I laughed my head off when I saw this on Feb 22 2024...
artist: Dan Misdea
The Son of Man, 1964 by René Magritte
Launched on Nov 29 2006, now 2,100+ posts...This bilingual blog - 'आन्याची फाटकी पासोडी' in Marathi- is largely a celebration of visual and/or comic ...तुकाराम: "ढेकणासी बाज गड,उतरचढ केवढी"...George Santayana: " Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence"...William Hazlitt: "Pictures are scattered like stray gifts through the world; and while they remain, earth has yet a little gilding."
I laughed my head off when I saw this on Feb 22 2024...
artist: Dan Misdea
तारारूपाणि यानीह दृश्यन्ते द्युतिमन्ति वै । दीपवद् विप्रकृष्टत्वादणूनि सुमहान्त्यपि ॥३.४३.३०॥ (महाभारत, आरण्यकपर्व) " The luminous stars, thought really very large, appear small and twinkle like lamps on account of their great distance. "
लहानपणी मिरजेला अनेक वेळा घरासमोरील त्यावेळी कमी रहदारी असलेल्या रस्त्यात रात्र पडल्यावर बसत असू (आम्हाला अंगण आणि गच्ची नव्हते) आणि साहजिकच नजर वरती जाऊन चंद्राची अनेक रूपे , चांदण्या पहिल्या आहेत... चंद्र अगदी घरचा वाटे... त्याच्या पृष्ठभागावर कल्पना करू ती गोष्ट दिसत असे... हरीण, ससा वगैरे... आता आकाशाकडे केंव्हातरी पाहतो...
Rebecca Boyle reviewing "Starborn: How the Stars Made Us (and Who We Would Be Without
Them)" By Roberto Trotta, 2024 for WSJ:
"...The vast majority of humans today have never seen an unpolluted, natural night sky. They have never seen the gauzy stripe of the Milky Way arcing overhead on a summer evening, the fuzz of the Andromeda Galaxy, the faint stars that fill in the empty space between the brightest constellations. It is a great paradox of our age that even as the night sky is screened by a haze of artificial lighting, the glowing rectangles we hold in our palms can bring us to the edges of the universe. As Mr. Trotta artfully puts it: “The pixelized ghosts of photons that chanced to fall onto the mirrors of our giant telescopes after a few billion years’ journey through space are served up from the cloud in an instant.”..."
John Gray:
"...In a well-known passage at the end of Civilization and Its Discontents (1930), Freud declared: “I have not the courage to rise up before my fellow-men as a prophet, and I bow to their reproach that I can offer them no consolation…” What is most in demand at the start of the 21st century, in contrast, is consolation and nothing else. Enlightenment fundamentalism—the insistence by writers such as Christopher Hitchens and Richard Dawkins that our salvation lies in affirming a highly selective set of “Enlightenment values”—serves this emotional need for meaning rather than any imperative of understanding. Like the religions they disparage, but with less profundity and little evident effect, the varieties of Enlightenment thinking on offer today are balm for the uneasy soul. The scientific-sounding formulae with which they appease their anxiety—the end of history, the flat world, the inexorable but forever delayed process of secularisation—are more fantastical than anything in Freud’s “gloomy mythology.”..."
In Maharashtra, for a group of people, Richard Dawkins has been a 'deity' oops "a great social reformer" for some time!...his takedown was necessary, of course the people I referred mayn't learn a thing from this...
I saw very ordinary Netflix documentary of Albert Einstein ("Einstein and the Bomb") in February 2024. An important scene (that I liked) there is of Sir Jacob Epstein making his portrait bust in 1933.
I was going through Epstein's book "Let There Be Sculpture", 1940 where he has written about his making of bust of Rabindranath Tagore in 1926.
Epstein writes: "...“I am he that sitteth among the poorest, the loneliest, and the lost.”
This quotation from Gitanjali was strangely contradicted by my sitter, whose handsome, commanding presence inspired in his followers awe and a craven obedience. On entering my house I brought to him for presentation a little Indian boy, Enver, who was living with me. He was the son of Sunita. Tagore looked at him and asked, “A Hindu?” I said, “No, a Moslem,” whereat Rabindranath lifted his eyes to the ceiling and passed on...The manners of Tagore were aloof, dignified, and cold; and if he needed anything only one word of command to his disciples escaped him.
It has been remarked that my bust of him rests upon the beard, an unconscious piece of symbolism."
मराठीतील एक अप्रतिम कविता म्हणजे कवी गोविंदांची (१८७४-१९२६)
"सुंदर मी होणार, आतां सुंदर मी होणार !
सुंदर मी होणार । हो । मरणाने जगणार ।धृ.।
....
मी १२ वर्षांचा असताना , माझ्या डोळ्यादेखत, भारतीय हॉकी ची अवस्था १९७२ च्या म्युनिक ऑलिम्पिक मध्ये वाईट झाली.
त्या वर्षी ब्रॉन्झ मिळाल्यावर प्रचंड टीकेचा आणि उपहासाचा सामना करायला लागला होता. १९७५ साली आपण कसाबसा वर्ल्ड काप जिंकला खरा पण आपली घसरण सुरु झाली आहे अशी भीती वाटायला लागली होती. ती खरी ठरली. नंतर ब्रॉंझ सुद्धा मृगजळ ठरू लागले.
२०२१ सालच्या टोकियो ऑलिम्पिकस पर्यंत मी सर्वआशा सोडल्या होत्या.
पण भारताची मोडलेली, अपंग हॉकी त्या वर्षी पुन्हा सुंदर झाली , आणि आज चार वर्षांनंतर तिचे सौन्दर्य कायम आहे....
माझे बालपण परतले , श्रावण मासी , हर्ष मानसी अशी अवस्था ह्या पदकाने सर्वात जास्त झाली आहे
Indian Hockey team with their bronze on August 8 2024
Islam Issa, 'Alexandria: The City that Changed the World', 2024:
"...Alexandrians also made the most of their location to travel. In the second century BCE, the Ptolemies learnt how to use the monsoon winds to sail directly from the Red Sea to the Indian coast, thus taking complete control of the Red Sea ports. Strabo records fleets of more than 120 ships setting sail towards India. According to a cargo list on a papyrus discovered in the late twentieth century, a huge ship named Hermapollon crossed the Indian Ocean and its crew returned to Alexandria with some 140 tonnes of pepper, 80 boxes of muskroot plants and 167 elephant tusks weighing 3.3 tonnes. On other occasions, they would return with sparkling gemstones and pearls, in addition to fine silks. They also brought back malabathrum (a cinnamon-like plant) and spikenard (a honeysuckle plant) whose leaves were pressed to make essential oils for perfume and medicine...."
"...The act of imagining Alexandria’s past inspired Cavafy to understand its present. In ‘Alexandrian Kings’, he visualises Cleopatra and Antony’s festival in which the queen crowned her children, insinuating that the whole population has always been able to see through the political façades:
and the Alexandrians rushed to the festival
filled with excitement, and shouted acclaim
in Greek, and in Egyptian, and some in Hebrew,
enchanted by the lovely spectacle −
though they knew what they were worth,
what empty words these kingdoms were...."
Alexander’s incredibly lavish funeral procession, as imagined by Andrew Bauchant, 1940