 but the show went on...
Following is from one of the best Marathi books of 20th century that also won Sahitya Akademi Award in 1958: 'Bahurupee' ('बहुरूपी') by Chintaman Ganesh Kolhatkar (चिंतामण गणेश कोल्हटकर), first published October 1957.
Krushnaji Prabhakar Khadilkar
K P Khadilkar's hand writing
2 comments:
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आपण आज ज्याची आठवण आम्हाला करून देत आहात, त्याचे अगत्य वाटले. आज ही नाटके पाहायला मिळत नाहीत. निदान त्यातील गाणी ऐकायला मिळतात, हे आपले सौभाग्य आहे. आपल्या समयोचित ब्लॉगबद्दल मनःपूर्वक आभारी आहे. कालांतराने कै. मो.ग. रांगणेकर यांनी मराठी रंगभूमीला जे नवजीवन प्राप्त करून दिले, त्याची आठवण येथे आल्यावाचून राहत नाही.
ReplyDeleteमंगेश नाबर
Thanks Mangesh.
ReplyDeleteWhen I read your words, I often think it really was worth it.
Thanks again,